Scandaleusement vôtre

I imagine this film was a lot of fun to write, the letters in particular. I also imagine it was a lot of fun to act in. The film is so distinctly British. The Americans could never make a film like this. That's no knock on the Americans, it's just simply something that wouldn't work or be charming in their culture.

Olivia Colman and Jessie Buckley are both fantastic here. Buckley brings the energy to the movie and Colman brings the subtle hilarity, "...on a Wednesday." Her facial acting throughout the movie is mesmerising. She's fascinating to watch and her reactions are both natural, and hilarious at the same time. This was a good one. 7/10.

Wicked Little Letters is an incredibly funny, cheeky, and punchy film that will be sure to put a smile on your face.

It follows a series of bizarre events as the pious and reserved Edith receives a string of crude letters, supposedly from her boisterous neighbour Rose. It's one of those delightful British films that brings to a light a surprisingly true story and packs it full of brilliant British talent.

The story is great fun. As mentioned it's cheeky and lewd but this isn't the only string to its bow. There are some brilliantly fleshed out and interesting lead characters as well as a great collection of supporting characters, which gives it a great blend of comedy and drama.

Jessie Buckley and Olivia Colman as the two leads are both brilliant as expected. They each bring a different style of comedy to their characters, elevating the witty dialogue superbly. They are just such great fun to watch.

Overall this film is just an absolute hoot. It's fun and quirky and boisterous and just a really good time.

I wasn't sure what to make of this movie, it's good in parts, it has two very good central performances from Olivia Coleman and Jessie Buckley but suffers from a really uneven tone.

The tone problems all stem from the direction of the piece. Its great to see such a diverse cast, but that diversity of casting does a historical injustice to Karpal Kaur Sandhu who was the first serving Asian woman in the police, her story is truly heroic and tragic, and ignoring any racial tension in 1920's Britain is also anachronistic and fantastical. Those moments give the work an uneven tone, and the longer the movie goes on the more the direction lurches from a fun tone it something closer to what the movie can be.

The outstanding moments in this film come from Jessie Buckley, who like Maggie Smith in her younger years bursts onto the screen with energy and charisma. Olivia Coleman is always full of nuance and depth - those two central performances carry the movie. Anjana Vasan is charming and full of comic energy she is required to carry a part which has some very odd writing and character development. She does it like a star.

A very odd movie in some ways but worth you time if you can get over the anachronisms and the uneven tone.

This British comedy is, rather like the content of the letters on which the plot is based, somewhat crude and unsubtle. The characters are largely stereotypes - the prim, god-fearing Edith, the foul-mouthed slatternly Irishwoman Rose, the misogynistic buffoons (pretty much all the male characters). Timothy Spall plays a nasty bully, and this, along with the early friendship between Edith and Rose, which breaks down, mainly due to his influence, suggests there is a potential for a stronger story here - if the film had been brave enough to escape the rather one-joke plotline approach. The use of black and Asian actors to portray characters in roles where this would not have been historically accurate has now become almost obligatory, but is still a bit of an irritating anachronism. Overall, the film does have its moments, but does feel like a bit of a missed opportunity.

'Wicked Little Letters' is hysterically funny and unique. It takes a somewhat humorous true story and adds some great social commentary.

The narrative and themes within this are incredibly strong. By exploring how female behaviour was strictly controlled in a patriarchal and religious setting, the film emphasises the absurdity and hypocrisy in how 1920s women were treated. Jessie Buckley, Olivia Coleman, and Anjana Vasan make for an excellent leading trio!

Although, the cinematography and editing needed to be more adventurous. It could have visually reflected the personality of each of the main trio, such as having Buckley's character scenes having more unconventional visuals. This is only a slight criticism though. Please check this one out if you are not adversed to swearing!