Les yeux dans le ciel

Not so long ago, all 'war movies' consisted of armies of infantry storming one beach/desert/jungle (delete as applicable). And, to be fair, there was little else that happened in a war. However, in today's high-tech times, 'war' can be fought from the 'comfort' of our own homes (okay, military bases, but how long before our soldiers are allowed to work from home?!). The story here goes that Britain has finally got the intel on a handful of its most wanted terrorists who are amassing in a house in a suburban African district. Should they just use an American-based 'drone' to wipe them out, or is the civilian casualty rate going to be too high? Helen Mirren thinks the former.

The cast boasts Breaking Bad's Aaron Paul on the cast list (and, of course the last performance of Alan Rickman), but it's Mirren who steals the show. She seems to revel in playing the British colonel who is willing to 'take out' the extremists at all costs. Aaron Paul isn't in it as much as some people may hope, but does well with what he's given (which is basically spending the whole film sitting in a chair!). Alan Rickman is as awesome as ever and it's a shame we've lost him too early. Plus we do see what's happening 'on the ground' as it were and the film's unsung hero is a Somalian operative who seems to give a performance filled with more heart and feeling without uttering a word of English than most English-speaking actors.

If you're hoping for an action-packed blast-a-thon of a movie then you'll be very disappointed here. Like I say, it's a war movie of our time. Some people may say that this is a fault, but basically the whole movie is people sitting around in offices debating the ethics of using technology in this way. The film is basically an 'ethics piece' which debates both sides of the argument. I have no problem with films like this, as long as they remain – reasonably – neutral and do their best to put both sides of the argument across. This one does this pretty well, however it does tend to lean towards 'nuking the site from obit' (ala Ellen Ripley) simply because its bigger stars seems to share the same opinion. However, there are plenty of moments where both sides of the argument make good points to support their opposing views.

This film won't be for everyone. Like I say, you have to be in the mood for something which is slow (but without being boring) and filled with messages (without being preachy). It does show how 'war' has evolved to a PR machine as much as something that is simply fought using a bigger army than your opponent. If you're up for something a little more thought-provoking then definitely give this one a go.

One of the best films centered on the war against terrorism that integrates today's truly amazing military and intelligence technology (highlighting drones and the people who guide them to the identification and surveillance of targets, pinpoint accurate missles, and collateral damage assessments/estimating programs), and the moral, ethical, legal and political conflicts of making such decisions within the "rules of engagement" by military and political leaders (and their advisors), that are executed by military, intelligence and field personnel when there is a high-likelyhood of collateral damage.

Film succeeds without being preachy or political, amazingly leaving the film goer to both live in the shoes of each character, and decide for themselves what they would do in the situation.

It is superbly acted and directed, the movie paced well so that it thoroughly engrosses the viewer, and builds a nail-biting tension throughout the duration of the film.

I imagine the majority of people who see this film will be both awed by some of the technology military/intelligence used today (although those used in the film may not actually be available, such as the flying beetle spy-cam) , and will have a greater appreciation for the complexities of decision-making involved, and its impact on both military personnel, politicians, and civilians.

HIGHLY RECOMMENDED.

It surprised me quite a bit. Political war thrillers have been so overdone, but this one really managed to work by narrowing its scope. With films like this, and real-life disasters that kill dozens of people, it's easy to overlook the importance of every single human life. This film is aiming to remind us of just how significant, and atrocious, times of war are, and rightly so, the film does not come with any easy answers. I loved how the film was completely focused on one single event, and while I can see how some might think it was stretched out too much, I felt like moral and emotional weight of the situation on all of these characters called for it. Maybe I would say that the film gets a bit too sentimental at times (we don't need to be reminded with the many shots of the characters' faces or the music), but for the most part it really works. And oh Aaron Paul, you're just the perfect actor to play characters who are trying to help children.

This movie was all of a sudden for me. "GoodKill" was the previous movie I saw which was made on the pilot behind the control's of the drones. But this took the movie to another level and did not let it stay stagnant.

I went into watching this movie with no idea, apart from the fact Aaron Paul and Helen Mirren are in it. It took me on a edge of the seat, nail biting suspense to understanding of all the decisions and effort that goes into putting a mission into effect.

If you wanna see a rare movie, shot splendidly, beautiful cast, perfect emotions and acting - this is a movie to watch. It might even crack your tears up if your so engrossed into the role these actors play in this movie.

One to watch, and I feel one to definitely own in Blue Ray.

I can't see this film as an insider. I don't know enough about the realities of drone warfare. I would be surprised that those chosen to do the jobs would be so indecisive. Either you do the work of finding the worst of the worst and act on it, or you don't do it at all. To be so badly trained for the possibility of dealing with civilian casualties should probably be grounds for never being in this position. I'm not saying there is no room for compassion, but, let's face it, the people they were honing in on we're capable of a thousand times worse activity. The movie is contrived because if the bread salesman had been an emaciated, middle aged woman, I doubt that there would have been hesitation. It pulls at our heartstrings, right. The person I was most fearful for was the man who put his life in danger again and again, using devices to spy on the little compound. But he is also victimized by the filmmaker. He is careless with his remote control device, allowing that little boy to become a nuisance. What is the lesson here? What do we want to do with suicide bombers? Is all life sacred or isn't it? Those are the questions we need to confront.