Rapides et dangereux 6

I don't think many other franchises has been as turbulent and uneven as The Fast and the Furious films. Things started off pretty earnestly with Rob Cohen's first film, but quickly careened into odd directions, with the ever-cheesy 2 Fast 2 Furious taking off and running with one main character while leaving the other in the dust, and with Tokyo Drift drifting away with totally different characters altogether. Thankfully, Fast & Furious realigned the series with its roots. But it wasn't until Fast Five when I really began to give a darn about this series. Granted that all films have had their fun moments, the fifth film magically tied in every single strand from every single film, and made every single character relevant. Best of all, it did so with a great sense of fun: it had great pacing, amusing comedy, great action, and it made the characters stand out as a collectively outstanding cast.

So now Fast & Furious 6 has come out, reuniting the entire gang once more to take on bigger stakes. The spectacle in this film tries its best to be even bigger, more absurd, and more awesome than before: the film is effectively book-ended with two massive action setpieces. The first involves a decently destructive car chase in London, where the villain effectively uses his custom-built ride to launch other cars all over the place. The film's final act features a really crazy sequence in which a tank roars across a highway, crushing other cars and blowing up bridges. This all culminates with all the muscle cars banding together to bring down a massive cargo plane in a fiery blaze of glory. In between, the film slows down a bit, but there's frequent fist-fights and pursuits, a few scenes of witty comedy, and there's one decent car-racing scene.

Whether or not you really dig this film may depend on how well you dig the characters and all their dynamics. It definitely helps to watch and understand the events of the first five films, because at this point, they've all been through so much and changed so much; for a late-comer like me, who never was invested in the characters until the last film, it can be confusing to remember who was who and what their history was. Fortunately, the film does insert some flashbacks and reminders for the audience's benefit. If you are keeping up with things, then the film will reward you with a cast of endearing and heartfelt characters, and the film's plot generally revolves around their continuing struggles. As far as the actual plot goes, it's pretty brainless and absurd action-movie fodder, and there are plot holes to be found. However, the film does have the merit of presenting a cast of villains to directly oppose the cast of heroes, and the story pulls out a few surprising twists.

The film generally looks good, but many of the action scenes are hectically shot and edited, and it can be hard to tell what's going on in certain scenes. What you can see is awesome, but sometimes, it's just aggravating. Acting is generally fun and enjoyable from the whole cast. Writing gets the job done well enough. This production uses a plethora of quality sets, props, and costumes, with loads of flashy cars at its disposal, and some okay-looking special effects. This film uses some cool hip rap and techno music, while the music score is pretty cool (sounds a lot like Brian Tyler's work from Tokyo Drift, which was one of my favorite soundtracks).

Best recommended to fans of the series, especially if you've been following the last few movies.

4/5 (Entertainment: Good | Story: Pretty Good | Film: Pretty Good)

While most franchises lose their steam with each succeeding sequel, the Fast and the Furious franchise is that rare exception where its later films breathe in new life into the series. Once a franchise about car racing, "Fast Five" took an unexpected turn as a bank heist thriller in the vein of Steven Soderbergh's "Ocean's 11," a welcomed change as seen by its huge box office earnings and critical success. Now, "Furious 6" is neither about car racing nor bank heists, but rather a terrorist threat with obvious inspirations from "The Dark Knight." Like "Fast Five," the results are immensely satisfying and undeniably entertaining.

The key to the franchise's upward turn in quality is due to director Justin Lin. He is a skilled action director, and many filmmakers can learn a few things or two from him: The action sequences are impressive, engaging, comprehensible, and well-shot, with practical effects to boot. There is a sense of danger, verve, and life in these scenes rarely found in other films, despite how over-the-top and ridiculous they may be; and yes, they often drift into gratify-defying territory. While I usually don't react out loudly when watching a film, this film had me gasping, jaw dropping, laughing, and applauding, sometimes all at once!

Another ingredient to the film's success is the chemistry between the cast members. We have grown to love these characters over the course of the series that one cannot help but cheer on for them. In particular, Tyrese Gibson and Ludicrous have such a terrific rapport with each other that they provide some of the film's biggest laughs and memorable one-liners. Additionally, Luke Evans is definitely a step up above the previous film's antagonist, and Gina Carano provides some great ass-kicking moments, although not much performance-wise. On another note, I want to mention how refreshing it is to see minority actors fill these roles. Certainly, the film's use of a diverse ensemble cast should be commended. As for the story, it's nothing special, but I dare you not to act surprised when several plot twists are revealed; I did so more than I would like to admit.

If there's one thing to learn about this franchise, it's that some change can be a good thing. While the later sequels do focus away from the car racing, they still featured cars, which helped retain old fans while bringing in new ones. "Furious 6" is terrific entertainment, and judging by yet another dazzling cliffhanger and the audience's reaction, "Fast & Furious 7" will be an amazing finale for the series. Unfortunately, Justin Lin won't be back around for the last installment, but someone please get this man to direct every and all upcoming action flicks.

I'm going to keep this short, simple and sweet because that is exactly what this film is. It's great summer fun for all ages that manages to succeed on the one thing I hate in horror movies; make an idiot of itself. It is where this stupidity in plot events comes from that gives the film its fuel to do nothing but provide brainless over-the-top popcorn fun. It is done so by having some of the best sound editing I have heard in a while with brilliantly paced action sequences, with one fight scene in particular that will surly be the best action scene of the year. I recommend Furious 6 if you're looking to have some fun, but whatever you do, do not walk in there expecting The King's Speech, because it is not what this movie is trying to be- which makes this film so admirable.

Grade: B+

The Fast and Furious franchise has undergone a radical transformation since launching 12 years ago, with the changes following Justin Lin taking hold of directorial duties from Tokyo Drift (film three) onwards.

The series has made the transition from street races to include drugs, heists, and now terrorism, while lead characters Dom Toretto (Diesel) and Brian O'Conner (Walker) have gone from petty thug and law enforcer to wanted fugitives.

With an opening sequence reminiscent of Quantum of Solace, Toretto and Brian screech around mountaintops as the latter readies himself to become a father, demonstrating how adult and family-minded they've become. Meanwhile, what follows is a nice refresher for those acquainted with the series and for newcomers alike, acting as a highlights reel to bring everyone up to speed of the events experienced in the previous five films.

The antagonist for Fast 6 is Mr Owen Shaw (Evans), a former special ops military man that uses his knowledge, contacts and fast cars to make robberies for the highest bidder. In this instance, it just so happens he has his eyes on a chip that would incite terrorism in the wrong hands, which prompts baby oil-loving federal agent Hobbs (Johnson) to round up Toretto and his crew for back-up, offering them full pardons in exchange for their services.

London is the main backdrop for the film, which, naturally, features a very corny cameo, though the the bright lights, black taxis and double-decker buses dotted around the city are infinitely more welcome.

For me, five was the best of all of the films, but six gives it a run for its money, taking the stunts to ridiculous new heights (literally). You could, of course, reprimand the film for its use of impossible feats, but that's the whole point of these films, right? To get bigger and more extreme, as demonstrated with the big and extreme – and always affable – introduction of Johnson in Fast Five.

For me, Johnson changed the game and breathed new life into a franchise that was beginning to get stale, and seeing Hobbs join forces with Toretto and co makes for brilliant viewing. The action is insane and the banter is electric, with the camaraderie between the cast obvious.

The only criticism of the film is its length. There was a particular moment that seemed as though the film had wrapped, though it continued for another half hour, and while what followed was laced with adrenaline and big bangs, the film could have done with a 20 minute tightening.

Shaw isn't an intimidating or imposing character, particularly when facing off against Hobbs and Toretto, but he is devious, ruthless and sharp, presenting an entirely new threat to the series.

Those in the know will be aware Tokyo Drift threw the timeline entirely out of sequence, but the game comes full circle at the end of the film, and you won't want to miss the credits sequence that follows…

Originally posted at www.zentertainmentweekly.com

7/10

Fast & Furious over the last few installments has become all about action. And the latest outing takes it a step further. Almost 20% of the movie is comprised of action sequences. And at the expense of action, plot, writing, characters all take a backseat. But no one's complaining. Why ? Because the action makes up for all of it.

Do the above statements sound cliché ??? The movie's plot is full of such silly dialogs so its best ignored in the current context. What works is the action - Lin and his crew bring us some of the most ridiculously outrageous and boldly conceived action sequences. There's an intense chase through London in the initial reels and also a race later on. There's a whole plane take-off-crash sequence towards the end that you've probably got a glimpse of in the trailers. The girls are no slouches either and we see an intense hand-to-hand fight of sorts between Michelle Rodriguez's Letty and Gina Carano's Riley.

But the movie's best sequence is undoubtedly the 10 minute Tank chase across the freeway that involves most of the cast and culminates in a breathtaking "catch" (about which I'd not say any further). The camera cuts like crazy, music is pulsating and that single sequence is probably worth the price of the movie ticket.

Apart from action, Furious 6 doesn't have much going for it. Dialog is standard, at times even silly and predictable, characters are flat, performances are decent. The car chases and night scenes got me so involved, I actually felt a bit strange leaving the theater and coming out into the real world's broad daylight. And the post-credits scene is simply, a treat which makes the next installment in the series worth looking forward to. Suffice it to say that in the end, the movie drifts full circle.

Watch it for the action, and for the action alone. If you expect any sort of character development or family issues like the first installment had, you'll be disappointed. Else, you're in for one hell of a ride.

Score: 7 / 10