Ajouter une intrigue dans votre langueThe heroic life of Charette, a noble, whom the Vendée peasants came to seek to fight the Republican Revolutionaries, to defend their land, their faith, their sons and their religion.The heroic life of Charette, a noble, whom the Vendée peasants came to seek to fight the Republican Revolutionaries, to defend their land, their faith, their sons and their religion.The heroic life of Charette, a noble, whom the Vendée peasants came to seek to fight the Republican Revolutionaries, to defend their land, their faith, their sons and their religion.
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A beautiful movie for a low-budget film shot in just 18 days!
A big unexpected success in France
A film about a very sad part of the history of France that the french republic has always sought to conceal.
Go and watch it, so that the massacre of hundreds of thousands of Vendeans will not be forgotten in the face of a republic which organized a real genocide (which is tried to be hidden...)
I hope that this theme will be discussed again because this period of history should not be forgotten.
Many other great Vendée generals also deserve a film about their history.
We will not forget all those who fought to defend their king, their religion and their freedom against the barbarism of the republic.
A big unexpected success in France
A film about a very sad part of the history of France that the french republic has always sought to conceal.
Go and watch it, so that the massacre of hundreds of thousands of Vendeans will not be forgotten in the face of a republic which organized a real genocide (which is tried to be hidden...)
I hope that this theme will be discussed again because this period of history should not be forgotten.
Many other great Vendée generals also deserve a film about their history.
We will not forget all those who fought to defend their king, their religion and their freedom against the barbarism of the republic.
This film really looks stunning. In terms of art direction and realism, French films are superior to the plastic junk from Hollywood. However, if Vaincre ou Mourir had listened to one well-known American maxim: 'Show, don't tell', the film would have succeeded. Unfortunately, viewers are not allowed to experience history, we must listen to it and understand it.
The fact that at the beginning of the film a number of specialists start to indicate what is yet to come, does not bode well. We are then presented with a number of colorful characters. Unfortunately we are not allowed to get to know them, but they are explained and that is a killer for any drama.
Many films that tell an unexposed part of history have an enormous need for framing and interpretation. The result is a story that limps on two legs, in which facts are more important than drama. And let it be precisely drama that ensures that facts stick. There were probably too many correct or educational captains on the ship of this production. A good screenplay and a good director would have sufficed.
The fact that at the beginning of the film a number of specialists start to indicate what is yet to come, does not bode well. We are then presented with a number of colorful characters. Unfortunately we are not allowed to get to know them, but they are explained and that is a killer for any drama.
Many films that tell an unexposed part of history have an enormous need for framing and interpretation. The result is a story that limps on two legs, in which facts are more important than drama. And let it be precisely drama that ensures that facts stick. There were probably too many correct or educational captains on the ship of this production. A good screenplay and a good director would have sufficed.
Some left-wing people would have us, French citizens, think that revolutionaries were saints and that French History began in 1789. This movie reminds us that all was not black and white, and that there were heroes, and bad people and good people, in both camps, royalists and catholics as well as revolutionaries.
I don't know how much of Charette's private history is known to historians so I would call this movie a biopic rather than a documentary. And this movie was first meant for television before making it to the screen, so maybe it will disappoint the cinema viewer. However, I didn't find it without merit and ambition compared to the usual french comedies and societal movies. And I should say that the viewers' rating in France goes far above the critics' rating and the movie was applauded when I went to see it.
So... give it a try and make your own opinion.
I don't know how much of Charette's private history is known to historians so I would call this movie a biopic rather than a documentary. And this movie was first meant for television before making it to the screen, so maybe it will disappoint the cinema viewer. However, I didn't find it without merit and ambition compared to the usual french comedies and societal movies. And I should say that the viewers' rating in France goes far above the critics' rating and the movie was applauded when I went to see it.
So... give it a try and make your own opinion.
It may seem ankward from time to time, but this movie tells the story of an army lead by a true hero an army whose destiny is to be beaten, smashed, an army which fate was to lose. I have always been in love with such plots. Plots in the BRAVEHEART scheme but with less budget and such a dedication in terms of production design, care in directing. However this story was produced by LE PUY DU FOU, some producing firm whose DNA, spirit, soul is entirely dedicated to the "ideas" of those warriors of the late 1790's.... So the point of view may be realistic, no doubt, but not that factual, the Revolutionary troops are shown as evil and the Royalists - our heroes - the good guys. Because the good guys here were FOR THE KING; the total contrary to what we could have expected....and that's precisely for this reason that this movie is really worth watching. Remember BRAVEHEART, ROBIN AND MARIAN, Luc Besson's JEANNE D'ARC. It is a shame that this feature was not longer. If you like this war in Vendée, you also can try CHOUANS, from 1988. I would have prefered this awesome film produced by Gaumont, then it could have been impartial and just, but LE PUY DU FOU.... The same as if Poutine produced a film about war in Ukraine; I doubt that the Ukrainians would be shown as victims...But that doesn't mean that the Republican troops in the 1790's did not commit atrocities against civilians and populations.... But from Gaumont production, that would have been more believable.
Vaincre ou Mourir is a unique and captivating project from Puy du Fou Films, who launched it as their first production with a remarkable low 5 million euro budget and no public money contrary to the totality of the other French cinematographic productions. Despite the lack of press and media attention, it achieved great success, becoming one of the top box office films of the year and amassing over 300,000 admissions. The movie is a powerful retelling of François-Athanase Charette de La Contrie's extraordinary journey during the Vendée War, combining beautiful visuals, a dramatic score, and an emotionally engaging narrative for an immersive experience. Rod Paradot stars as Charette, a figure of great perseverance, as viewers are taken through his struggles and his commitment to his path and convictions. While there is some over-the-top dialogue, Vaincre ou Mourir succeeds in capturing the spirit of history and the resilience of the people of the Vendée region. It was a great success, though unfortunately not all cinema networks were keen to show it, because of the subject of the Vendéen genocide orchestrated by the idols of the French left.
Two potential criticisms of this documentary include the limited number of extras, which requires the camera to use close shots, and the prominence of the voice-over by Charette.
It is worth noting that the filmmakers consulted different historians with varying opinions, rather than just using the title of historian to legitimize the film without taking their perspectives into account.
Two potential criticisms of this documentary include the limited number of extras, which requires the camera to use close shots, and the prominence of the voice-over by Charette.
It is worth noting that the filmmakers consulted different historians with varying opinions, rather than just using the title of historian to legitimize the film without taking their perspectives into account.
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Détails
Box-office
- Budget
- 3 500 000 € (estimation)
- Brut – à l'échelle mondiale
- 2 187 688 $ US
- Durée1 heure 40 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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