Ajouter une intrigue dans votre langue400 A.D., in a forgotten time of Ancient America, a lone Hebraic fugitive must preserve the history of his fallen nation while being hunted by a ruthless tyrant. But rescuing the King's abus... Tout lire400 A.D., in a forgotten time of Ancient America, a lone Hebraic fugitive must preserve the history of his fallen nation while being hunted by a ruthless tyrant. But rescuing the King's abused mistress could awaken a warrior's past.400 A.D., in a forgotten time of Ancient America, a lone Hebraic fugitive must preserve the history of his fallen nation while being hunted by a ruthless tyrant. But rescuing the King's abused mistress could awaken a warrior's past.
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I really want a good film adaptation of the Book of Mormon. I REALLY want to see one. Because this film is... not that.
On a technical level it's not terrible. I mean, the cinematography, blocking, and editing usually make things more confusing. And a lot of the visual effects are things I recognized as nearly-unmodified stock assets from After Effects. But moment to moment it doesn't look bad.
It's clear Darin thought he was making a powerful movie. After all, it wears its influences on its sleeve (especially the ending, ripping off Braveheart and Gladiator back to back). SO many slow shots of Darin staring wistfully into the sunset.
But everything just feels a little too, well, ego driven. The whole story and everything in it only exists to make the main character look like a chad. And, like, freedom stuff.
Ultimately, for all the times the main character mentions God or Jesus Christ, the movie feels strangely devoid of any real spirituality. It's never clear what "the oath" is meant to refer to, or what the plates mean to him, or how he is in any way a prophet. He's just... a guy with big arms and massive main-character syndrome.
The Book of Mormon deserves so much better than this.
On a technical level it's not terrible. I mean, the cinematography, blocking, and editing usually make things more confusing. And a lot of the visual effects are things I recognized as nearly-unmodified stock assets from After Effects. But moment to moment it doesn't look bad.
It's clear Darin thought he was making a powerful movie. After all, it wears its influences on its sleeve (especially the ending, ripping off Braveheart and Gladiator back to back). SO many slow shots of Darin staring wistfully into the sunset.
But everything just feels a little too, well, ego driven. The whole story and everything in it only exists to make the main character look like a chad. And, like, freedom stuff.
Ultimately, for all the times the main character mentions God or Jesus Christ, the movie feels strangely devoid of any real spirituality. It's never clear what "the oath" is meant to refer to, or what the plates mean to him, or how he is in any way a prophet. He's just... a guy with big arms and massive main-character syndrome.
The Book of Mormon deserves so much better than this.
The Oath
Like most films I've seen lately, I either don't know anything about it, or I've only seen a teaser trailer. I had no idea that this was a near literal interpretation of the believed texts that formed the Book of Mormon.
I have no problem with religious films. There are the most amazing theories posed in even the greatest of fiction that touch on divinity and faith, so why not enjoy a writer's perception of non fiction, and see where it goes?
Well, in this film, it goes absolutely nowhere. This movie could have been 10-15 minutes long. The overly dramatic acting of Moroni is so bad that even Billy Zane's character smirks and rolls his eyes. I don't really think he was acting when that happened.
The plot isn't bad, in theory. The usual Romeo and Juliet-esque love affair unfolds between two warring sects, ending in tragedy. It's really the acting and the cinematography in which lies the flaws.
I did enjoy the music as the composer did a great job working with a really bad script. I know that the lead actor, director, writer (all the same person) feels he did a heartfelt interpretation, because he says so before the movie starts, but my goodness did this flop.
Go and see for yourself, especially if you are of the Mormon faith. Maybe you'll see more than I did.
Like most films I've seen lately, I either don't know anything about it, or I've only seen a teaser trailer. I had no idea that this was a near literal interpretation of the believed texts that formed the Book of Mormon.
I have no problem with religious films. There are the most amazing theories posed in even the greatest of fiction that touch on divinity and faith, so why not enjoy a writer's perception of non fiction, and see where it goes?
Well, in this film, it goes absolutely nowhere. This movie could have been 10-15 minutes long. The overly dramatic acting of Moroni is so bad that even Billy Zane's character smirks and rolls his eyes. I don't really think he was acting when that happened.
The plot isn't bad, in theory. The usual Romeo and Juliet-esque love affair unfolds between two warring sects, ending in tragedy. It's really the acting and the cinematography in which lies the flaws.
I did enjoy the music as the composer did a great job working with a really bad script. I know that the lead actor, director, writer (all the same person) feels he did a heartfelt interpretation, because he says so before the movie starts, but my goodness did this flop.
Go and see for yourself, especially if you are of the Mormon faith. Maybe you'll see more than I did.
Like many, I backed this film and would love to see a Book of Mormon story brought to the big screen with broad appeal. I appreciate the director's efforts, and I know he was faced with serious obstacles in delivering this film. That being said, the script really needed some work.
I'll start with a few positives. The costume design, soundtrack, and filming location were all beautiful. That's why the three stars. The cinematography was fine, but there were too many tight shots. At times I had no idea what characters were looking at and kept hoping for a wide shot to give me context.
Unfortunately, one can't recommend a film based on music and visuals. Foremost, I first look for a compelling plot. I would've watched this had it been filmed on an iPhone and accompanied with stock music, if only the characters and plot had real substance.
The Book of Mormon explains next to nothing about this chapter in Moroni's life. But it does seem to be a sad and solitary time for Moroni. For a man who thinks he could die at any moment ("I wander whithersoever I can for the safety of mine own life" Moroni 1:3.), a romance was an odd plot to pick. I suppose it could've worked if the characters were fleshed out more. Yes, Moroni was physically alone, but why did he feel alone? What were his flaws, desires, or challenges? These things were either not clear or poorly conveyed, which leaves the character falling flat.
In short, the lackluster characters, shallow plot, some awkward dialogue, and even a couple uncomfortable scenes made me want to walk out of the theater. Maybe it was just me; the room was half full... Though I did count 3 different people checking the time during the movie.
I'll start with a few positives. The costume design, soundtrack, and filming location were all beautiful. That's why the three stars. The cinematography was fine, but there were too many tight shots. At times I had no idea what characters were looking at and kept hoping for a wide shot to give me context.
Unfortunately, one can't recommend a film based on music and visuals. Foremost, I first look for a compelling plot. I would've watched this had it been filmed on an iPhone and accompanied with stock music, if only the characters and plot had real substance.
The Book of Mormon explains next to nothing about this chapter in Moroni's life. But it does seem to be a sad and solitary time for Moroni. For a man who thinks he could die at any moment ("I wander whithersoever I can for the safety of mine own life" Moroni 1:3.), a romance was an odd plot to pick. I suppose it could've worked if the characters were fleshed out more. Yes, Moroni was physically alone, but why did he feel alone? What were his flaws, desires, or challenges? These things were either not clear or poorly conveyed, which leaves the character falling flat.
In short, the lackluster characters, shallow plot, some awkward dialogue, and even a couple uncomfortable scenes made me want to walk out of the theater. Maybe it was just me; the room was half full... Though I did count 3 different people checking the time during the movie.
I contributed to this movie, was so excited to go and see it! But what a disappointment it was! I was expecting an actual story from the Book of Mormon only to find a fictional made up love story about Moroni that was at some moments literally laughable. I'm embarrassed to say "go and see it." Darin Scot is from my home town in Utah and is also related to me through by mother's side of the family and I wish I could say great job cousin! But it felt like he centered the whole movie around himself and furthering his career instead of on a feature film about a true story from the Book of Mormon. I am very disappointed in a fictionalization about a true person, Moroni, the angel who stands atop of many of our temples. He was all alone for how long, we do not know. To me it is a disgrace to his name to create this type of fictionalized storyline.
The Room. Samurai Cop. The Oath. These three films stand in a class of their own.
No matter which way you look at this, it's very amateur. Right off the bat, it was obvious the editing was very shoddy, and there is hideously overdone color correction throughout the entire thing. Besides some drone footage, the camera work is very bland, and there is a frustrating lack of deep focus shots, leaving any scenery just a blur in the background. The worst thing is it's irredeemably boring. Almost nothing happens, and scene to scene things are repetitive. The camera doesn't do anything interesting, and neither do the characters. The writing is as weak as the editing. It was very forced and cringey, and more than once I groaned audibly from something akin to physical pain. Lastly, and I mean no offense to the guy, but I was getting tired of seeing Darin Scott's face; he just doesn't have the charisma to justify that amount of screen time (or the number of thirst traps he wrote in for himself...).
I'm happy that the guy got to make his movie in the exact same way I'm happy for Tommy Wiseau.
No matter which way you look at this, it's very amateur. Right off the bat, it was obvious the editing was very shoddy, and there is hideously overdone color correction throughout the entire thing. Besides some drone footage, the camera work is very bland, and there is a frustrating lack of deep focus shots, leaving any scenery just a blur in the background. The worst thing is it's irredeemably boring. Almost nothing happens, and scene to scene things are repetitive. The camera doesn't do anything interesting, and neither do the characters. The writing is as weak as the editing. It was very forced and cringey, and more than once I groaned audibly from something akin to physical pain. Lastly, and I mean no offense to the guy, but I was getting tired of seeing Darin Scott's face; he just doesn't have the charisma to justify that amount of screen time (or the number of thirst traps he wrote in for himself...).
I'm happy that the guy got to make his movie in the exact same way I'm happy for Tommy Wiseau.
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Détails
Box-office
- Brut – États-Unis et Canada
- 509 470 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 232 833 $ US
- 10 déc. 2023
- Brut – à l'échelle mondiale
- 509 470 $ US
- Durée1 heure 44 minutes
- Couleur
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