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The Double

  • 2013
  • 14A
  • 1h 33m
ÉVALUATION IMDb
6,4/10
55 k
MA NOTE
Jesse Eisenberg in The Double (2013)
A comedy centered on a man who is driven insane by the appearance of his doppleganger.
Liretrailer1:23
10 vidéos
99+ photos
Comédie noireComédieDrameMystèreScience-fictionThriller

Un employé d'une agence gouvernementale trouve que sa vie peu enviable prend une tournure horrible avec l'arrivée d'un nouveau collègue qui est à la fois son double exact et son opposé: conf... Tout lireUn employé d'une agence gouvernementale trouve que sa vie peu enviable prend une tournure horrible avec l'arrivée d'un nouveau collègue qui est à la fois son double exact et son opposé: confiant, charismatique et séduisant avec les femmes.Un employé d'une agence gouvernementale trouve que sa vie peu enviable prend une tournure horrible avec l'arrivée d'un nouveau collègue qui est à la fois son double exact et son opposé: confiant, charismatique et séduisant avec les femmes.

  • Réalisation
    • Richard Ayoade
  • Scénaristes
    • Fyodor Dostoevsky
    • Richard Ayoade
    • Avi Korine
  • Vedettes
    • Jesse Eisenberg
    • Mia Wasikowska
    • Wallace Shawn
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,4/10
    55 k
    MA NOTE
    • Réalisation
      • Richard Ayoade
    • Scénaristes
      • Fyodor Dostoevsky
      • Richard Ayoade
      • Avi Korine
    • Vedettes
      • Jesse Eisenberg
      • Mia Wasikowska
      • Wallace Shawn
    • 186Commentaires d'utilisateurs
    • 248Commentaires de critiques
    • 68Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 victoire et 11 nominations au total

    Vidéos10

    International Trailer
    Trailer 1:23
    International Trailer
    U.S. Theatrical Trailer
    Trailer 2:24
    U.S. Theatrical Trailer
    U.S. Theatrical Trailer
    Trailer 2:24
    U.S. Theatrical Trailer
    The Double
    Clip 0:50
    The Double
    The Double: Hannah And Simon At The Diner
    Clip 0:50
    The Double: Hannah And Simon At The Diner
    The Double: Simon And James At The Diner
    Clip 1:17
    The Double: Simon And James At The Diner
    The Double: Hannah At The Photocopy Room
    Clip 1:23
    The Double: Hannah At The Photocopy Room

    Photos105

    Voir l’affiche
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    + 99
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    Distribution principale48

    Modifier
    Jesse Eisenberg
    Jesse Eisenberg
    • Simon…
    Mia Wasikowska
    Mia Wasikowska
    • Hannah
    Wallace Shawn
    Wallace Shawn
    • Mr Papadopoulos
    Yasmin Paige
    Yasmin Paige
    • Melanie
    Noah Taylor
    Noah Taylor
    • Harris
    James Fox
    James Fox
    • The Colonel
    Cathy Moriarty
    Cathy Moriarty
    • Kiki
    Phyllis Somerville
    Phyllis Somerville
    • Simon's Mother
    Gabrielle Downey
    Gabrielle Downey
    • Strange Woman
    Jon Korkes
    Jon Korkes
    • Detective
    Craig Roberts
    Craig Roberts
    • Young Detective
    Kobna Holdbrook-Smith
    Kobna Holdbrook-Smith
    • Guard…
    Susan Blommaert
    Susan Blommaert
    • Liz
    Bruce Byron
    Bruce Byron
    • Skinhead
    J. Mascis
    J. Mascis
    • Janitor
    • (as J Mascis)
    Tony Rohr
    Tony Rohr
    • Rudolph
    Karima Riachy
    • Secretary
    Tim Key
    Tim Key
    • Care Worker
    • Réalisation
      • Richard Ayoade
    • Scénaristes
      • Fyodor Dostoevsky
      • Richard Ayoade
      • Avi Korine
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs186

    6,455K
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    10

    Avis en vedette

    7cinematic_aficionado

    Creative film making

    What happens if you are a genuinely nice person? Willing to go the extra mile for others, always submissive to the wishes of your family and are generally a nice guy. You are taken for granted and treated like dirt. By your folks, colleagues and even the girl you so fancy treats you as a nonexistent entity.

    As if this was not discouraging enough, a new colleague joins who is identical to you in appearance but has the completely opposite personality.

    A smart telling of the Dostoevsky novel about a person who has the capacity to tolerate everything but his own double whose existence causes him a dilemma: continue to silently tolerate everything or change and adapt.

    Perhaps not the easiest of movies to watch but its quirky wit and creative cinematography will win you over.
    5estebangonzalez10

    Interesting premise, but alienating film

    "Look at me, look at him. He stole my face."

    I don't know why this film didn't engage me as it has most people, but there was just something about it and its characters that simply alienated me. The Double is Richard Ayoade's follow up to Submarine, and it feels heavily influenced by other works, especially from directors like David Lynch and Terry Gilliam. It is actually an adaptation of an 1800's novella written by Fyodor Dostoevsky, and Ayoade adapted it with a unique and clever style. There is a lot of dark humor involved and it also has a philosophical undertone. Despite being influenced by all these works, the film still feels unique and innovative, but it just didn't resonate with me. I'm just not a big fan of these surreal films that don't follow a classical narrative style, and The Double is just that, it plays out as a sort of nightmare for the main character played by Jesse Eisenberg. It's a case where I felt the film was more about style and aesthetics than substance and content. I prefer Villeneuve's Enemy, which is also a film dealing with a doppleganger premise, over this bleak film. There is no doubt that The Double is a creepy film, but one that didn't work for me and one I don't plan on revisiting because like the main character in The Double I felt completely alienated in this dystopian world.

    The film introduces us to Simon (Jesse Eisenberg), a timid and shy young man who seems to live his life unperceived by everyone else. Simon always tries to please those around him and is very submissive despite everyone's indifference towards him. He's been working at a government agency for the past 7 years, and despite having some great ideas, no one ever pays attention to him. He is in love with one of his coworkers, Hannah (Mia Wasikowska), who he is too shy to speak to. He always looks for an excuse to visit her at the printing room, but he never finds the courage to ask her out. She is also kind of a lonely and strange girl herself, and Simon often finds himself watching her through a telescope from his apartment. Simon's life turns around when one day his boss, Mr. Papadopoulos (Wallace Shawn), introduces a new coworker named James who is physically identical to him, but with a complete opposite personality. Everyone likes James, and no one even seems to notice he looks exactly like Simon because they don't even conceive of his existence. James is so outgoing he has no trouble getting his boss's attention and seducing women. James befriends Simon but ends up using his ideas to impress Mr. Papadopoulos and seduce Hannah. All of Simon's dreams and hopes are shattered by James who is taking over everything he's passionate about, but was always afraid to take a stand for.

    The premise seems interesting, but the way it was presented is what didn't work for me. Ayoade created such a unique dystopian and bleak world that it made me feel dull and alienated. I didn't really care for the characters in this film, despite the wonderful dual performance from Jesse Eisenberg. He once again proves he's a talented actor and carries this film. Mia Wasikowska is also wonderful and plays alongside Eisenberg really well. The performances were strong, I had no problem with them, but what I didn't enjoy were the characters they were playing and the way the film was narrated. The film tries to explore our senses, but all it did for me was make me feel indifferent towards it the same way Simon's coworkers felt towards him. It's a quirky film with a lot of quirky sounds and musical score that just didn't work for me the same way it did for most audiences.
    7Christof_McShine

    Ayoade channels Gilliam for his second feature

    This is the second feature film from Richard Ayoade after his quirky debut Submarine. Loosely based on the Dostoevsky novel the story follows Simon James - a quiet, timid character living in a bleak, soulless world where he goes unnoticed by his boss, the cute photocopier girl and even his own mother. Then one day James Simon appears, an exact double of Simon except he's better at everything in life - he has the cocky charm, he worms his way to the top in work and even gets the girls.

    This is a dark, moody comedy peppered with some hilarious dialogue and genuine pathos although it doesn't quite fulfil its early expectations. The real highlight here is Ayoade's directorial style with real shades of Terry Gilliam in its surrealist approach to the world he has created. He cranks up the volume of everyday things like taps running or footsteps to build tension up in scenes and Jesse Einsberg is perfect casting for playing both roles.

    A real curious piece but one which deserves an audience and suggests Ayoade is on track to become a real tour de force.
    8paultreloar75

    Just the two of us

    This is a seriously weird and disturbing movie that initially looks like it's going to come across as a bit of a 21st Century downmarket version of Brazil. Our hero experiences a sequence of unsettling events, seemingly unconnected and apparently trivial to a degree, although clearly aiming to tee up some of the later action.

    The lighting, the sounds, the camera shots are all wonderfully done, setting a disturbing and unsettling atmosphere that gently but with increasing urgency begins to throw a blanket of latent claustrophobia across characters and happenings. We witness curious incidents and are left to guess their significance, our hero reaches out to the girl but is beaten to the jump by....who exactly?

    How much of what we see actually takes place is questionable. How much some of the latter scenes make sense even more so. Yet, as it twists and turns towards the denouement, I found myself gripped and engaged to an uncommon degree. It is a difficult movie as it winds up, no question, but I find the notion that anyone feeling suicidal needs warning before viewing as slightly hysterical.

    On the one hand, this is an easy film to describe, whether you reference the source material, or your talk about the doppleganger and what it might be like to find one has a double. Yet on the other hand, it's almost impossible to sum this up after one viewing, as there felt like there are so many little bits and pieces that suddenly reveal themselves to your eyes and ears. that you're forced to think about going back to sit back through it again. The question is, which one of you will go...?
    6korythacher

    Very creative dystopian nightmare, but very unfulfilling ending

    Bottom line: I think The Double is 100% worth the watch if you like weird, stylized things, but it does suffer from an unfulfilling ending. If you're not generally into "weird stuff", then this is probably not going to be the film for you. Worth mentioning that it is very bleak and confusing at times.

    If this had a better ending to tie it up then it would have easily been an 8+

    The Double takes you for a real ride. It's effective at making you feel a sense of non-stop stress and dread, while remaining very engaging. You feel like you can't look away without missing something right until the end.

    The atmosphere is great, portraying a truly bleak, dystopian nightmare. The set design is really interesting and has a unique vibe. The work they do at the company, and many other things about the world in general, is vague in a way that they really pull off to build an effective tone.

    Unfortunately, I felt the ending was unfulfilling. The ending itself is fine enough, and some of the stuff they introduce there is cool, but it doesn't feel like a real conclusion. It didn't wrap up as nicely as it seemed like it was going to, and when looking at it closer there's a lot of tough logical holes. When discussing it after there was lots of "but if *that* theory was right, then *this* thing wouldn't have happened" and it just didn't seem like any one narrative fit correctly.

    Overall, I really liked the experience. It was very cerebral, very weird, and very "interesting" (in it's own bleak and unexciting way). I enjoyed it all the way through, but was let down by the ending not being fulfilling enough.

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    Mystère
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    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The piano motif throughout the film comes from the song 'Der Doppelgänger' by Franz Schubert; the words to this piece tell the tale of a man and his evil twin.
    • Citations

      Simon: I don't know how to be myself. It's like I'm permanently outside myself. Like, like you could push your hands straight through me if you wanted to. And I can see the type of man I want to be versus the type of man I actually am and I know that I'm doing it but I'm incapable of what needs to be done. I'm like Pinocchio, a wooden boy. Not a real boy. And it kills me.

    • Connexions
      Featured in Film '72: Episode dated 5 March 2014 (2014)
    • Bandes originales
      Akasaka Rain
      aka "Ameno Akasaka"

      Written by Jun Hashimoto, Tsunaki Mihara

      Published by Watanabe Music Publishing Co. Ltd (c) 1968

      Administered by Fairwood Music (UK) Ltd for the UK & Eire

      Performed by The Blue Comets

      Licensed courtesy Watanabe Music Publishing Co. Ltd

      Administered by Fairwood Music (UK) Ltd for the UK & Eire

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    FAQ19

    • How long is The Double?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 4 avril 2014 (United Kingdom)
    • Pays d’origine
      • United Kingdom
    • Sites officiels
      • Official Facebook
      • Official site
    • Langue
      • English
    • Aussi connu sous le nom de
      • El Doble
    • Lieux de tournage
      • Londres, Angleterre, Royaume-Uni
    • sociétés de production
      • Alcove Entertainment
      • Attercop Productions
      • British Film Institute (BFI)
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 200 406 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 14 646 $ US
      • 11 mai 2014
    • Brut – à l'échelle mondiale
      • 1 662 515 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 33m(93 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 1.85 : 1

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