Wicked: Pour De Bon

After all of the audio cuts from the trailers that had me SO looking forward to entire numbers, I daresay it landed flat for me. I wanted to be gut-wrenched during and after this film but I just wasn't. There wasn't enough tension build-up to release during For Good and unfortunately I was underwhelmed by the delivery. I left the theater unmoved by the supporting cast performances. Act II is known to be the weaker act for the stage version, but the film had an opportunity to deliver better pacing and fuller picture. The plot points that feel rushed on stage felt rushed in the move as well.

Overall, the film kept my interest and boasts stunning optics, but doesn't touch the level of masterpiece or re-watchability part one had.

The pacing in this film doesnt quite hold attention like the first. For some reason the set pieces still look good but also seem a bit smaller somehow? Or less detailed maybe? Not sure but there felt like a lot of more obvious cgi in this one. There was no real main hit song like the first one had and they were all a bit less memorable so that was disappointing, possibly aside from no place like home. I was personally happy with the ending. All of these 10s are embarrassing this film was not at all visually stunning and was hard to hear regularly. Obviously die hard wicked fans who would give anything wicked a 10. If youre not a serious man wicked fan this isnt a good movie.

The music and songs were just as great as the first one. What I loved about this movie is that there was alot more emotion and less action towards the end. I think that is what made hit the most. I was nice the see the wizard of Oz references and I was very surprised by some of the reveals. I think the cinematography is a little better than the first. There are more visually interesting shots. I think I need to rewatch this film as I think the first movie is better. But it is one of the best movies of the year. I highly recommend it.

Surprising even the most optimistic of pundits last year, Wicked: Part One took the world by storm with its toe-tapping and empowering song and dance numbers, breathtaking filmmaking and star-making performances, setting in motion a phenomenon that has been reaching fever pitch as diehard and casual fans alike waited with bated breath as the second and final instalment For Good was unleashed around the globe.

One of those rare Hollywood blockbusters that managed to be a critical and awards darling as well as an audience pleaser, Wicked was a star aligning experience that now appears to have been a one off, with returning director Jon M. Chu and his star-studded cast struggling to bring the same amount of energy and magic to proceedings here in what amounts to a much more po-faced and stilted feature with only glimmers of the enchantment that made the first instalment of Wicked such a winner.

More serious in nature due to the requirements of its dramatic focussed narrative arc that differs majorly from the first films whimsical university vibrancy and introduction to the wonderful world of Oz, For Good feels like more of a procession of big plot developments and Hallmark like emotional beats as Cynthia Erivo's mistreated witch Elphaba and Ariana Grande's princess like Glinda find their lives clashing and their once fruitful friendship threatening to be torn apart permanently.

With the Broadway show on which Wicked stems from widely regarded as having a very clear winner in its two-act approach, with the plays first act accepted by most as the standout, Chu and his team had their work cut out for them as they attempted to bring a lesser collection of songs and ballads to life, as well as tie-up a story that in this slightly longer than two hours feature feels too crammed with conflicts and resolutions as the likes of Jonathan Bailey's Fiyero, Ethan Slater's Boq and Michelle Yeoh's Madame Morrible all get relegated to bit players as Chu struggles to maintain focus.

Lacking the equivalent of a toe tapping Dancing Through Life, a catchy and humorous Popular or the raw intensity or emotional power of Unlimited or Defying Gravity, plus the initial spark many felt when they were first welcomed through to the doors to Oz or Shiz University, For Good still finds its cast committed and up for the challenge but despite their best intentions and the films eye capturing visual design, the sparkle of Part One often feels distant and foreign to this outing that never manages to connect like its predecessor.

There's likely still going to be a collection of invested fans that find For Good meeting all their needs and box office receipts for this much-anticipated outing will likely be a godsend for many cinema chains around the world but after the highs of the first wonderous outing, it's hard not to feel disappointed by this follow-on that failed to find the heart and wonder that was so evident the first time around.

Final Say -

Destined to be more divisive than the universally appreciated and adored first film, Wicked: For Good lacks in many departments Jon M. Chu's first film thrived in, leaving us with a pretty but hollow vessel of what once was.

2 1/2 transport bubbles out of 5.

"Wicked: For Good" aims high with its musical ambitions, but the final result feels surprisingly hollow. It's the kind of film that promises grandeur - rich songs, emotional storytelling, a sweeping theatrical tone - yet delivers something that rarely rises above mediocre. For me, in contraposition with the previous very well done production, this movie is carried only by a few scattered moments of charm but weighed down by far too many shortcomings.

The biggest disappointment is the music. In a film where songs should carry emotion, character, and narrative weight, they instead feel weak, repetitive, and strangely uninspired. Most numbers come and go without leaving any impression, lacking both melodic strength and thematic purpose. Rather than elevating the story, the music often slows it down.

The script doesn't help. It feels thin, undercooked, and far too reliant on broad strokes rather than meaningful character development. Emotional turns arrive without buildup, conflicts lack impact, and the dialogue rarely adds depth. It's a story with potential, but very little of that potential makes it to the screen.

The pacing is equally problematic - inconsistent to the point of distraction. Some scenes drag without offering substance, while others rush through moments that should carry dramatic weight. The result is a film that feels both bloated and oddly empty, never finding its rhythm.

"Wicked: For Good" isn't without effort or intention, but it never manages to bring its ideas together into something compelling. It's underwhelming, forgettable, and a far cry from the magical musical experience it tries to be.