In My Mother's Skin

Film that fails in every way.

It doesn't have an interesting plot. Not interesting in any aspect.

Average acting and very weak photography add up to a silly, poorly conducted and uninteresting story.

Characters that do not have depth or meaning to capture the audience's interest.

A weak, poorly elaborated, tiring story devoid of interesting dialogues or good photography, which makes almost impossible the task of enduring this boring film until the end.

Why make a movie if you don't have a plot, a nice photography or at least any kind of message to deliver?

I regret wasting my time with this poor excuse for a movie.

Avoid it.

A wealthy Filipino family is struggling to survive during World War 2 and the Japanese army's hold on the country is reducing. The father Aldo has run off to help Americans, after stealing gold from Japanese and has hid the gold as well. With the mother's health deteriorating, the elder daughter Tala seeks help from a fairy, without understanding the consequences. Things take a dark turn when the wish granted by the fairy is not what Tala wanted, putting her and everyone's life at risk.

This is a slow burner and the eerie setting does seem to pay off. It is as gritty as the very first scene sets it up for and it continues to remain the same throughout. Aided by good performances by the two kids and enough scenes to terrify without the jump scares, the film somewhat falters in it's narrative. In order to narrate a straightforward story without much twists, the film sticks to a single tone and it just doesn't offer any surprises, resorting to showcasing one family's ordeal through the girl's pov.

In My Mother's Skin takes you deep into the heart of Filipino folklore, where reality and the supernatural blend seamlessly in a story that is both terrifying and tragically human. Kenneth Dagatan crafts a chilling narrative set against the backdrop of World War II, a time already ripe with despair and fear. What makes this film stand out is its ability to weave horror into the fabric of historical trauma while maintaining a fairy tale-like atmosphere that feels unsettlingly magical.

The story centers around Tala, a young girl desperate to save her dying mother as her family becomes increasingly isolated in their mansion. When she turns to a mystical fairy for help, the promise of salvation spirals into something far more sinister. Dagatan doesn't shy away from showing the horrors of war, but he cleverly juxtaposes them with an even more sinister supernatural threat.

The performances, particularly from the young leads, are deeply affecting. They convey the fear and vulnerability of children caught in an adult world filled with treachery. The film's pacing, while slow at times, only serves to heighten the tension, pulling you deeper into its nightmarish world.

Visually, In My Mother's Skin is stunning. The dark, foreboding woods and the decaying mansion amplify the film's sense of doom. The practical effects and the fairy's design are haunting, delivering the kind of body horror that lingers in your mind long after the credits roll.

If you enjoy folklore horror with a deeper emotional core, this film is a must-watch. It's not just about the scares but about the price of survival and the fragility of innocence. In My Mother's Skin is an unforgettable journey into the dark side of fairy tales and human desperation.

In My Mother's Skin is a fantasy horror similar to Pan's Labyrinth or Tigers Are Not Afraid. Its set in the Philippines during WWII and tells the tale of a family trapped in a situation where they will starve if they stay at home, but will likely be killed by the Japanese if they leave. The mother is ill and is dying and in desperation the girl turns to a fairy she finds who offers false hope.

I understand why some people have trouble with the film's narrative. The fates of each of the characters is potentially so bleak that it doesn't seem to really matter what choice each might make. It's dreadfully nihilistic and that has led people to label the film as pointless.

However, I find the film to be more about how different people respond to hopeless no-win situations and whether are not there actually is a noble way to face slow, impending, near-certain death.

There is no doubt that the characters contrast each other in interesting ways and parallels can be made about each family members decisions.

The film is a pretty unique coming-of-age tale that has a payoff if your willing to invest the mental energy.

It is an interesting movie, even though it moves very slowly. Set in WWII in the Philippines, the father has some gold hidden, which the Japanese soldiers want, so there are perhaps more gracious to the family. One day the father leaves to find the Americans, and says he will be back soon. Behind is the mother, who is sick, her daughter Tala and son Bayani and a servant. After a number of days, Tala and Bayani set out into the forest to find father. Tala comes upon this shelter, and enters. A fairy appears, saying that only one who is truly innocent could find and enter, and she can provide wishes. To cure the mother, she gives Tala a jar with an insect inside. As the mother gets worse, one night Tala sets the insect on her mother, and it crawls inside her. Well, think along the lines of the monkey paw as to what happens. There is always a catch. The movie is well done, just slow, and it also has a lot of mood, which fits.