Nuovo Olimpo

On 22 October 2023, after the opening of the Rome Film Festival on 1 November 2023, Ferzan Özpetek's film was released on Netflix.

He wrote the script together with his old friend Gianni Romoli.

The release date of the film was not chosen randomly. The story of the film begins 30 years ago on 1 November.

Özpetek's films are divided into two categories.

A) films with a Turkish crew in whole or in part b) Films with an all-Italian crew.

This film is in the second section.

Ferzan is an incredibly good director and storyteller...

He painted a magnificent 70s Italy and both the background and jukebox music represent both the period and the spirit of the film well.

In 2023, I hope Netflix Italy will continue to surprise us with the second Ferzan Ozpetek film.

The film highlights an interesting point with its scenario that focuses on two men who meet and fall in love in 1970s Rome and spend the next 30 years looking for each other.

It is an interesting detail that the entire world lives in the same feelings between the 1940s and the eighties...

They dressed similarly, watched similar films, fell in love with similar songs and experienced similar political movements.

Sociologists should study this.

In this context, Italy, especially in the background of the first half of the film, will not be foreign to many people.

So many reasons to like it , from main actors work ( Luisa Ranieri offers a gorgeous portrait of Titti ) to the 70 decade atmosphere, to the humor and, especialy admirable elegance are good reasons to see it. Again.

Because it is one of films using as efficient kick for return across personal memories about encounters and old stories who, after decades, are more fresh or present than in moments when they are real facts.

But the real good point is the wisedom to not propose a manifesto, a lesson or a moral. Only a story about intense love of youth , an accident changing everything, the profession as way of succes .

Sure, the physical beauty of Andrea di Luigi and Damiano Gavino is a not insignificant virtue, but the gift for viewer remains the clever manner to craft a story using smart the cliches of a remarkable director.

The gay crust is just splendid used for a clear- tender- nostalgic state of heart .

So, not bad idea to see it.

For anyone who is intrigued by the film's title, it is a cinema that shows retro films and is frequented by bisexual and homosexual men for sexual pleasure, and they also see quality films like Pasolini's ' Mamma Roma ' if they want to. The film takes place in Rome, and starting with the 1970's moves forward to our current decade. What links the time span is the enduring love of two men, both bisexual but tending more towards same sex attraction. At a certain point an accident makes them lose each other, and over time they find other partners, one of them female the other male. If you maybe thinking this is kind of like Ira Sach's ' Passages ' it is in my opinion a million miles away from it. Incidentally both films coming out in this troubled year of 2023. Also in my opinion I think this a great film that will last the test of time, and now I should add why. Andrea Di Luigi is perfect as the student doctor, shy at first and Damiano Gavino as a budding film director who is more forceful in his initial approach are perfect in their roles. The sexuality is as truthfully honest as can be and the actors do not shy away from what we so discreetly call their ' private ' parts and bravo to them for doing so. Rare in a mainstream film, and it is all natural and not crying out for publicity. Luisa Ranieri who is the cashier in the cinema moves with us in time, and she gives a powerful performance equal to the men, and in one no spoilers scene moved me to tears with her honesty and moving depiction of what we call unconditional love. No spoilers as to the ending, slightly spoiled by a scene back in the 1970's. The real ending for me which preceded it reminded me of the empty physical place at the end of Antonioni's ' L'Eclisse ' and needed no follow up scene that almost bordered on sentimentality. Ferzan Ozpetek is one of the finest directors we have and I repeat this is a truly great film, and does not beg for attention. In not doing so I hope he gets it and some awards.

Gorgeous Rome makes the perfect setting for this story of romance, lost love, nostalgia, melancholy and the "what ifs" of life. I absolutely loved this quiet, understated, touching film. Two beautiful men meet, in a way that gay and bi men often used to have to meet, and they experience a brief, passionate romance that stays with them all of their lives.

Excellent acting, cinematography and direction is enhanced with some beautiful lines of dialogue. Most people, as they get older, can probably relate to the feeling you get when you remember that love that somehow got away but stays in your heart and your memory forever.

Damiano Gavino and Andrea de Luigi are the two splendid protagonists of this wonderful retro-modern melodrama.

I was partially familiar with the Turkish/Italian director Ferzan Ozpeteck. Years ago I saw his Le Fate Ignoranti - titled in the USA with the unimaginative His Secret Life - I remember loving it. His Nuovo Olimpo belongs to the same universe but miles apart. I saw the film last night and I keep thinking about that ending. Did I see what I think I saw? I was completely taken be the gazes of the two actors. I believed it, totally, but I'll see it again, soon. A surprise and a delight. Thank you.