Ajouter une intrigue dans votre langueAfter raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet-and fight for her family's survival-when the once-charming creature rapidly tr... Tout lireAfter raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet-and fight for her family's survival-when the once-charming creature rapidly transforms into a giant, flesh-eating monster.After raising an unnervingly talented spider in secret, 12-year-old Charlotte must face the facts about her pet-and fight for her family's survival-when the once-charming creature rapidly transforms into a giant, flesh-eating monster.
- Prix
- 1 victoire au total
Tony J Black
- Officer Miller
- (as Tony Black)
Rowland Holmes
- Gorik
- (uncredited)
Avis en vedette
Sting is a good, not great kind of movie. It's not bad, it's not spectacular. Sure, it has a lot of cliches and it's fairly predictable, but it makes up for it with some cool aspects. First off, the spider looks and sounds pretty good. As a creature feature, it works fairly well. A lot of it is set in the vents and air ducts of a Brooklyn brownstone, which is interesting but unfortunately underutilized. The claustrophobic setting generally does work pretty well. The kills are brutal, and it very much leans into the body horror subgenre (which is what disturbs me personally, so it was effective in that regard). Think back to middle school science class and imagine what you know spiders do to their prey, and now imagine that happening to people. That's what goes on in it. The effects are quite good. The characters are bland, tropey, and forgettable. But then again, are you seeing this movie for the characters or for the killer spider? There's a great tension-building atmosphere, and there are some pretty cool shots from the spider's perspective. The dialogue isn't the best, and every attempt at humor falls flat. It's a fine movie, nothing too special, but if you're the type of horror fan who's in it for those brutal kills, it has those.
It's like someone made Little Shop of Horrors meets Aliens or rather that's what it reminds me of. I was expecting a very low grade horror movies and in a lot of ways that's exactly what it is, but the filmmakers did such a good job of putting it together that it just made for one of the best I've seen this year.
The monster itself was excellent. Just scary as hell and monstrous to boot. I feel like it was all about what needed to be show and what particular time and what did not and they did it with perfection.
Not much to say but to say it's definitely worth your time to see sting. Was not expecting much but got so much.
The monster itself was excellent. Just scary as hell and monstrous to boot. I feel like it was all about what needed to be show and what particular time and what did not and they did it with perfection.
Not much to say but to say it's definitely worth your time to see sting. Was not expecting much but got so much.
This is a horror movie for sure, if you like horror movies I recommend this one. As the title says, I went into it without knowing very much and that was a good thing. I won't ruin that here. You know it's about a spider and a little girl, that much is from the cover. Is that spider good or bad, is the girl bad, are they friends, these are the things I had no idea about and kept it that way until I had a chance to see it in the theater. I would say this could probably wait for a streaming viewing or DVD/Blu-ray if that's still a thing. The special effects are good, but it's not the type of movie that warrants a larger screen than most people have in their homes these days. If you like horror, give this one a go and try not to read too much on it so you can be surprised as well. If not, it's still good and worth a watch. There is blood, there is some gore and it's a great time.
I saw this movie had a good score, particularly for a horror. I thought the opening scenes were alright. The movie's visual style kinda reminded me of "Willard"
But the movie fails to execute. Instead of a creepy or thrilling horror about monstrous spiders - we go on and on with the family drama. We get scenes with a dementia-striken mother, arguments between a stepfather and stepdaughter, arguments between a husband and wife, and discussions about the family's income (mostly tied to the patriarch's odd line of work as a comic-book illustrator). They should've scrapped these scenes and went more with the spiders.
But the movie fails to execute. Instead of a creepy or thrilling horror about monstrous spiders - we go on and on with the family drama. We get scenes with a dementia-striken mother, arguments between a stepfather and stepdaughter, arguments between a husband and wife, and discussions about the family's income (mostly tied to the patriarch's odd line of work as a comic-book illustrator). They should've scrapped these scenes and went more with the spiders.
"Sting" injects some welcome thrills into the creature feature subgenre, but with a twist: the heart of the film lies not in the monstrous spider itself, but in the strained family dynamic at its core.
We've seen plenty of arachnophobic nightmares come to life on screen before - "Arachnophobia" and "Eight Legged Freaks" come to mind. But "Sting" differentiates itself by focusing on Charlotte, a rebellious 12-year-old who finds solace in an unusual pet spider.
As the heartwarming bond between Charlotte and "Sting" forms, the creature, much like her anxieties, begins to grow at an alarming rate. The predictable tropes of missing pets and panicked neighbors soon unravel, revealing the true terror: a family on the brink of collapse.
The film's opening scene leaves little doubt about the monstrous path Sting is destined for. This might leave some viewers wanting more mystery, but it allows the focus to remain on the emotional journey of the characters.
Ultimately, "Sting" is a satisfying creature feature with a surprising amount of comedy. While predictable in its plot beats, it delivers effective scares and a touching family drama.
We've seen plenty of arachnophobic nightmares come to life on screen before - "Arachnophobia" and "Eight Legged Freaks" come to mind. But "Sting" differentiates itself by focusing on Charlotte, a rebellious 12-year-old who finds solace in an unusual pet spider.
As the heartwarming bond between Charlotte and "Sting" forms, the creature, much like her anxieties, begins to grow at an alarming rate. The predictable tropes of missing pets and panicked neighbors soon unravel, revealing the true terror: a family on the brink of collapse.
The film's opening scene leaves little doubt about the monstrous path Sting is destined for. This might leave some viewers wanting more mystery, but it allows the focus to remain on the emotional journey of the characters.
Ultimately, "Sting" is a satisfying creature feature with a surprising amount of comedy. While predictable in its plot beats, it delivers effective scares and a touching family drama.
Le saviez-vous
- AnecdotesThe bulk of the spider effects were done practically.
- GaffesEach time there is a scene in the air ducts, the distinctive pattern of stains on the end panel are identical no matter which section of the system they are viewing. The set for the air ducts was obviously very limited with only one long section that was used multiple times.
- Générique farfeluDuring the credits it is revealed that the dog Bonnie survived being taken by Sting.
- ConnexionsFeatures Frankenstein (1931)
- Bandes originalesWhat a Day to Die
Written by Patricia H. Ericson
Published by Cradle Rocks & Low Tide Music
Performed by The Pleasure Seekers
Courtesy of d2 Music o/b/o Cradle Rocks Records
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Détails
Box-office
- Brut – États-Unis et Canada
- 1 124 510 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 825 797 $ US
- 14 avr. 2024
- Brut – à l'échelle mondiale
- 2 801 252 $ US
- Durée
- 1h 31m(91 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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