Red Right Hand
- 2024
- 1h 51m
Ajouter une intrigue dans votre langueCash is trying to live an honest and quiet life, but when Big Cat forces him back into her services, he proves capable of anything to protect the town and the only family he has left.Cash is trying to live an honest and quiet life, but when Big Cat forces him back into her services, he proves capable of anything to protect the town and the only family he has left.Cash is trying to live an honest and quiet life, but when Big Cat forces him back into her services, he proves capable of anything to protect the town and the only family he has left.
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Red Right Hand (2024) is a gritty, violent, somewhat depressing film with enough understated woke elements to distract and leave audiences wondering how much better it could have been.
The film seems almost schizophrenic in attempting realism in a genre that naturally gravitates toward right wing elements. Two graphic scenes depict brutal interrogations, but conducted by the villains. The chief villain is played by a woman with an army of male henchmen and a kinky boytoy. The one good cop on a corrupt force is a black guy. There is a lot of storm-trooper style gunplay and other violence, but much of it is off-camera. A scene involving violence toward a female is handled so obliquely as to leave the audience wondering what, if anything, happened. A young girl is taught to use a rifle and a knife, but the hero often finds himself without a gun or without bullets.
Orlando Bloom is excellent playing a backwoodsman with a lot of conflicts. He delivers a highly credible, nuanced performance. Garret Dillahunt also delivers a very credible performance as the preacher/sidekick. Andie MacDowell plays the antagonist in an over-the-top two-dimensional comic-book mode. None of the male characters seem to have any current romantic partners, although one spends a lot of time pining over his dead wife. What passes as the B-story love angle is the platonic relationship between Cash (Bloom) and his niece, which occupies a lot of screen time without managing to be particularly interesting.
Production values are adequate. Scenery and costumes seem authentic. Overall, the movie is watchable, but not truly satisfying. It's too timid for action fans, but perhaps too gritty for drama fans. The lack of any romantic angles leaves the characters seeming incomplete.
The film seems almost schizophrenic in attempting realism in a genre that naturally gravitates toward right wing elements. Two graphic scenes depict brutal interrogations, but conducted by the villains. The chief villain is played by a woman with an army of male henchmen and a kinky boytoy. The one good cop on a corrupt force is a black guy. There is a lot of storm-trooper style gunplay and other violence, but much of it is off-camera. A scene involving violence toward a female is handled so obliquely as to leave the audience wondering what, if anything, happened. A young girl is taught to use a rifle and a knife, but the hero often finds himself without a gun or without bullets.
Orlando Bloom is excellent playing a backwoodsman with a lot of conflicts. He delivers a highly credible, nuanced performance. Garret Dillahunt also delivers a very credible performance as the preacher/sidekick. Andie MacDowell plays the antagonist in an over-the-top two-dimensional comic-book mode. None of the male characters seem to have any current romantic partners, although one spends a lot of time pining over his dead wife. What passes as the B-story love angle is the platonic relationship between Cash (Bloom) and his niece, which occupies a lot of screen time without managing to be particularly interesting.
Production values are adequate. Scenery and costumes seem authentic. Overall, the movie is watchable, but not truly satisfying. It's too timid for action fans, but perhaps too gritty for drama fans. The lack of any romantic angles leaves the characters seeming incomplete.
RED RIGHT HAND is a film I rather enjoyed, unlike a lot of reviewers here. Its a very small scale, low budget feel kind of movie, set in one of those rural towns in the American Midwest where an unlikely kingpin holds sway over the population. Andie McDowell, who I've never rated as an actress, does a fair approximation of evil in this against-type role, while Orlando Bloom also goes against type as the redneck hero unwittingly drawn back into her criminal schemes. Dillahunt has a fine supporting role as the town's preacher. The plot's familiar but the action is well handled and the film is admirably gritty. The final shoot-out in particular impresses.
Red Right Hand is a suspense/crime/thriller which takes place in rural Kentucky and focuses on the decay of the rural American family due to an inability to scrape a decent living. The most ironic name goes to the main character, Cash (played by Orlando Bloom
with a strong performance and a better Southern accent than I could hope to conjure) and his brother Wilder (Garret Dillahunt). Without deviating from the well tread formula that films like this normally take, it adds a few twists now and then.
First, there is the strong performance by the antagonist Big Cat (played by Andie MacDowell (who usually plays in comedies but nonetheless proves her mettle here in a villainous role). She quickly shows that she means business, and yet there is an unspecified history between Big Cat and Cash.
Another strong role is the daughter (played by newcomer Chapel Oaks) who convincingly shows her wisdom beyond that of the two men raising her throughout the film. She gives a strong sense of female independence and like nearly everyone in the film, knows a thing or two about guns.
Speaking of guns, Obama famously complained that rural America clung to its bibles and guns. That's true here too but I would add two more to the list (at least according to this movie): big rigs and farm animals.
Overall, it's an enjoyable story but not one you haven't seen before with a few exceptions.
7/10.
First, there is the strong performance by the antagonist Big Cat (played by Andie MacDowell (who usually plays in comedies but nonetheless proves her mettle here in a villainous role). She quickly shows that she means business, and yet there is an unspecified history between Big Cat and Cash.
Another strong role is the daughter (played by newcomer Chapel Oaks) who convincingly shows her wisdom beyond that of the two men raising her throughout the film. She gives a strong sense of female independence and like nearly everyone in the film, knows a thing or two about guns.
Speaking of guns, Obama famously complained that rural America clung to its bibles and guns. That's true here too but I would add two more to the list (at least according to this movie): big rigs and farm animals.
Overall, it's an enjoyable story but not one you haven't seen before with a few exceptions.
7/10.
I have seen the featured reviews rating this one a 4. I have to disagree as I reserve 4 (and below) for films which I regard as technically incompetently made or for acting that is far below average. IMHO, that is not true for this film. Direction is adequate as well as the cinematography (in fact, some outdoor scenes are above average). Acting by the lead Orlando Bloom is so-so, but his acting is redeemed by his co-stars. Garrett Dillahunt as a former gang member, now a pastor, is effectively over the top as a pastor. And Andie MacDowell plays against her southern belle type as a vicious mobster who enjoys torture and murder. Finally, newcomer Chapel Oaks is fine as Bloom's niece. The rest of cast is OK as well although I would have liked to have seen more of Brian Geraghty as the Sheriff because I think he is a very good actor. The plot, of course, is predictable for films of this type, with a surfeit of guns and violence for action fans. Therefore, while this definitely not a 10/10, it is a 6/10 film perfect as an entertaining time killer on a rainy day or a 2-hour flight.
No pun intended - and don't take everything literally ... talking more to myself of course. Orlando Bloom is in this to start off with the obvious. And I reckon after Pirates it is tough to find something ... I think he is underrated as an actor ... and I wish he was able to be in more diverse projects. But this is kind of fun - well action and tense, but you know what I mean.
Low budget, but with a tight story and really good editing. Cinematography is good too - but we get used to that, even with movies that don't seem to have a large budget. That all said, it does deal with a few cliches, but nothing too off putting. The acting is at least decent to good ... if you like the story, you will have fun.
Low budget, but with a tight story and really good editing. Cinematography is good too - but we get used to that, even with movies that don't seem to have a large budget. That all said, it does deal with a few cliches, but nothing too off putting. The acting is at least decent to good ... if you like the story, you will have fun.
Le saviez-vous
- AnecdotesThe man on the phone in the parking lot when Finney is threatened, is the current Pastor of the church.
- GaffesAt 28:12, one of the characters takes a swig of "bourbon" revealing a full head of white bubbles as he does so, something no bourbon or whisky of any sort does. However, this is a characteristic of ice tea.
- Bandes originalesWhen I Get There
written by Dune Butler, Kate Dinsmore & Peter Donovan
performed by Up & Over feat. Kate Dinsmore
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Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Pacto de sangre
- Lieux de tournage
- Lexington, Kentucky, États-Unis(Production Agent: Paracorp Incorporated 828 Lane Allen Road #219 Lexington, KY 40504)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Brut – États-Unis et Canada
- 35 368 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 18 135 $ US
- 25 févr. 2024
- Brut – à l'échelle mondiale
- 153 552 $ US
- Durée1 heure 51 minutes
- Couleur
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