Deux copains en difficulté se déguisent en policiers pour une soirée costumée et deviennent des sensations de quartier. Mais lorsque ces nouveaux « héros » se retrouvent mêlés à de véritable... Tout lireDeux copains en difficulté se déguisent en policiers pour une soirée costumée et deviennent des sensations de quartier. Mais lorsque ces nouveaux « héros » se retrouvent mêlés à de véritables histoires de gangsters et de détectives crasseux, ils doivent mettre leurs faux badges e... Tout lireDeux copains en difficulté se déguisent en policiers pour une soirée costumée et deviennent des sensations de quartier. Mais lorsque ces nouveaux « héros » se retrouvent mêlés à de véritables histoires de gangsters et de détectives crasseux, ils doivent mettre leurs faux badges en jeu.
- Réalisation
- Scénaristes
- Vedettes
- Prix
- 2 nominations au total
- Todd Cutter
- (as Jon Lajoie)
- Dave
- (as Randall P. Havens)
Avis en vedette
Very very funny
Reserved for the Old Blockbuster Crowd
The movie stars Jake Johnson of New Girl (2011-2014) fame as a burned out former college sports prodigy who's currently unemployed and single in sunny Los Angeles. His roommate Damon Wayans Jr. is a video game designer who struggles to bring his ideas to life thanks to a petrifying fear of taking initiative. His new game pitch involves a Grand Theft Auto-type RPG boasting an authentic beat cop experience. So authentic in fact, that he borrows real police uniforms to place on his presentation mannequins. His boss doesn't go for it but at least the two can become a hit at a costume party, thus beginning a ruse that grabs the attention of the ladies, the criminals and the LAPD.
The film adds very little to the buddy cop genre save a realistic performance by Rob Riggle as a legit Police officer. The villains are serviceable in menace and acting ability while love interest Nina Dobrev of the ever popular Degrassi: The Next Generation (2006-2009) is breathtaking T&A. The notion of Dobrev's character aspiring to be a makeup artist and not an actress or model is about as silly as Fred Astaire aspiring to be a shoe-shiner. Try as they might the chemistry between the two leads is cordial but no where near the level of Murtaugh and Briggs, Cates and Hammond, Lee and Carter. At best they're Freebie and the Bean (1974) without the pretense of already being A-List stars.
But let's be real, this film isn't trying to be the next Rush Hour (1998), and yes that is the new marker of quality. It's a movie that tries to reassemble the old Blockbuster video crowd who rented Martin Lawrence's National Security (2003) and All About the Benjamins (2002) a hundred times because old habits die hard and The Marine (2006) was already rented out. While Johnson and Wayans Jr. may not have the established fan base of Martin Lawrence or Ice Cube, there's no denying the films refreshing lack of pretense and the actors' enthusiasm towards the one-trick pony screenplay.
Let's cut the BS, what it all comes down to in movies like this is can it make you laugh? The short answer is yes and not just scattered chuckles either. Is it worth a re-watch; probably not. There are some truly inspired moments many of which are provided by Keegan-Michael Key (If Key and Jordan Peele were cast as the hapless fake cops instead of Johnson and Wayans who knows how deliciously absurd this movie could have gotten). Yet the buddy-banter all feels recycled and the action sequences are mundane.
I tacitly approve even if Let's Be Cops appeared too late on the scene to be relevant. Those who are limitedly exposed to the clichés of boys-in-blue-type cinema will find something to like, especially when their parents aren't in the room. Those with more discerning taste might want to look the other way on this one, not because it's offensive, dumb or bad but because it's too little of anything.
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Taste determines your rating of this movie
Perfectly Pitched
Well, this film is neither intellectual nor cheesy. It has a really nice core story about these two great guys who have had very little success in life, but then they realise how powerful they are just by wearing police uniforms. The story seems simple, but the two main actors play it just right and it doesn't go over the top, but produces a really humorous film that kept be riveted. One of the best comedies I have seen, simply because it gets the balance right and is light, exciting, fun, has a little depth, and made me laugh despite my grumpy mood. Thoroughly recommended to everyone! No 'shocking'/rude comedy, simply excellent fun.
Good for who just watch movie for fun, not good for those who analyze movies
It is fun and I love it.
I admit that there are something in the movie that is not logical or not realistic, but it can still be called a good comedy as long as you do not take all the things so seriously.
Someone also mentioned that they are attracted by the trailer and are disappointed after watching it. What I shall say is that trailer does not exaggerate the fun point of the movie, I saw more fun spots in the movie which didn't shown in the trailer.
If you just want to have fun, it is a good choice, but if you want a very logical/classic/perfect story, do not try this one.
Le saviez-vous
- AnecdotesJake Johnson, Damon Wayans Jr., Jonathan Lajoie, Rob Riggle and Keegan-Michael Key, who are all stand-up comedians, improvised a lot of their dialogue.
- GaffesWhen Ryan's cop car chases the kids across the lawn, the tires squeal as if on pavement.
- Générique farfeluAnother montage of Ryan and Justin posing as cops is shown during the end credits.
- Bandes originalesI Want It That Way
Written by Andreas Carlsson (as Andreas Mikael Carlsson) & Max Martin
Performed by Backstreet Boys (as The Backstreet Boys)
Courtesy of RCA Records
By arrangement with Sony Music Licensing
Meilleurs choix
- How long is Let's Be Cops?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Site officiel
- Langues
- Aussi connu sous le nom de
- Let's Be Cops
- Lieux de tournage
- Atlanta, Géorgie, États-Unis(as Los Angeles)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 17 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 82 390 774 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 17 813 722 $ US
- 17 août 2014
- Brut – à l'échelle mondiale
- 138 224 951 $ US






