L'Effet veuf

Good Grief delivers a compelling narrative with Dan Levy's standout performance stealing the spotlight. He knows what he is doing and what he wants to achieve and he does that well, with raw, honest emotions. His portrayal is both captivating and, at times, a tad obnoxious, but if it is part of the storytelling, I accept it.

The storytelling is enriched by a well-curated musical backdrop. I love the music.

However, the subplot involving his female friend feels somewhat disjointed, lacking the depth that could have enhanced the overall experience. It's a little bit too much, for my taste.

While the film offers a love story, it falls short of exploring the characters' personalities and stories in a more profound manner.

In Good Grief, Dan Levy creates a morose take on the rom-com, dealing head-on with the different ways grief affects people. The idea is strong in that it's different, and maybe even innovative, to try to place grief at the center of a film like this--but it would have taken a more deft hand and a little more digging to make this work. I think Levy might have served himself better had he chosen someone else to play the lead. Then he could have given that actor more challenging scenes to work with, maybe even had him struggle with sorrow and loss. Instead, the film comes off as the story of a pampered man who seems to lack depth. There needed to be more of an idea than: three friends go to Paris with what seems like an endless expense account to shake off the blues.

Passion is the yin to grief's yang--and this film lacks passion. We sense no real sparks between Levy and Evans early in the film, and even less when he mets the French Theo in Paris. When we see two actors kissing passionately, we need to feel the heat, feel that they can barely control themselves in the moment. Levy does not seem up to it and that affects the whole film. His sadness is more like that of a person who didn't get the table he wanted in a tony restaurant.

There was a better film hiding in here.

SO ... it's a decent movie, and I love how we can now have well known actors in actual mainstream movie productions that is not considered a "B" movie (budget movie for those ...) HOWEVER! It's extremely frustrating when gay men and gay culture are depicted and portrayed as cheating, having open marriages, throuples, being promiscuous, or anything that paints us in yet more unfavorable light! It just reiterates to the general public that we are sexually deviant, weird, abnormal, and the stereotypical queer which is the opposite of the light that we need painted in art this time ... in MY opinion!

A really perfectly balanced film. It would have been so easy to play it safe and make a typical 'bubblegum' movie, with guaranteed well rehearsed tropes and clichés. So I admire Dan Levy's restraint, and that he took a risk with a more subtle approach. It isn't, as I imagined, a romcom, rather, a gentle exploration of grief, friendship and complicated legacies. I found it quite emotive without sentimentality. I loathe feeling manipulated by film makers- when the music, sappiness and script so deliberately and blatantly are working their formulaic chops off in a contrived effort to control every reaction a viewer is having.

While I wasn't 'blown away' by this film, I was impressed and engaged. I suspect/hope that Levy will continue to create as well as act, and be a well regarded director/writer in his own right.

Finally, the performances were great and the chemistry between the 3 friends felt authentic. The script could have been sharper and, as much as I usually love Luke Evans, I thought his performance in this perhaps the weakest of all the cast. But these a minor criticisms. I understand it if isn't what some people drawn to the film were hoping/expecting , and can understand some disappointment. But, for me, it was just right in tone and I think Dan Levy will go from strength to strength.

People are looking at this movie in a weird way. It is an original love story, regarding two people, and the *most complications you can fit into a love story while holding it all together. It, has the least amount of tropes for this category of film, and draws you in emotionally on several different levels.

Here is where the reviews start to slant. It's what I've heard as a "gay-mance" movie. Meaning a romantic film involving lovers of the same sex (in case you don't know). But if Dan Levi was played by Rachel McCadams, this would be better than The Notebook; and I hope someone tells Dan Levi that. It's a great romance that should be recognized in film. It was great to watch with my wife and ask "what if...?" I would implore everyone else to do the same.