ÉVALUATION IMDb
6,2/10
34 k
MA NOTE
Ajouter une intrigue dans votre langueA thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.A thriller centered on a con artist, his wife, and a stranger who flee Athens after one of them is caught up in the death of a private detective.
- Prix
- 3 nominations
Babis Hatzidakis
- Stall Keeper
- (as Babis Chatzidakis)
Stella Fyrogeni
- Barmaid
- (as Stela Fyrogeni)
Histoire
Le saviez-vous
- AnecdotesViggo Mortensen on his character's wardrobe: "I particularly liked the white linen suit that you see in the poster that Chester wears, and in a way that's another character in the movie because the journey of that beautiful cream-colored linen suit, on the Acropolis in the sunshine in the beginning, this immaculate, perfect, fits perfectly, looks great. You see that suit at the very end of the story, and that suit's been through it, it's a bit torn, it's frayed, it's not as clean as it was, it's suffered almost as much as the man wearing the suit."
- GaffesIn the beginning Rydal recounts the legend of Aegeus on the steps of the Acropolis and says that it was there that Aegeus jumped to his death after his son, Theseus returned from Crete and forgot to change the black sails to white to denote his success. This is untrue; you would not be able to see the Aegean from the Acropolis, anyway. According to the legend Aegeus was waiting for the ships to arrive at Cape Sounion and when he saw the black sails he plunged into the sea (which is called the Aegean Sea after him). It is unlikely that a tour guide would not know how to recount the legend properly.
- Citations
Chester MacFarland: I'm sorry I disappointed you.
- Générique farfeluAfter the production company logos, there are no opening credits.
- ConnexionsFeatured in Film '72: Episode dated 5 March 2014 (2014)
Commentaire en vedette
If this movie had been made back in mid-century when Alfred Hitchcock and Stanley Donen and Billy Wilder were at their peak, it probably wouldn't get much attention. But given we're in an age where Transformers XVI is a possibility, a movie like this--taut, suspenseful, well-acted, well- written, is kind of a marvel. It doesn't promise a lot: there are no special effects, the plot twists aren't terribly surprising; in fact, nothing in the movie really surprises. But it's all so seamlessly put together, so pleasingly directed, and shot with such loving attention to the scenery, Two Faces is a real delight. Don't come with great expectations--come simply for the pure entertainment of what a movie can be when everything in it works well. (Also, it's based on a Patricia Highsmith novel, so you know that if nothing else, there will be sophistication and wit.)
- Laight
- 13 sept. 2014
- Lien permanent
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- How long is The Two Faces of January?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- The Two Faces of January
- Lieux de tournage
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 31 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 507 463 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 43 116 $ US
- 28 sept. 2014
- Brut – à l'échelle mondiale
- 13 551 951 $ US
- Durée1 heure 36 minutes
- Couleur
- Mixage
- Rapport de forme
- 2.35 : 1
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