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My Father and the Man in Black

  • 2012
  • Not Rated
  • 1h 27m
ÉVALUATION IMDb
6,5/10
282
MA NOTE
My Father and the Man in Black (2012)
"Jonathan Holiff’s new documentary is more than just another addition to the bottomless pit of archival footage dedicated to legend, man, myth and flawed mortal that is Johnny Cash. This film is a universal and troubling tale of the very real walls that parents can build around themselves (Jonathan's father, Saul Holiff, was Cash's manager in the 1960s and 70s). There is much great music, oodles of exclusive visuals (stills and film clips) and - think panelled dens, tiki bars and vintage 60s and 70s décor - seamless re-creations of the past. With more plot points and twists than a Syd Field screenwriting seminar, the narrative is strong, exposing more faces of the multifaceted Man In Black himself than ever before. And it seems that drugs and drink weren't the real cause of Cash's professional self-destruction. Refreshingly, My Father and the Man In Black does not slip into the realm of tabloid. It's an intense personal adventure with universal themes and appeal that just happens to feature one of 20th-century music's great icons." Ambrose Roche, NXNE Programmer
Liretrailer2:08
1 vidéo
8 photos
Documentaire musicalBiographieDocumentaireMusique

Ajouter une intrigue dans votre langueThe untold story of 'bad-boy' Johnny Cash, his talented but troubled manager, Saul Holiff, and a son searching for his father in the shadow of a legend.The untold story of 'bad-boy' Johnny Cash, his talented but troubled manager, Saul Holiff, and a son searching for his father in the shadow of a legend.The untold story of 'bad-boy' Johnny Cash, his talented but troubled manager, Saul Holiff, and a son searching for his father in the shadow of a legend.

  • Réalisation
    • Jonathan Holiff
  • Scénariste
    • Jonathan Holiff
  • Vedettes
    • Saul Holiff
    • Johnny Cash
    • Jonathan Holiff
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,5/10
    282
    MA NOTE
    • Réalisation
      • Jonathan Holiff
    • Scénariste
      • Jonathan Holiff
    • Vedettes
      • Saul Holiff
      • Johnny Cash
      • Jonathan Holiff
    • 19Commentaires d'utilisateurs
    • 32Commentaires de critiques
    • 57Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 3 victoires et 2 nominations au total

    Vidéos1

    My Father and The Man In Black
    Trailer 2:08
    My Father and The Man In Black

    Photos7

    Voir l’affiche
    Voir l’affiche
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    Distribution principale62

    Modifier
    Saul Holiff
    • Self
    • (archive footage)
    Johnny Cash
    Johnny Cash
    • Self
    • (archive footage)
    Jonathan Holiff
    • Self
    Bob Dylan
    Bob Dylan
    • Self
    • (archive footage)
    Joaquin Phoenix
    Joaquin Phoenix
    • Self
    • (archive footage)
    June Carter Cash
    June Carter Cash
    • Self
    • (archive footage)
    Reese Witherspoon
    Reese Witherspoon
    • Self
    • (archive footage)
    Harvey Glatt
    • Self
    Gary Holiff
    • Saul Holiff at 50
    David Disher
    • Johnny Cash at 30
    Joshua Robinson
    • Saul Holiff at 40
    Dan Champagne
    • Johnny Cash at 40
    Norman Singer
    • Saul Holiff at 75
    Elli Hollands
    • June Carter…
    Alino Giraldi
    Alino Giraldi
    • Saul Holiff at 20
    Robert Skanes
    Robert Skanes
    • Marshall Grant
    Trevor Juras
    • Luther Perkins
    Brent Crawford
    Brent Crawford
    • WS 'Fluke' Holland
    • Réalisation
      • Jonathan Holiff
    • Scénariste
      • Jonathan Holiff
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs19

    6,5282
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    Avis en vedette

    8smurph2010

    collateral damage

    I watched the premiere on CTV, June 17, 2013. It was great to see a story about Johnny Cash's dark celebrity with the focus on his back-room power broker and the lynch-pin that appears to have been an at-times tormented friendship. Caught up in the whirlwind of fame, Saul Holiff appears to have been a man willing to compromise many things in his life that he was sadly unable to reconcile. Kudos to Jonathan Holiff for an unemotional, non-blaming story-telling about the father-son relationship that was clearly collateral damage. The locker full of memorabilia could have been a roomful of pain, and perhaps it was, but the film shows that Jonathan instead chose to receive the content as a gift from a father to his creative, talented son.
    9spaikin

    An exploration of one of the world's great country singers, his manager, and the manager's young son.

    Jonathan Holiff has created a wonderful documentary, exploring the torturous relationship between Johnny Cash, his father (who was Cash's manager), and himself. He's very nicely mixed real audio recordings with re-enacted scenes to put us in the middle of this complicated relationship. Full disclosure: Jonathan is my cousin. But that takes nothing away from the marvellous way he's pulled back the curtain to explore this often wonderful, often awful relationship among the three of them. The tangled web includes Saul Holiff's difficult relationship with an increasingly out of control Johnny Cash, and Jonathan's increasingly difficult relationship with his father, who was not much of a father at all and knew it.
    10gradyharp

    The Father Son Conundrum as sung by Johnny Cash

    Jonathan Holiff has courage. He has created a story about his own sense of isolation and loneliness and disregard by his father and unlike so many men who have had the same submerged life of regret, Jonathan Holiff has worked through his - through soul searching, agonizing recollections, the death of a father that was so distant, and through research that unearthed years of recorded tapes made by his father that explain many of the problems Jonathan never understood.

    Jonathan Holiff's father, Saul Holiff, was Johnny Cash's personal manager from 1960 to 1973. This film is the untold story of 'bad-boy' Johnny Cash, his talented but troubled manager, Saul Holiff, and a son searching for his father in the shadow of a legend. But what the film delivers in a sophisticated approach to a documentary (mixing many clips of historic clips and conversations on tapes with live actors standing in for the featured characters of this tale) is another look at just who Johnny Cash really was - from a mediocre country singer to a drug addict and alcoholic to a wreck of a human being who failed to show up for concerts, to his gradual comeback via his unique recordings from prisons and then to his fall again as he became a radical fundamentalist born again Christian, through two marriages and a divorce, his fame with June Carter Cash and his eventual death from complications of diabetes in 2003. Tat is not the Cash the public knows and the fact that he sustained the glow of fame is in large part due to the tireless efforts of Saul Holiff, himself an alcoholic and tormented man.

    But at what costs? This film allows us to connect most closely with Jonathan Holiff as he comes to grips with the man who as his father was carrying on the tradition of emotional frigidity with his son. The young Holiff knows just how far to push the buttons and when to back off, and the end result is a very powerful film on so very many levels.

    Grady Harp
    7rick-cameron2

    Very insightful

    Saw this on a flight to Vancouver. You never hear of the back stories of the people supporting these celebrities and the crap they put the people around them through. I understand his not maybe wanting to draw his brother, mother and other family members into his documentary, it was about him and his fathers relationship. Exposing other family members may have been more hurtful. I don't think I could put myself out there as Jonathon has, but finding out that his dad was been tormented inside by the choices he was making may temper his feelings toward his father. I knew Johnny Cash had some demons/drug issues, but I think he can count him self lucky that he had a friend/manager such as Saul, to pick up the pieces.
    7annuskavdpol

    Great voice-over; lots of personal emotion in the voice.

    My Father and the Man in Black is the story of the manager of Johny Cash. The story was told from a personal perspective, namely from the son, Jonathan. (I wonder if his father named him Jonathan because he had such a close connection with Johny Cash). I remember sitting and watching this movie with popcorn in my hand and when the movie started I had only eaten two pieces of popcorn. Then the voice of the narrator of the movie came on and the voice was in the voice-over scenes as well. It described the intertwining roles of Johny Cash with his manager. It was the soul in the voice that mesmerized me. It was like I was hypnotized by the power of the narrator's voice. Perhaps it was the soul that danced through the words or perhaps it was the underlining emotion which seemed to lead me on a labyrinth through the back hallways of Johny Cash's life, including his turbulent and dark and light past. The film-maker, Jonathan, was somewhat rejected by his father (the manager) and perhaps his sadness and his own loss was traced and imprinted in the audio of the film and perhaps, as a viewer in the audience of watching this movie, I could empathize and pick-up intuitively on his personal unresolved despair. So perhaps this is not a documentary about his father and the man in black - but rather a personal story that was unconsciously told in order to process a hurt that was so deep that even a metaphorical dagger could not have touched. Perhaps the magic resides in the camera work and in the voice-over and the narrative. Perhaps this whole movie is about personal redemption after all.

    Plus de résultats de ce genre

    Johnny Cash! The Man, His World, His Music
    7,0
    Johnny Cash! The Man, His World, His Music
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    Intérêts connexes

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    Documentaire musical
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    Musique

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      WINNER "Best Feature" at 2012 EDINDOCS (Edinburgh, Scotland)
    • Citations

      Saul Holiff: Wednesday, March 17: Midnight - Luther called. Johnny's lost his voice - AGAIN!

      Saul Holiff: Thursday, March 18: 1:30 AM - Cancelled Cincinnati due to alleged case of laryngitis afflicting Johnny.

      Saul Holiff: Saturday, March 20: 6:00 PM - Marshall called. Johnny's appearance in Peoria "highly unlikely."

      Saul Holiff: 6:15 PM - Called promoter, radio officials, and building management to make excuses.

      Saul Holiff: 7:30 PM - Called June. She said Vivian was in Nashville and had been for the last several days.

      Saul Holiff: Sunday, March 21: 1:30 PM - Called Maybelle. Johnny asleep in his office, apparently "out cold."

      Saul Holiff: Monday, March 22: 11:00 AM - Called June. Johnny in no shape to play shows. June is powerless to intercede.

      Saul Holiff: 7:00 PM - Cancelled Madison, Rockford and Green Bay. Told promoter I would cover his losses. He said he'd call me back "AFTER speaking to his lawyer."

      Saul Holiff: Tuesday, March 23: Noon - Called Johnny. No answer. Sent two-page telegram by cab. NO ANSWER!

      [Original Source: Saul Holiff's Phone Log, March 1965]

    • Générique farfelu
      In the opening credits, where a major distributor is normally listed, the filmmaker inserted the words "Intentionally Left Blank." This was an inside joke. Adverse market conditions offset by a large following for the film made self-releasing a more attractive option. Later, when the film was given final certification for tax credit purposes, the Canadian government required the filmmaker to sign an affidavit swearing that no such company "Intentionally Left Blank" had been connected with the film.
    • Connexions
      Features Eat the Document (1972)

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    Détails

    Modifier
    • Date de sortie
      • 2 août 2013 (United Kingdom)
    • Pays d’origine
      • Canada
    • Site officiel
      • Official Facebook
    • Langue
      • English
    • Aussi connu sous le nom de
      • Johnny and Saul
    • Lieux de tournage
      • Folsom State Prison - 300 Prison Road, Represa, Californie, États-Unis(Folsom State Prison)
    • société de production
      • New Chapter Productions
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 1h 27m(87 min)
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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