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Disparue à Tokyo: L'affaire Lucie Blackman

Titre original : Keishichô sôsaikka rûshî burakku man jiken
  • 2023
  • TV-MA
  • 1h 23m
ÉVALUATION IMDb
6,4/10
4,1 k
MA NOTE
Disparue à Tokyo: L'affaire Lucie Blackman (2023)
CriminalitéCrime véritableDocumentaire

Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.Le 1er juillet 2000, Lucie Blackman, une jeune Britannique de 21 ans, disparaît à Tokyo, déclenchant une enquête internationale et une inlassable quête de justice.

  • Director
    • Hyoe Yamamoto
  • Writer
    • Shoji Takao
  • Stars
    • Katsuyoshi Abe
    • Jake Adelstein
    • Yasuhiko Asano
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    6,4/10
    4,1 k
    MA NOTE
    • Director
      • Hyoe Yamamoto
    • Writer
      • Shoji Takao
    • Stars
      • Katsuyoshi Abe
      • Jake Adelstein
      • Yasuhiko Asano
    • 21Commentaires d'utilisateurs
    • 15Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos16

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    Rôles principaux23

    Modifier
    Katsuyoshi Abe
    • Self - Tokyo Police Superintendent
    Jake Adelstein
    Jake Adelstein
    • Self - Journalist
    Yasuhiko Asano
    • Self - Tokyo Police Assistant Inspector
    Lucie Blackman
    • Self
    • (archive footage)
    Sophie Blackman
    • Self - Lucie's Sister
    • (archive footage)
    Tim Blackman
    • Self - Lucie's Father
    Tony Blair
    Tony Blair
    • Self - Former Prime Minister of England
    • (archive footage)
    Clare Campbell
    • Self - Journalist and Author
    Keizo Harafuji
    • Self - Tokyo Police Forensic Investigator
    Junichiro Kuku
    • Self - Tokyo Police Sergeant
    Tokie Maruyama
    • Self - Tokyo Police Assistant Inspector
    Akira Mitsuzane
    • Self - Tokyo Police Superintendent
    Tadashi Naito
    • Self - Tokyo Police Inspector
    Ryutaro Nakamyra
    • Self - Journalist
    Graham Norton
    Graham Norton
    • Self
    • (archive footage)
    Yuji Nozoe
    • Self - Tokyo Police Assistant Inspector
    Suzy Quinn
    • Self - Former Hostess and Author
    Dave Russell
    • Self
    • Director
      • Hyoe Yamamoto
    • Writer
      • Shoji Takao
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs21

    6,44.1K
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    10

    Avis en vedette

    1Jrmpgm

    Shameless & Eluding Facts

    Extremely biased story telling, eluding many important facts of the story, including the father receiving 450k£ from the killer to limit his sentence, or the existence of her friend and colleague who had received a phone call from the killer on day one.

    Only the father and cops are giving testimonies to re-write History, and skip all the aspects that could hurt Japanese police.

    When you check who the director is, you understand the story is told in a way to clean Tokyo police image only.

    Netflix should be ashamed of producing such content, without any fact checking, and depicting an absolutely misleading representation of the actual story.

    Go on YouTube or listen to podcasts, you will have better quality content to understand the full story instead of wasting your time with this piece of propaganda.
    6MeadtheMan

    Tragic Case. Less-than-Ideal Initial Behavior.

    This is obviously a tragic case, the anguish and desperation are perfectly understandable.

    However, the attitude? Why do British nationals so often behave like this in an international setting? From British journalists throwing stereotypical comments about another culture, to Tim Blackman's initial disrespect and antagonistic attitude to random Japanese people/cops who are just trying to go about their lives. Again, it's a serious case, and it's understandable that certain standard behavior is out-of-the-window here, but trying to stick your posters anywhere then giving an officer a hard time for nicely telling him not to?

    Imagine a foreigner who made a scene in London after their hostess daughter went missing. They then tried to stick posters everywhere downtown, then their entourage of journalists/friends throw stereotypical comments like "oh you know the Brits, they may seem reserved, but there's a dark side under the belly," sneering at the police instead of trying to engage with them first... they might be tackled to the ground forthwith, let alone being given big platforms to present their case to the media and being allowed to do whatever they want (including setting up a hotline, which the Tokyo Met claims might interfere with investigation), all the while with many locals offering assistance.

    Look, not suggesting that the Tokyo Met is beyond reproach here, all police forces are flawed, including the Scotland Yard, and their actions deserve scrutiny. Just saying that a sense of self-entitlement isn't going to help anything.
    1shkbans

    Utterly biased and shamelessly fooling.

    Shamelessly disregarding the clumsiness and stupidity of the Japanese police, never talking about the phone calls Philippe recieved on the first day of Lucie missing and police not bothering to trace ,nor about the £450,000 (in 2006) Tim Blackman received to "forgive" Obara. Why was no one else from Lucie's friends and family interviewed? Why was Caritas liver biopsied 15 years later? Why only the people that walked over her blood were there? Why was there no mention of the phone calls Lucie made on the day to inform her friend of her whereabouts which the police decided to ignore? Utterly biased and shamelessly fooling!
    6phenomynouss

    About the case, not the victim

    There's been a sort of backlash against true crime sensationalism lately, to the sort of degree where there's been an intentional shift towards a focus on the victims of crime rather than the criminals or police. Though even that has gradually started to see this leading to exploitation.

    This documentary goes a very odd route by seemingly avoiding the victim to a large degree. Lucie Blackman's disappearance is the driving force here, but from the very start we are essentially following the police and their investigation. We don't know who Lucie Blackman is, what she was doing before she disappeared, who she knew, anything that a typical documentary would, setting up the person, brief backstory, then their disappearance and then the investigation.

    Instead we jump straight into the investigation. At the same time, focus is being given to Lucie's father who apparently has to harangue the police into actually investigating this as a crime.

    Even from there there's not much actually going on in terms of a narrative here around Lucie Blackman. We're shown her father railing against the cops and their apparent ineptitude but we never actually see or hear how they are mishandling the case at first.

    Once the cops start down the case, leads are picked up on and followed but we aren't very clear in terms of how said leads were picked up on and how they even relate to the Blackman case, possibly in large part because we skipped over the basic facts of the case and started the documentary with her already missing and without ever really looking back into the "who what where why how" of her actual disappearance.

    This is a documentary, so it's supposed to be informative first, with the entertainment aspect being a sort of uncomfortable pushed-aside element that is implied but never made obvious.

    Because of this, it's hard to review a documentary, since critiquing it for being boring or otherwise not entertaining is kind of missing the point and a lot like critiquing the news for constantly moving on to new topics of reporting and discussion.

    As a result, my problem with this documentary isn't with the entertainment but with the information given. Namely, we aren't given a lot of information. As mentioned, they start off 3 days after the disappearance, and don't give us the starting facts that almost every missing persons case starts with. As well, when we're being told about certain things, we aren't actually shown enough information that would support what is being shown.

    As an example, at one point we are told about a trial and the results of a trial. However we are not given any information as to why the result of the trial ended up how it went, particularly considering that we went along with the discovery of the key bits of evidence with the police. Why did this happen? Why did it fail? From just this documentary alone, we don't know.
    5silvia_kobliskova-22502

    Sad...

    The only thing I could personally think of throughout the entire thing was who in their right mind would let their 21 year old daughter go across the world to completely unknown place to work in a hardly legal semi anonymous dark place baiting old men for money, knowingly putting themselves in harm's ways.

    The fact that the father never addressed that is baffling. World must had felt a safer place 20 years ago when no parent questioned this. I find this beyond comprehension. The fact that she disappeared less than a month into a job is scary. These are the issues that should had been addressed.

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      Netflix's first documentary film from Singapore.

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    FAQ13

    • How long is Missing: The Lucie Blackman Case?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 26 juillet 2023 (Canada)
    • Pays d’origine
      • United States
      • Japan
      • Singapore
    • Site officiel
      • Netflix Site
    • Langues
      • Japanese
      • English
    • Aussi connu sous le nom de
      • Missing: The Lucie Blackman Case
    • Lieux de tournage
      • Tokyo, Japon
    • sociétés de production
      • Beach House Pictures
      • Blue Mill Studios
      • Netflix
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

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    • Durée
      • 1h 23m(83 min)
    • Couleur
      • Color
    • Mixage
      • Dolby Digital

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