Tin Soldier
- 2025
- 1h 26m
Ajouter une intrigue dans votre langueThe Bokushi offers a program for US combat veterans seeking their "purpose" and path forward. Now the Government is concerned with the rapid rise of this well-armed, highly trained, and eter... Tout lireThe Bokushi offers a program for US combat veterans seeking their "purpose" and path forward. Now the Government is concerned with the rapid rise of this well-armed, highly trained, and eternally devoted Shinjas in the cult-like "Program."The Bokushi offers a program for US combat veterans seeking their "purpose" and path forward. Now the Government is concerned with the rapid rise of this well-armed, highly trained, and eternally devoted Shinjas in the cult-like "Program."
- Director
- Writers
- Stars
- Catherine Monk
- (as Angeliquie Fernandez)
- Shinja Mother
- (as Jessica L. Fuerst)
Avis en vedette
Instead of going full action schlock, Tin Soldier tries to get deep and psychological, which is bold for a movie with such poor editing. Because the emphasis is on the story and on the human angle rather than on schlocky action, my standards for the writing and acting were lifted. Unfortunately, it's here that the film really fails to deliver. The body count is low, the trauma is high, and Jamie Foxx plays a cult leader so unconvincing you'd wonder how he even got people to follow him on TikTok, let alone into armed rebellion. Foxx is loud and aggressive, but he's not seductive or persuasive the way he would need to be as a cult leader.
There are some cool visuals-Eastwood's inner torment gets the psychedelic treatment-but the writing stumbles hard. The movie wants to be about healing and identity, but forgot to make any of that feel earned. Foxx yells vague anti-government stuff, Eastwood broods, and at no point do you believe these two were ever in the same cult.
The film could have worked if we saw Eastwood grappling with his allegiance to the cult, and if a proper parallel had been made between letting go of the rage and anger resulting from his trauma and symbolically represented by Foxx and the cult. Instead, Eastwood is in opposition to the cult from the film's start, and we never really see him being swayed by anything Foxx says or conflicted about what to do. The ending feels completely unearned.
Shoutout to the final showdown, where the movie ditches reality altogether and swan-dives into Mad Max cosplay. Foxx rallies his cloak-wearing cult at a dam that looks like a Bond villain's Airbnb, and suddenly we're in Thunderdome territory! Eastwood and Foxx brawl in a literal arena, surrounded by fireballs and chanting dudes like it's post-apocalyptic Fight Club. Oh, and Eastwood planted a bomb with a big ol' timer. I probably would have enjoyed the whole film more if it had maintained this level of insanity throughout. Sigh!
In the end, it's too serious to be fun, and too sloppy to be serious. If you're looking for meaningful drama or mindless action, you'll come away disappointed.
If feels like massive chunks of the narrative are missing. Things just happen for the sake of happening and everything and everyone is vague as hell.
Nothing really feels natural. It's all just a big hot mess of hallucinatory imagery and confusingly shot action scenes.
I don't know how or why this exists but it's certainly an oddity.
Check it out for the curiosity value. That's about all there is.
The cast is wasted here and I'm not really sure what the intent behind the pic or it's story is.
Not a new kind of action film. Just a huge head scratcher.
Movie needs help, what a mess. Budget probably went to Jamie Foxx's interview scene, 10min worth of work for 1mill.
How are these projects green lit. Lots of CGI, unfortunately not as much in script.
Movie feels like a chose your own adventure of slop.
Flashback scenes give the viewer the urge to flash themselves for greater entertainment, regardless of pro/con of self-flash.
Please use your time by donating energy to help the world and not on this mess of a movie. Pete Sampras would do better as a writer and/or director.
Be prepared for 90% horrible flash backs and it's not brilliant like Memento and feels like Demento.
It's hard to believe considering this director did great films like The Infiltrator.
This film is a horrible attempt at dealing with a sensitive subject like ptsd but mixed it with a silly Jones cult story that is lost in translation and unfortunately does a hatchet job in both execution and editing that it ends up turning into a tossed messed up salad that makes one wonder if the writer and director suffer also from ptsd.
What a sad waste of top talent of Deniro whose lame character 6 mins is not justified and Scott Eastwood ( who seems to have a knack for picking lemons - even though he tries his best in this silly film), and the funniest best razzie of the year award is Jamie Foxx - starring as a cross of Carrot Head meets 70s Shaft with the worst hair wig ever.
This film is a thankfully only 75 minute disaster that if one removes the top cast it is a B film that Steven Siegel would be perfect except I read somewhere the budget was $39m so maybe it was a huge payday for Deniro and Jamie Fox.
Watch with low expectations
3 stars.
Le saviez-vous
- AnecdotesChristian George (FBI Special Agent Yates) suffered a severe leg injury just prior to filming his scenes. The writers modified the script to incorporate his injury and then allowed the cast to ad lib lines.
- Citations
Nash Cavanaugh: Some days... I don't know how I keep going. My mind is filled with things that... I don't want to remember. Trauma feeds on you like a disease. And then... even if it's just for a moment... life is unbearable. But this wasn't me not letting go of my past. This was my past not letting go of me.
- Bandes originalesWait in the Back of the Line
Written by Citizen Cope (as Clarence Greenwood) and Chris Hajian (as Christopher E. Hajian)
Published by CAS Film/Reservoir Media
Performed by Chris Hajian
Meilleurs choix
- How long is Tin Soldier?Propulsé par Alexa
Détails
- Date de sortie
- Pays d’origine
- Langue
- Aussi connu sous le nom de
- Kurşun Asker
- Lieux de tournage
- Prosotsani, Grèce(Cave Aggitis River)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 45 000 000 $ US (estimation)
- Brut – à l'échelle mondiale
- 42 291 $ US
- Durée1 heure 26 minutes
- Couleur