Ajouter une intrigue dans votre langueAfter raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet-and fight for her family's survival-when the once-charming creature rapidly tr... Tout lireAfter raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet-and fight for her family's survival-when the once-charming creature rapidly transforms into a giant, flesh-eating monster.After raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet-and fight for her family's survival-when the once-charming creature rapidly transforms into a giant, flesh-eating monster.
- Prix
- 1 victoire au total
Tony J Black
- Officer Miller
- (as Tony Black)
Rowland Holmes
- Gorik
- (uncredited)
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It's like someone made Little Shop of Horrors meets Aliens or rather that's what it reminds me of. I was expecting a very low grade horror movies and in a lot of ways that's exactly what it is, but the filmmakers did such a good job of putting it together that it just made for one of the best I've seen this year.
The monster itself was excellent. Just scary as hell and monstrous to boot. I feel like it was all about what needed to be show and what particular time and what did not and they did it with perfection.
Not much to say but to say it's definitely worth your time to see sting. Was not expecting much but got so much.
The monster itself was excellent. Just scary as hell and monstrous to boot. I feel like it was all about what needed to be show and what particular time and what did not and they did it with perfection.
Not much to say but to say it's definitely worth your time to see sting. Was not expecting much but got so much.
"Sting" injects some welcome thrills into the creature feature subgenre, but with a twist: the heart of the film lies not in the monstrous spider itself, but in the strained family dynamic at its core.
We've seen plenty of arachnophobic nightmares come to life on screen before - "Arachnophobia" and "Eight Legged Freaks" come to mind. But "Sting" differentiates itself by focusing on Charlotte, a rebellious 12-year-old who finds solace in an unusual pet spider.
As the heartwarming bond between Charlotte and "Sting" forms, the creature, much like her anxieties, begins to grow at an alarming rate. The predictable tropes of missing pets and panicked neighbors soon unravel, revealing the true terror: a family on the brink of collapse.
The film's opening scene leaves little doubt about the monstrous path Sting is destined for. This might leave some viewers wanting more mystery, but it allows the focus to remain on the emotional journey of the characters.
Ultimately, "Sting" is a satisfying creature feature with a surprising amount of comedy. While predictable in its plot beats, it delivers effective scares and a touching family drama.
We've seen plenty of arachnophobic nightmares come to life on screen before - "Arachnophobia" and "Eight Legged Freaks" come to mind. But "Sting" differentiates itself by focusing on Charlotte, a rebellious 12-year-old who finds solace in an unusual pet spider.
As the heartwarming bond between Charlotte and "Sting" forms, the creature, much like her anxieties, begins to grow at an alarming rate. The predictable tropes of missing pets and panicked neighbors soon unravel, revealing the true terror: a family on the brink of collapse.
The film's opening scene leaves little doubt about the monstrous path Sting is destined for. This might leave some viewers wanting more mystery, but it allows the focus to remain on the emotional journey of the characters.
Ultimately, "Sting" is a satisfying creature feature with a surprising amount of comedy. While predictable in its plot beats, it delivers effective scares and a touching family drama.
STING is a really good monster movie with impressive -both CGI and practical- special effects. If you are a fan of such films, then this monster will not disappoint. While the story might not be complex, it gets the job done, presenting us with plenty of terror, gory moments, and some humor along the way.
Set in an apartment building during a heavy snowstorm, the residents begin experiencing a severe bug problem after young Charlotte (Alyla Browne) captures and befriends a tiny spider. Of course, we know from the opening that said arachnid is actually a visitor from outer space. A creature with a voracious appetite, and the ability to grow at an alarming rate.
One thing that helps this film is its having a solid cast of oddball characters, including an elderly woman with dementia; an exterminator with an attitude; a strange, monotone biologist; and the mean, ultra-bitter owner of the building. Charlotte's family provides the pathos and dysfunction to the proceedings.
A fun, scary movie with some nice homages to classic sci-fi features...
Set in an apartment building during a heavy snowstorm, the residents begin experiencing a severe bug problem after young Charlotte (Alyla Browne) captures and befriends a tiny spider. Of course, we know from the opening that said arachnid is actually a visitor from outer space. A creature with a voracious appetite, and the ability to grow at an alarming rate.
One thing that helps this film is its having a solid cast of oddball characters, including an elderly woman with dementia; an exterminator with an attitude; a strange, monotone biologist; and the mean, ultra-bitter owner of the building. Charlotte's family provides the pathos and dysfunction to the proceedings.
A fun, scary movie with some nice homages to classic sci-fi features...
Sting is truly one of the worst of the recent pop star biopics. Okay, maybe his time growing up in Newcastle isn't particularly cinematic, but that's no excuse to throw in giant CGI spiders just to keep the audience entertained. And I understand it's expensive paying for royalties, but none of his famous songs are used at all. Instead we just have a suspenseful soundtrack which I don't think he even wrote.
And The Police don't even get a mention. One of the key New Wave bands of the 70s and 80s, ignored so we can watch a huge arachid jumping on people.
Check out Boheian Rhapsody, Rocketman or I Wanna Dance with Somebody instead.
And The Police don't even get a mention. One of the key New Wave bands of the 70s and 80s, ignored so we can watch a huge arachid jumping on people.
Check out Boheian Rhapsody, Rocketman or I Wanna Dance with Somebody instead.
I saw this movie had a good score, particularly for a horror. I thought the opening scenes were alright. The movie's visual style kinda reminded me of "Willard"
But the movie fails to execute. Instead of a creepy or thrilling horror about monstrous spiders - we go on and on with the family drama. We get scenes with a dementia-striken mother, arguments between a stepfather and stepdaughter, arguments between a husband and wife, and discussions about the family's income (mostly tied to the patriarch's odd line of work as a comic-book illustrator). They should've scrapped these scenes and went more with the spiders.
But the movie fails to execute. Instead of a creepy or thrilling horror about monstrous spiders - we go on and on with the family drama. We get scenes with a dementia-striken mother, arguments between a stepfather and stepdaughter, arguments between a husband and wife, and discussions about the family's income (mostly tied to the patriarch's odd line of work as a comic-book illustrator). They should've scrapped these scenes and went more with the spiders.
Le saviez-vous
- AnecdotesThe bulk of the spider effects were done practically.
- GaffesEach time there is a scene in the air ducts, the distinctive pattern of stains on the end panel are identical no matter which section of the system they are viewing. The set for the air ducts was obviously very limited with only one long section that was used multiple times.
- Générique farfeluDuring the credits it is revealed that the dog Bonnie survived being taken by Sting.
- ConnexionsFeatures Frankenstein (1931)
- Bandes originalesWhat a Day to Die
Written by Patricia H. Ericson
Published by Cradle Rocks & Low Tide Music
Performed by The Pleasure Seekers
Courtesy of d2 Music o/b/o Cradle Rocks Records
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Détails
Box-office
- Brut – États-Unis et Canada
- 1 124 510 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 825 797 $ US
- 14 avr. 2024
- Brut – à l'échelle mondiale
- 2 801 252 $ US
- Durée
- 1h 31m(91 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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