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IMDbPro

Side by Side

  • 2012
  • Not Rated
  • 1h 39m
ÉVALUATION IMDb
7,6/10
14 k
MA NOTE
Side by Side (2012)
The documentary investigates the history, process and workflow of both digital and photochemical film creation.
Liretrailer1 min 47 s
7 vidéos
14 photos
Documentary

Ajouter une intrigue dans votre langueThe documentary investigates the history, process and workflow of both digital and photochemical film creation.The documentary investigates the history, process and workflow of both digital and photochemical film creation.The documentary investigates the history, process and workflow of both digital and photochemical film creation.

  • Director
    • Christopher Kenneally
  • Writer
    • Christopher Kenneally
  • Stars
    • Derek Ambrosi
    • Michael Ballhaus
    • Andrzej Bartkowiak
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    7,6/10
    14 k
    MA NOTE
    • Director
      • Christopher Kenneally
    • Writer
      • Christopher Kenneally
    • Stars
      • Derek Ambrosi
      • Michael Ballhaus
      • Andrzej Bartkowiak
    • 52Commentaires d'utilisateurs
    • 76Commentaires de critiques
    • 82Métascore
  • Voir l’information sur la production à IMDbPro
    • Prix
      • 1 nomination au total

    Vidéos7

    Theatrical Version
    Trailer 1:47
    Theatrical Version
    U.S. Version
    Trailer 1:31
    U.S. Version
    U.S. Version
    Trailer 1:31
    U.S. Version
    "Martin Scorsese with Keanu Reeves"
    Clip 1:19
    "Martin Scorsese with Keanu Reeves"
    "Lana and Andy Wachowski with Keanu Reeves"
    Clip 2:07
    "Lana and Andy Wachowski with Keanu Reeves"
    Side By Side: Martin Scorsese And Keanu Reeves
    Clip 1:20
    Side By Side: Martin Scorsese And Keanu Reeves
    Side By Side: Lana And Andy Wachowski With Keanu Reeves
    Clip 2:08
    Side By Side: Lana And Andy Wachowski With Keanu Reeves

    Photos14

    Voir l’affiche
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    Voir l’affiche
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    + 10
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    Rôles principaux76

    Modifier
    Derek Ambrosi
    Derek Ambrosi
    • Self
    Michael Ballhaus
    Michael Ballhaus
    • Self
    Andrzej Bartkowiak
    Andrzej Bartkowiak
    • Self
    Dion Beebe
    Dion Beebe
    • Self
    Jill Bogdanowicz
    Jill Bogdanowicz
    • Self
    Danny Boyle
    Danny Boyle
    • Self
    Geoff Boyle
    • Self
    James Cameron
    James Cameron
    • Self
    Michael Chapman
    Michael Chapman
    • Self
    Don Ciana
    • Self
    Anne V. Coates
    Anne V. Coates
    • Self
    Lorenzo di Bonaventura
    Lorenzo di Bonaventura
    • Self
    Lena Dunham
    Lena Dunham
    • Self
    Gary Einhaus
    • Self
    Jonathan Fawkner
    • Self
    David Fincher
    David Fincher
    • Self
    Shruti Ganguly
    Shruti Ganguly
    • Self
    Greta Gerwig
    Greta Gerwig
    • Self
    • Director
      • Christopher Kenneally
    • Writer
      • Christopher Kenneally
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs52

    7,613.8K
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    Avis en vedette

    CinemaClown

    A Side By Side Comparison Of Shooting On Film & Shooting Digitally

    An immensely intriguing tour of the evolution of filmmaking process in the cinematic medium over the years, Side by Side is a side by side comparison of the two formats of crafting a motion picture that's available to filmmakers today; first is shooting on photochemical film which has been in use since the dawn of cinema while the other is shooting digitally which dominates the industry at present & has made the traditional film stock an endangered format.

    Directed by Christopher Kenneally, this documentary presents Keanu Reeves as the questioner discussing about the evolution, impact & innovations the film camera has made since its creation and joining him in the discussion are Hollywood's esteemed directors like Martin Scorsese, James Cameron, Richard Linklater, David Fincher, Christopher Nolan & many more plus it also asks the opinions of various cinematographers, editors, VFX supervisors & others as well.

    Side by Side provides a thorough examination of the history of 35mm print while also capturing the dawn, rise & revolution of digital format in the past two decades which as of today threatens the very existence of traditional filmmaking format. We get to see strong proponents for both formats, each presenting very valid arguments when it comes to the benefits & limitations of both film stock & digital recording in things like ease of use, economy, flexibility etc.

    On an overall scale, Side by Side beautifully covers the still ongoing battle of the superior format in the film industry today and my only gripe with it is that it's only 98 minutes long. Even though in my opinion digital cinema seems to be a valid choice in the long run, IMAX has given film stocks a fresh breathe of life, and if only both formats can mutually co-exist then it's a win-win situation for the industry. Extremely gripping, highly entertaining & downright informative, Side by Side is a must-watch for every cinema fan out there.
    abigailperkins-96187

    Amazing documentary

    This is a fantastic documentary which provides a window into the technical elements of the way an image is captured by cameras for motion pictures. Most of us are aware that there are two mediums- film, - which has been the method of application up until the last decade or two, and digital- which is trying to supplant film. It is an interesting look at the junction of art and science to create a feature film and the kind of hurdles these mediums, and the people using them have to overcome. Keanu Reeves is an excellent host and the usually drab actor seems full of energy here, asking furtive questions and giving feedback and opinion. There are a host of subjects interviewed here, from legendary filmmakers and cinematographers to producers and movie moguls. I prefer the look of film stock and will side with it, but there is no denying the strides digital cameras have made in recent years. And perhaps the greatest takeaway from this documentary is that it doesn't really matter what medium you shoot on- it is the person behind the camera that matters.
    7thaibm

    An exciting cinema history session

    As a film student or just a movie lovers, you rarely got a chance to connect with cinema history, or meet with famous people in the industry who set the standard and created the masterpieces. This documentary gives it all in a friendly story telling mode that could benefit both professionals or just any random viewers

    As much as it is about digital, it's equally about how cinema develop and what it would be like in the future. The documentary points out an interesting finding that it's the professionals, not the technology that drives the storytelling art forward. Each and every of them offer their best performance and artistry via the choice of techniques they made.

    It's fantastic to see how filmmakers form different groups of opinions and stay faithful to it. While the film did not intend to come to any conclusion about future of cinema in digital or old style film, it clearly set up a basic understanding about filmmaking as a painstakingly process that require endless decision making based on personal visual creative interpretation.

    A nice to watch movie for film students, especially those are fans of David Lynch, James Cameroon or George Lucas, the main speakers
    10taifunu

    It's an ode to cinema,

    this film is. It's about marking a turning point in the history of cinema and raising awareness about it. Yes, it's a subject that's been discussed and bitched about for what, 10 years now, ever since Lucas proclaimed that film is dead. But maybe for the first time it brings all the opposite opinions together. Side by side. (Loved the editing - it was just like watching a tennis match) And for people like myself, 'civilian' moviegoers who while watching a movie often found themselves forgetting about the popcorn and instead wondering 'how it's made?', this film is like Christmas in June :) I mean, I've read a bit about film making; I've come across some of the terms and looked up their definition; I knew what a DP does; I've scratched a bit the surface of the whole wide world of movie making. But to have the main processes explained clearly, precisely and in a language I could understand, all this in a one-and-a-half hour film, was like... like attending film school but without the (almost always compulsory) elitism and snobbery ;) :D

    And watching the documentary at a film festival was a special experience per se. It was shown in a small old-fashioned theater, with creaking seats and wood floors and velvet curtains and no air conditioning; and old theater where once I used to go watch old cinematheque movies in black-and-white. There was a bitter-sweet irony about it. The audience was formed mainly by film festival guests and film students; people with technical background in movie making, and a few lost souls like myself, who just wanted to watch the documentary we read so much about. And it was a joy to see them react to the technical jokes; to hear a few of them hoot when on the screen someone was talking about the operator and the DP losing their god-like status on the set, or to hear them snicker when Cameron rhetorically asks Reeves 'you've been on a few sets in your life, haven't you?'

    It's a film about nostalgia and inevitability, with a very light note of sadness.

    But this was just the first date, and I'm quite taken with the film, so I'd really like to get to know it better. You know, take it on a second date, then a third. I'll take it to the movies, the old-fashioned way ;) I'll wine it, dine it, maybe even take it on the obligatory weekend to Paris. It could be the beginning of a long lasting relationship. So, when is the DVD gonna be released ? ;) :)
    7oliviaharper

    Fantastic documentary for every film enthusiast

    Hollywood insiders are aware of a battle that has been brewing for quite sometime now: the technology to capture the image has two camps- film and digital and each are perhaps overwhelming the other. Film is photomchemical and the method by which cinema has been created and projected for all these years (since the late 1890). Digital cameras are new on the block and because they can do everything a film camera can but with less production costs, they are vying to be the medium every director chooses. Keanu Reeves questions industry insiders from top directors and cinematographers and gets a honest non biased overview. This is a good watch for anyone interested in the technical and "behind the camera" scenes of making of film and television. The documentary is precise and educative.

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    8,2
    Side by Side Extra: Volume Two
    This Film Is Not Yet Rated
    7,4
    This Film Is Not Yet Rated

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Gaffes
      Identifies District 9 (2009) as being shot on the Sony F23. It was actually shot on Red One cameras.
    • Citations

      Martin Scorsese: The only way you can make sure that a film or anything on the moving image is going to be around sixty or seventy years from now, interestingly enough, ironically enough, is celluloid.

    • Connexions
      Featured in Film '72: Episode dated 13 February 2013 (2013)
    • Bandes originales
      Moon Side by Side
      Written by Brendan Ryan, Bill Ryan

      Performed by Brendan Ryan, Bill Ryan

    Meilleurs choix

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    FAQ16

    • How long is Side by Side?Propulsé par Alexa

    Détails

    Modifier
    • Date de sortie
      • 22 août 2012 (United States)
    • Pays d’origine
      • United States
    • Sites officiels
      • Official site
      • Official site (Japan)
    • Langue
      • English
    • Aussi connu sous le nom de
      • Пліч-о-пліч
    • société de production
      • Company Films
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Box-office

    Modifier
    • Brut – États-Unis et Canada
      • 58 825 $ US
    • Fin de semaine d'ouverture – États-Unis et Canada
      • 6 956 $ US
      • 19 août 2012
    • Brut – à l'échelle mondiale
      • 67 054 $ US
    Voir les informations détaillées sur le box-office sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      1 heure 39 minutes
    • Couleur
      • Color
    • Rapport de forme
      • 1.85 : 1

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