ÉVALUATION IMDb
5,2/10
2,9 k
MA NOTE
Des années après avoir quitté Damas dans des circonstances suspectes, Adib Abdel Kareem doit faire face à ce qu'il a laissé derrière lui lorsque sa fille disparaît.Des années après avoir quitté Damas dans des circonstances suspectes, Adib Abdel Kareem doit faire face à ce qu'il a laissé derrière lui lorsque sa fille disparaît.Des années après avoir quitté Damas dans des circonstances suspectes, Adib Abdel Kareem doit faire face à ce qu'il a laissé derrière lui lorsque sa fille disparaît.
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After reading some other reviews of this film online, I was expecting to be slightly disappointed...but was pleasantly surprised by it. Having been a fan of Ruba Nadda's other films, (and a general groupie of anything involving Alexander Siddig), I was eager to see her newest film as part of the CIFF.
The movie starts rather abruptly, and just dives in to the plot - A man, Adib (who is originally from Syria but has lived in Toronto for the past 25 years) goes to Damascus to search for his adult daughter who has gone missing while traveling there. This sudden, rather stark beginning is very different from Nadda's last major film, (the subtle and slow paced "Cairo Time") but, it works: The story develops naturally in a somewhat frantic way (in keeping with the protagonists understandable anxiety) from this stark beginning, and we learn more and more about Adib's past and just why his daughter is in such danger. Marisa Tomei is also particularly convincing as the lover that Adib left behind suddenly some 2 decades ago, and Siddig is of course, flawless as always.
Without revealing too much of the plot, I will say (having traveled through Syria), that director Nadda has done a brilliant job of capturing the somewhat concerning climate of a police state, while also illuminating the rather conflicting general atmosphere of Damascus- haunting, beautiful, blue- tinted layers of history, coupled with this very brutal military presence.
This is a real departure for Nadda, shooting a political thriller as opposed to a romantic drama, but I think she succeeds simply for the fact that watching it, I felt like I WAS in Damascus...and she was able to convey this in a film she shot in only 29 days, in South Africa (the Syrian government obviously not having let her film there).
While there could have been slightly more character development in some cases, I found the film to be beautifully shot, and it kept its pace suitable to the subject matter.
The movie starts rather abruptly, and just dives in to the plot - A man, Adib (who is originally from Syria but has lived in Toronto for the past 25 years) goes to Damascus to search for his adult daughter who has gone missing while traveling there. This sudden, rather stark beginning is very different from Nadda's last major film, (the subtle and slow paced "Cairo Time") but, it works: The story develops naturally in a somewhat frantic way (in keeping with the protagonists understandable anxiety) from this stark beginning, and we learn more and more about Adib's past and just why his daughter is in such danger. Marisa Tomei is also particularly convincing as the lover that Adib left behind suddenly some 2 decades ago, and Siddig is of course, flawless as always.
Without revealing too much of the plot, I will say (having traveled through Syria), that director Nadda has done a brilliant job of capturing the somewhat concerning climate of a police state, while also illuminating the rather conflicting general atmosphere of Damascus- haunting, beautiful, blue- tinted layers of history, coupled with this very brutal military presence.
This is a real departure for Nadda, shooting a political thriller as opposed to a romantic drama, but I think she succeeds simply for the fact that watching it, I felt like I WAS in Damascus...and she was able to convey this in a film she shot in only 29 days, in South Africa (the Syrian government obviously not having let her film there).
While there could have been slightly more character development in some cases, I found the film to be beautifully shot, and it kept its pace suitable to the subject matter.
"I'm not the same man you chased away all those years ago. Find my daughter!" Years after he left Damascus under suspicious circumstances, Adib Abdel Kareem (Siddig) returns when he finds out that his daughter has gone missing. When he meets people from his past he is forced not only to confront his earlier life consequences but also find his daughter before its too late. This is a movie that is good, fast moving and worth watching, but also a little generic. There really isn't much to say about this one. Father finds out his daughter is missing, he is forced to seek help from those he has had previous problems with, encounters resistance. I did like the movie and I do think it's worth watching and while it is pretty tense I found that the daughter storyline seemed to have gotten lost in the jumble of what was going on. When you watch that will make sense. Overall, a movie that is good and well worth checking out but it is a tad generic. I give it a B.
In all honesty movies like Inescapable have been made before and way better. Inescapable is okay to watch once and then forget about it. It won't remembered as a great movie. The story itself isn't bad though, even if it has been done before. It's just some action scenes that brings the movie down. Not that there are a lot of it, but the ones where there are fighting scenes are clearly done by amateurs. None of them look real and that's the minimum you could ask from an action thriller. Alexander Siddig isn't a bad actor but fighting scenes are clearly not his thing. The cast is okay without having Oscar winning performances. All in all it's an okay movie, there are for sure worse movies than this one, but it's just not great either.
It was such an emotional, fast paced ride.
Loved it, tells a personal story with Syria as a backdrop. I liked this. If you want more politics, go read a book - but if you want something that is emotional, a character study of an Arab man living in Canada - whose daughter goes missing, see this. A little bit of thriller, mystery, action - and so emotional.
The ending ripped my heart out. Loved it. Also looked like a big Hollywood movie, found out it was Canadian - which made even more sense. As its politics and the violence don't hit you over the head. Instead, it's a very universal story about how far a father would go and the past he needs to delve back into. Loved it.
Loved it, tells a personal story with Syria as a backdrop. I liked this. If you want more politics, go read a book - but if you want something that is emotional, a character study of an Arab man living in Canada - whose daughter goes missing, see this. A little bit of thriller, mystery, action - and so emotional.
The ending ripped my heart out. Loved it. Also looked like a big Hollywood movie, found out it was Canadian - which made even more sense. As its politics and the violence don't hit you over the head. Instead, it's a very universal story about how far a father would go and the past he needs to delve back into. Loved it.
Though this film has been negatively received as being a take-off on the TAKEN films (father looking for daughter under dire circumstances) it is a different kind of film and one written and directed by Ruba Nadda who manages to gives us a story that in many ways explains why the Syrian situation (terrifying chaos) is as it is. If for no other reason than to gain insight on what life in a country infested with many 'secret police' organizations whose drive seems to be shoot now investigate later.
Years after he left Damascus under suspicious circumstances (he was a accused of being an Israeli spy), Adib Abdel Kareem (udanese born British character actor Alexander Siddig) is comfortably at work in Toronto when he is confronted with devastating news: his eldest daughter, Muna (Jay Anstey), has gone missing in Damascus. Now Adib, who has not been back in over 30 years, must return to Syria and deal with his secret past in order to find her. Getting a Visa is the first near impossible step, but once in Jordan he calls upon his ex- fiancée Fatima (Marisa Tomei) whom Adib deserted when he escaped to Canada years ago to assist him in ploughing through the red tape and dangers to find his daughter. The Canadian ambassador Paul (Joshua Jackson) is inextricably involved as is Adib's old comrade Sayid (Oded Fehr) and the man with answers Halim (Saad Siddiqui). Inescapable is a thriller about a father's desperate search for his daughter and the chaos of the Middle East he left behind.
The film is tense and disheveled at times but that reflects the worrisome chaos of too many factions trying to assist a country who seems unable to find its core values. This is not a great film but it does offer a taste of what life must be like in war torn Syria. And for that it is worth watching.
Grady Harp
Years after he left Damascus under suspicious circumstances (he was a accused of being an Israeli spy), Adib Abdel Kareem (udanese born British character actor Alexander Siddig) is comfortably at work in Toronto when he is confronted with devastating news: his eldest daughter, Muna (Jay Anstey), has gone missing in Damascus. Now Adib, who has not been back in over 30 years, must return to Syria and deal with his secret past in order to find her. Getting a Visa is the first near impossible step, but once in Jordan he calls upon his ex- fiancée Fatima (Marisa Tomei) whom Adib deserted when he escaped to Canada years ago to assist him in ploughing through the red tape and dangers to find his daughter. The Canadian ambassador Paul (Joshua Jackson) is inextricably involved as is Adib's old comrade Sayid (Oded Fehr) and the man with answers Halim (Saad Siddiqui). Inescapable is a thriller about a father's desperate search for his daughter and the chaos of the Middle East he left behind.
The film is tense and disheveled at times but that reflects the worrisome chaos of too many factions trying to assist a country who seems unable to find its core values. This is not a great film but it does offer a taste of what life must be like in war torn Syria. And for that it is worth watching.
Grady Harp
Le saviez-vous
- AnecdotesToutes les informations contiennent des divulgâcheurs
- ConnexionsReferenced in Cowboy (2017)
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- How long is Inescapable?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langues
- Aussi connu sous le nom de
- Không Lối Thoát
- Lieux de tournage
- Johannesburg, Afrique du Sud(Wikepedia article.)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 4 000 000 $ (estimation)
- Brut – États-Unis et Canada
- 6 334 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 1 545 $ US
- 24 févr. 2013
- Brut – à l'échelle mondiale
- 6 334 $ US
- Durée
- 1h 33m(93 min)
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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