Acidman

All Of This: Minimal, Simple, Complex, True, Alienated, Alien, Tender, Low Key, Gentle, Lost, Found, Family, Daughter - Father, Warm, Fragmented, Beautiful, Alone, Search, Spacious, Real, American, Indie, Nature, Natural, Heartfelt, Warm, Caring, Strange, Poignant, Loss, Regret, Connect, Bond, Nevertheless, Despite It All, Quest, Minimal, Simple, Complex, True, Alienated, Alien, Tender, Low Key, Gentle, Lost, Found, Family, Daughter - Father, Warm, Fragmented, Beautiful, Alone, Search, Spacious, Real, American, Indie, Nature, Natural, Heartfelt, Warm, Caring, Strange, Poignant, Loss, Regret, Connect, Bond, Nevertheless, Despite It All, Quest. Love. Love. Love.

Firstly, I'd just like to point out how beautiful this film looks, especially with its opening establishing shots. The camerawork and mise-en scene are on point throughout and really give an accurate sense of place and time.

However, whilst entertaining (if not a little slow) this movie does have some flaws baked into its script. For me, the Father is a well acted character with a lot to be uncovered, but his arc just doesn't progress as the film goes on, and too much is left unsaid about what is actually going on with him. Its arguable that the director leaves this up to the viewer to decide, but considering the films runtime and lack of any other subplots, its hard to excuse this lack of character development and closure by the time the credits roll.

I'd recommend this movie to anyone who likes a slower paced character driven drama, but isn't expecting too much by the films conclusion. Acidman is a perfect lazy Sunday watch when things to do are light on the ground.

I have liked both main actors for a number of years, Dianna Agron when she had a regular role on the TV series "Glee". She always seemed to be a realistic, authentic actor and she is here. And Church since I saw him in "Sideways", wreaking havoc in the California wine country. Incidentally, each of them is listed among the producers for this movie.

It begins with Agron as Maggie showing up, after a very long trip, to a dilapidated home in a heavily wooded area (filmed in Oregon), driving down a narrow, dirt road. After a few attempts at the front door and getting no response she starts to back up her car. Looking down at her phone for signal she bumps something, looking back it is a man and a shopping cart of his items. She greets him with "Hi, Dad."

Thomas Haden Church is her dad, Loyd. They are very familiar with each other, mutual respect but no warmth, no hugs. We immediately wonder what the story is. This small movie is about their stories.

Loyd is an engineer living a secluded live, we get no hint of how his career went. He is now obsessed with what he thinks are his signal contacts with alien spacecraft. Maggie has arrived unannounced, mainly because Loyd has made it hard for anyone to find him or contact him. But in flashbacks we see the two of them had a very happy and engaging life together as she grew up. And he still had her hand-drawn and colored "Slam Dunk Tuesday" book from her childhood.

I really like this movie, it is all about relationships and how we deal with our inner conflicts. Agron and Church are both at the top of their acting games in this movie. I enjoyed it as a good story, but enjoyed it even more for the two actors.

It was also nice seeing scenes of the gorgeous, rocky Oregon coast. At home, streaming on Amazon Prime.

IN A NUTSHELL: The story is about Maggie who tracks down her estranged and reclusive father. She discovers his world of UFO-hunting as she realizes the sobering effects of aging.

The gentle film was directed by Alex Lehmann with screenwriting help from Chris Dowling.

THINGS I LIKED: I've been a fan of Thomas Haden Church for decades, ever since I first saw him in the cute TV show Wings. I loved seeing him in this. He did an outstanding job. Some film critics have been saying this is his best performance ever.

I'm always happy to see Dianna Agron get work in movies. Probably like you, I had never seen her in anything until the popular TV show GLEE. She's lovely and also gives us a good performance as she stretches her acting chops and shows us what she can do.

Gorgeous cinematography.

It's fascinating to watch the interplay between the two characters and how they realize how much they're truly alike.

Parent/child relationships can be complicated and take a completely new turn as the parent ages, resulting in a role reversal where the child needs to take care of the parent. This movie illustrates that extremely well. I could definitely relate to the sadness of those changes while watching all of my parents lose their memories and physical abilities in recent years. As you know, I've had to say goodbye and bury 3 parents in the past 3 months. As expected, the movie's nuanced performances made me weep.

There are a few humorous moments, but nothing so funny that it makes you laugh out loud. Overall, it's a very reflective, slow, drama.

The song at the end was perfect.

THINGS I DIDN'T LIKE: Some viewers might complain that the pacing is too slow. That's part of the journey. It illustrates well how slow life meanders from childhood to adulthood, yet also how relationships evolve.

If you're expecting to see aliens, you'll be disappointed.

The title of the film is a bit misleading. It makes it sound like a superhero movie or something!

TIPS FOR PARENTS: Kids will be completely bored because the whole film is about two adults talking.

Profanity, including F-bombs Guns A dog gets shot. We see blood.

A man smokes marijuana and talks about a trip.

Portrayal of death.

!

Prior to fine rom-com "Meet Cute" Alex Lehmann directed the intimate, weighty yet sluggish dramas "Blue Jay", "Paddleton" & "Acidman". In the latter 20-something Dianna Agron (Alicia Vikander-esque) visits a remote, craggy, forested Oregon coast to try connecting with her estranged, reclusive & possibly mentally ill dad Thomas Haden Church (likeable as ever) who lives alone with his dog 'communicating' with UFOs. Plot-wise Lehmann & Chris Dowling's script is disappointingly thin, but as a dual character study it's rich enough (helped by the great two central performances (especially Agron)) - whether that's enough to entertain most tho is debatable.