Ik ben geen robot

Road to the Oscars 2025. This is nominated for 1 Oscar, best short film.

This was a fun concept short that fits right into the Hollywood agenda at the moment. Humanizing computers and AI. While it works it never really leaves the realm of just okay, as it doesn't really explore more than the surface of the concept it is framing. There is also some logical flaws to the concept.

Lara, a music producer has a hard time saving her project since she can´t get past the "are you a robot" segment on her PC. She must ask herself "Am I a robot?"

The whole premise and concept really vibed with me, the overall idea is fun and is used for laughs in the best way possible. A dark comedy that really shines through. Now the overall concept kind of falls apart as it seems like this is the first time Lara encounters a screen with "are you a robot?" in her life and that is just not possible in our modern life, but again the idea is good.

The twists and how the story goes is very predictable. Not in a bad way but it makes the story feel basic.

The location they filmed at is intriguing to look at. It´s this building that has some funny shaped windows and it just made the short seem a bit timeless somehow. It looked cool.

Another movie that tells us computers have feelings and that is a trend we are only going to see more and more of, since Hollywood really want to use these tools. How the future looks we´ll see.

A pretty solid concept short that does exactly what it needs to with no big hiccups along the way. Solid work.

Oscar predictions: I have now watched 3 of the nominated shorts and I think this defiantly has a chance to win. It signals Hollywood's stands on computers, it is in my opinion the best of the shorts so far that I have watched but A lien(2023) also is a good contender for what I have seen.

"I'm Not a Robot," directed by Victoria Warmerdam, is an extraordinary short film that masterfully blends humor, emotion, and thought-provoking themes. It challenges our understanding of identity in an increasingly digital world with an intriguing and refreshingly original concept.

Ellen Parren delivers a standout performance as Lara, navigating the delicate balance between absurdity and genuine self-reflection. Warmerdam's direction is sharp, blending subtle satire with poignant moments that linger long after the credits roll.

Visually striking and emotionally resonant, the film is both entertaining and deeply profound. "I'm Not a Robot" is a cinematic gem that deserves every bit of the acclaim it's received. A must-watch for anyone seeking art that entertains while encouraging introspection.

Starts off creepy in a quirky way, then gets somewhat annoyingly too similar to classic sci-fi; becomes a black comedy with unfortunately heavy-handed commentary; finally heads back toward a tragic tone, but without finality.

It was occasionally hilarious, I'll give it that. A certain character definitely needs to play more of these satisfyingly slouching, hangdog characters semi-ashamed of themselves. Be a lot more entertaining in an actual comedy.

I had thought it was going to be an allusion to autistic people being flagged as robots by AI (the IRONY), e.g., in academia, where their writing styles are somehow mistaken for plagiarism. Kind of wish it had-particularly after the reference to a detached, standards-compliant version of workplace diversity.

A "diversity" that blatantly excludes and stigmatizes anyone who doesn't make sufficient eye contact, isn't "outgoing" enough in a champagne-and-mind-games way, isn't "a people person" in an antisocial, insular bubble that treats people as disposable resources.

I think there's huge potential to depict the dehumanization of humans while anthropomorphizing machines; the (unbelievably common) self-centered stupidity it must take to commit such ethical crimes because an advertisement, a blog, a news article or university said that's okay; then to refuse to consider the possibility of being wrong.

The basic plot of I'm Not a Robot has been done, over and over. Time to explore greater depths with this concept. But that would require courage and creativity to tackle controversies, and withstand public mudslinging. Hope these creators will challenge themselves to do so.

At the heart of this subtle sci-fi short is the question so many of us ask ourselves (even if only in the dark corners of the mind), which is: Do I belong here. "Here" could mean work, among friends, in your family, with a lover, in your community, or maybe even the "here" of anywhere. Do I deserve to be here as a living, thinking, entity? So many people in one's life can undermine our simple birthright of existence, whether parents, teachers or others, and but rarely would you so suddenly face such an existential crisis as Lara does in this compact but very effective story.

What especially reinforces the central theme of "Am I human?" is the way that throughout the film she is almost never allowed to be alone. Coincidence by virtue of a busy office? Or is everyone else in the the "truth" but her? Both the editing and cinematography do a great job of leaning into a growing claustrophobia as the story unfolds, all of reinforced by a kind of corporate HR vibe that is fairly dehumanizing in itself.

Interesting idea, decent use of it. But not real convincing Sure, a subject who becomes more and more seductive, provocative and just cool. One of familiar situations for many from us- captcha is al ways source of nervosity. But the situation, maybe only for me, sounds real - real unrealistic and more poor Daniel seems a bot , not exactly energetic Lara.

But , obvious , pretty unfair to be too critic about a story proposing only illustration for a future not comfortable for part of us , especially elders.

Nice acting - Ellen Parren offers a charming work, unuseful presence of Pam , ambiguous final.