ÉVALUATION IMDb
4,7/10
1,5 k
MA NOTE
Ajouter une intrigue dans votre langueAnne and Freja seek revenge on the men who murdered their family. They end up in Stockholm, where they are drawn into a political power struggle between Sweden and Denmark which culminates i... Tout lireAnne and Freja seek revenge on the men who murdered their family. They end up in Stockholm, where they are drawn into a political power struggle between Sweden and Denmark which culminates in a mass execution.Anne and Freja seek revenge on the men who murdered their family. They end up in Stockholm, where they are drawn into a political power struggle between Sweden and Denmark which culminates in a mass execution.
- Prix
- 3 nominations au total
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This could actually have been great if the aim was a coherent story about one of the most interesting and dramatic events in Nordic history,
Clearly made for a global Generation Z Netflix generation it aims big. It's loud, there's alot of swearing and frequent use of the F-word and the costumes, scale and the vibe is pretty much spot on.
But at the same time it doesn't trust its audience, meaning that danish and swedish actors all speak english, most with an accent. But why? To maximize the potential for it to be a hit when it hits streaming? This is a weird choice for a period piece, Actually it's as cringe as if Hitler spoke english in the epic germanmade movie called 'Der Untergang' ('The Downfall').
But I could forgive all that if I was engaged in the plot. But I wasn't. Imagine that... there's so much they could have done with this. So many directions and opportunites. They just had to stick to one clear narrative. Because one moment it's trying to be Game of Thrones, the next a Shakespearean drama and the next something entirely else.
It was like being served a main course with a steak, a cake and a piece of pineapple on the plate. Each indiviually great tasting it itself, but mixed together....
Clearly made for a global Generation Z Netflix generation it aims big. It's loud, there's alot of swearing and frequent use of the F-word and the costumes, scale and the vibe is pretty much spot on.
But at the same time it doesn't trust its audience, meaning that danish and swedish actors all speak english, most with an accent. But why? To maximize the potential for it to be a hit when it hits streaming? This is a weird choice for a period piece, Actually it's as cringe as if Hitler spoke english in the epic germanmade movie called 'Der Untergang' ('The Downfall').
But I could forgive all that if I was engaged in the plot. But I wasn't. Imagine that... there's so much they could have done with this. So many directions and opportunites. They just had to stick to one clear narrative. Because one moment it's trying to be Game of Thrones, the next a Shakespearean drama and the next something entirely else.
It was like being served a main course with a steak, a cake and a piece of pineapple on the plate. Each indiviually great tasting it itself, but mixed together....
Three stars awarded for the two leads who at least put up a decent performance, but that's about it.
It tries to be a bit Kill Bill, a bit A Knights Tale and epically failing at both. The script is either bad or non-existent. I get the feeling that the director just put up a series of half assed improv-sketches in costumes and cut them together to resemble a movie. I am struggling to see a red thread or at least a plan at all behind it all.
Some yelling, some swashbuckling, some more yelling and everything wierdly cut together to a porridge of gore. Thank God Alba August and Sophie Cookson do a good job of killing Danes and being bad ass. With a narrative more focused on them and less on the group of yelling men trying to resemble Danes, this might have been at least watchable.
It tries to be a bit Kill Bill, a bit A Knights Tale and epically failing at both. The script is either bad or non-existent. I get the feeling that the director just put up a series of half assed improv-sketches in costumes and cut them together to resemble a movie. I am struggling to see a red thread or at least a plan at all behind it all.
Some yelling, some swashbuckling, some more yelling and everything wierdly cut together to a porridge of gore. Thank God Alba August and Sophie Cookson do a good job of killing Danes and being bad ass. With a narrative more focused on them and less on the group of yelling men trying to resemble Danes, this might have been at least watchable.
Mikael Håfström's "Stockholm Bloodbath" is a violent historical epic inspired by the infamous 16th-century massacre. The film attempts to weave a tale of revenge through the eyes of two sisters caught in a brutal power struggle between Sweden and Denmark. While it delivers on gore and features stylish cinematography and impressive costumes, critics often note its tonal inconsistencies, frequently veering between a serious historical drama and a misplaced dark comedy. The narrative can feel overstuffed with characters and subplots, sometimes losing sight of its central protagonists' emotional journey.
Is it worth watching? For those who appreciate historical epics with plenty of action and a high body count, it might be worth a watch, especially for the strong female performances. However, be prepared for a tonally messy experience with an often convoluted plot.
Is it worth watching? For those who appreciate historical epics with plenty of action and a high body count, it might be worth a watch, especially for the strong female performances. However, be prepared for a tonally messy experience with an often convoluted plot.
Mildly entertaining movie, better than many B-grade films. However, the dialogue is modern day, rather than period accurate, which makes it out of place, as is some of the music and dance sequences. There is a lot of strange split screen editing that just doesn't fit. The attempts at humor fall flat, as does the movies attempt to made the female leads into heroic avengers.
I had been looking forward to this movie with quite the anticipation and was quite happy to be able to watch it 12/12. However, my excitement was soon squandered.
From the get go we get a Tarantino vibe, the movie resonates Kill-Bill as we get introduced to whom appears to be the protagonist and the antagonists.
Some gallons of blood later the movie turns into a mess between historical, dead serious and embarassing.
I gad such high hopes for this movie but it falls flat because it doesn't know what it wants to be and therefore ends up being the mess that it is.
And the torture drags on. About 150 minutes of where I enjoyed perhaps 20.
From the get go we get a Tarantino vibe, the movie resonates Kill-Bill as we get introduced to whom appears to be the protagonist and the antagonists.
Some gallons of blood later the movie turns into a mess between historical, dead serious and embarassing.
I gad such high hopes for this movie but it falls flat because it doesn't know what it wants to be and therefore ends up being the mess that it is.
And the torture drags on. About 150 minutes of where I enjoyed perhaps 20.
Le saviez-vous
- GaffesThe main characters are two women with the surname "Eriksson". In the 16th century most of the population of Sweden, including nobility, used patronymic surnames. A person would have their father's name and the suffix "son" (son) if a man and "dotter" (daughter). The use of former patronymics as a family name only started to occur in the late 18th century and only became widespread in the 19th.
- Générique farfeluBrief what-happened-to sequence with Ulrich Thomsen after the end credits.
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Détails
Box-office
- Brut – à l'échelle mondiale
- 22 146 $ US
- Durée
- 2h 25m(145 min)
- Couleur
- Rapport de forme
- 2.39:1
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