Machete tue

Wild , bloody , violent and deliriously entertaining follow-up yarn . Thrilling action film with plenty of shootouts , explosion , some hilarious touches and lots of violence . The film is preceded by a fake trailer for "Machete Kills Again... In Space!", which features the titular hero on an intergalactic mission , starring Danny Trejo, Michelle Rodriguez, Mel Gibson, Alexa Vega, Lady Gaga, Antonio Banderas, Walton Goggins , Cuba Gooding Jr., Vanessa Hudgens , Justin Bieber as a robot named Bleep which Machete eliminates , and Leonardo DiCaprio as "The Man in the Silver Mask" with the sub-note that the actor playing the role is subject to change . The U. S. government recruits Machete , a deadpan Danny Trejo, to battle his way through Mexico in order to take down an arms dealer who looks to launch a weapon into space. Trained to kill. Left for dead. Back for more. He was given an offer he couldn't refuse...They just confronted with the wrong Mexican!.If you're going to hire Machete to kill the bad guy, you better make damn sure the bad guy isn't you! .He knows the score. He gets the women. And he kills the bad guys! .Yesterday He Was a Decent Man Living a Decent Life. Now He is a Brutal Savage Who Must Slaughter to Stay Alive. A Pissed Off Mexican Out to Settle a Score.

This is a zestful action film with eccentric all-star-cast , striking set-pieces and irony . Nail-biting and lavishly produced movie packs hilarious scenes , tension , chills , thrills , terror , sadism, tongue-in cheek and lots of blood and gore , including stabbing , slicing , stabbing , quartering- courtesy of Greg Nicotero and Howard Berger ; they create a truly creepy make-up and fantastic special effects . Machete appearance delivers the goods with hair raising thrills and plenty of non-stopped-acting in which he destroys loads of heinous hoodlums . The astonishing killings are gruesomely executed and grisly graphic . There is more than enough preposterous pleasure to be had from Robert Rodriguez's expertise with the action set-pieces and absurdist approach to the story of the mythical Machete . This movie is in similar style than Quentin Tarantino's ¨Death Proof¨and ¨Planet Terror¨both tales form a diptych titled 'Grindhouse', as contains more amusement action and fun . More a sequel than a loose , biggest budget remake , this second Machete installment feature may be a rambling derivative exercice in gratuitous violence , but anyway it results to be a gleeful entertainment and really amusing . Motifs and plot points are hardly explained and certain roles are extremely ridiculous and so sketchly drawn that it is difficult to work out why they are there .

Various familiar players acting , many of them Rodriguez's regulars , such as : Sofia Vergara , Antonio Banderas , Cuba Gooding Jr , Vanessa Hudgens, Alexa Vega , Michelle Rodriguez , Amber Heard, Charlie Sheen , William Sadler , Julio Oscar Mechoso and the Avellan twins as two nurses , they're niece-in-law of Robert Rodriguez and wife, Elizabet Avellan . Besides , appearing Tom Savini, the prestigious make-up artist who repeats his role from Machete I , but now as a good guy . Moving musical score , special cinematography , edition and nice direction by Robert Rodriguez himself . His big hit was Robert Rodriguez's Mariachi trilogy formed by ¨El Mariachi¨ 1992 with Carlos Gallardo , ¨Desperado¨ 1995 with Antonio Banderas , Salma Hayek , Cheech Marin, Quentin Tarantino , Steve Buscemi and ¨The Mexican¨ (2003) with Banderas , Hayek , Willem Defoe , Eva Mendes . Rating : 6/10 , an acceptable and tolerable sequel . The film will appeal to action/thriller fans with some humor and irony.

1. "Poor acting, poor dialogue, even worse actors. I didn't see the first one and will not see this one either." - DUH. This is what happens when one segment of society is bound and determined to shrink government so small that it can be drowned in a bathtub; things tend to get a bit, shall we say, dumbed-down.

2. "People who actually pay money to see these films are as brain-dead as the writer, director and producers of these films." - This, written about people who make a great living producing movies... written by someone who, based on the text of his review, probably has yet to achieve one accomplishment of note that even remotely compares to the production of just one movie.

3. "These remind me of the old Blacksploitation films in the 70s, only they are considerable lower budget and lower class." - Again, DUH. Uh, that was kind of the point, John Baggs. These movies are an HOMAGE (do the google) to 70s grindhouse and blacksploitation movies. The excessive scratching on the film stock? Intentional, to give the movie the "feel" of a 70s grindhouse/exploitation film. There are many other things in the movie that directly pay homage to the 70s films, and you can find these elements in many Rodriguez and Tarantino films. Since it reminded you of a 70s blacksploitation movie, I would say "MISSION ACCOMPLISHED", and not "lower budget, lower class", etcetera.

4. "Honestly I can't think of a single good thing to say about it." - Since you didn't see EITHER of the Machete movies, yet insisted on commenting about them, I am not surprised that you are unable to say anything good about them. Generally, to develop an opinion (that matters), one must EXPERIENCE the subject at hand. I guess your parents didn't teach you that, "if you have nothing good to say, don't say anything at all". If they had, perhaps you would not have commented and could be given the benefit of the doubt that you might be intelligent.

5. "Meth-Head Charlie, Crack-Head Danny, and Brainless Jessica. What a team. The three of the together couldn't make one good brain between them as evident of their acceptance to participate in this film, but then I guess when you are broke (or drugged out like Charlie, you'll do anything for money. " - Let's do the math, shall we? Charlie, Danny, Jessica.... many movie credits, many accomplishments in life, respectable bank accounts. John Baggs? Produces rambling, semi-literate "reviews" of movies that he has never seen, so that he can attack people who have actually succeeded in life. Sorry John, but the math doesn't add up in your favor.

In summary, Machete Kills is exactly what it is advertised to be. It is an homage to 70s grindhouse and exploitation films. Why attempt apple v. orange comparisons between an intentional B movie, and Oscar-caliber films (that John Baggs probably hasn't seen either)? Why not just get some popcorn and enjoy it? (That means actually SEEING it, John)

I am a fan of the first one, I am a fan of Grindhouse and I love over the top movies. Going in to this I knew that it was going to be bloody, cheesy and awesome. It surprised me that this did not do as well as the first one or even close to it. The original was a tad more serious and had some really badass parts while this one was just non stop cheesy and Grindhouse-y.

If you saw the first one, you pretty much know what to expect and what the basic concept is. Just times that times ten and you have Machete Kills. It is just a movie where you sit and don't think about it. Let it all happen and enjoy it. That is, of course, you like action movies where the hero chops every bad guy up and Sofia Vergara with her bra machine gun.

Despite the terrible plot and unsatisfying sequel bait ending, Machete Kills is still good fun that manages to be even more ridiculous and over the top than it's predecessor. Danny Trejo and Michelle Rodriguez are once again great and Charlie Sheen and Mel Gibson both give gleefully over the top performances. Robert Rodriguez's direction is good, it's well filmed and reasonably well paced. The music by Carl Thiel and Robert Rodriguez is also good.

First came "Grindhouse" (2007), a critically acclaimed but commercially unsuccessful ode to exploitation films of the 1970's & 1980's. Then came "Machete" (2010), an unapologetically violent spin off adapted by popular demand from one of the fake trailers that accompanied "Grindhouse".

Unlike "Grindhouse", "Machete" was a commercial success, making 2 1/2 times its money back in domestic grosses alone. Inevitably, there would be a sequel. Because of how much I enjoyed "Machete", I was looking forward to "Machete Kills" (2013).

Unfortunately, while the movie's predecessors were aware that they were both parodying and paying tribute to low budget schlock flicks, "Machete Kills" somehow forgets that fact. The over-the-top violence and sex is still there, but something still did not feel right as I was watching this film.

The movie starts out right as you get an allegedly fake trailer for "Machete Kills Again . . . In Space". In this "preview" (which may or may not actually get made in the near future), the film is grainy, scientifically unrealistic, and primarily fun to watch.

Then the movie begins, and the film is as clear as crystal, the first indication that the director, Robert Rodriguez, somehow forgot what he was parodying. Based on the casting of supporting characters, Rodriguez may have also intended "Machete Kills" more as a second chance for once-prominent actors with now-notorious reputations than a tongue-in-cheek tribute to his love for fun, low-budget cinema.

The original "Machete" was no masterpiece, but it was enjoyable to watch because Danny Trejo played an appealing bad-ass, and the narrative was solid. In "Machete Kills", Danny Trejo somehow doesn't seem to be into the character he made his own, keeping the same inexpressive face throughout as if he is already bored with playing the character.

The story in this movie is also too simplified and hackneyed to accommodate as many supporting characters as it does. There's a terrorist who is about to launch a nuclear missile from Mexico to Washington, D.C., and is one of those villains who doesn't know what he wants to do with the world once he takes it over.

While Trejo, Michelle Rodriguez, and others from the original movie make welcome returns to this sequel, so many characters are added to this story that their presence actually makes the story more confusing. There's a Miss Texas beauty pageant contestant (Amber Heard) who serves as both a femme fatale and almost an Agent Q to Machete, a brothel owner (Sofia Vergara) with an uninspired bra gun which has been done in countless movies and TV shows before, and a lone assassin who assumes many identities (including Lady Gaga) who wants to kill Machete for reasons the film doesn't seem to explain.

If you're going to accommodate that many characters, write a story where every character has more of a useful goal than "Kill the hero", or even "Make a clever cameo". While I thought it was clever to have Charlie Sheen be credited as Carlos Estevez (his birth name) in the beginning sequence, he served no purpose playing the President of the United States.

It's as if the screenwriters just said, "Hey, you know what would be funny? Let's have a formerly legitimate actor whose life is a train wreck play the President!" Sure, Sheen smokes, womanizes, and swears in his role, but those actions alone don't elicit more than a chuckle.

On the other hand, I bought into Mel Gibson playing Voz, the villainous operator of a weapons manufacturer who made the nuclear missile. Does Gibson's presence here show how fall the former A-lister has fallen? Maybe, but he still sold every line he spoke, and still showed his good acting days are not behind him.

As for the gratuitous violence, I was hoping for more irony in what I was watching. Machete doesn't seem to have more creative ways to use a large knife beside slashing it from right to left. Plus, any creative ways a nemesis dies seems to be ripped right from "The Itchy & Scratchy Show" cartoon on "The Simpsons".

If Robert Rodriguez decides to go ahead and make "Machete Kills Again . . . In Space", he needs to make sure there's enough room in the story for any celebrities whose careers he wants to revitalize. Plus, he needs to embrace the graininess of fun B-movies, and remember that even schlock fails without a coherent story.

Probably foremost, he also needs to make sure Danny Trejo actually wants to reprise his role, because you got no indication of that desire here. Or, even better, give Michelle Rodriguez her own spin off as Luz, the Mexican revolutionary. Unlike Trejo, she actually seemed like she wanted to be there.