Feed

I grew up with Joakim Lundell, therefore I may be more sympathetic when writing this review.

This movie is overall bad, but I'm glad to say that it is so bad that it becomes entertaining. The characters are extremely flat and unlikable and the dynamic between the characters is always super tense and awkward. They also have no common sense at all and makes the stupidest decisions imaginable, which makes it a bit entertaining.

I think the idea of the story overall is pretty interesting but it wasn't very well executed.

I'm looking forward to see Joakim Lundell's next movie to see what he might improve.

The concept and storyline in the movie was alright, the acting as well. I also found the balance between jump-scares and overall creepiness good. But after 80% of the movie, the plot took such an awful turn and everything until that point was also suddenly destroyed by this. It got too much and I felt like the creator wanted to cram in every single idea in the last ten minutes, even though it would have been so much better and more creepy if he'd just end beforehand. The characters where also quite stereotypical and there was not a single character development. The dialogue was also boring.

At the other hand, for Joakim Lundell, I think this is a great accomplishment. Even though I'm not too familiar with him, I almost feel proud. And you also have to keep in mind that this was a debut from someone who haven't done film before.

But I still hated this movie and I wouldn't recommend it.

I really did want to give this movie a honest chance because I like Joakim but it really was terrible.

The character development didn't exist what so ever, for all I care all of them could die and I would've forgotten about them the next scene.

The sound effect were so over the top that I almost thought some I've them were a joke. For example why would you add a jump scare sound to a small drone flying by?

The over all cheapness and lazyness it so apparent that I actually laughed at times. For example when a character almost drowns and. Lies on the bridge, why is her hair completely dry? And in the first scene, you can see the shadow of the Serbian girl when she jumps down in the grass.

The plot was so predictable that I said out loud what was going to happen next and 9/10 I was right.

My final judgement is that this is more of a YouTube video that a movie and it does not belong on the big screen. I prefer Wicca over this.

I'm 44 and I went to see this with my two teenagers and their friend. They loved it it, thought it was really scary and the fact that everyone speaks swedish makes it even a bit scarier.

The story is about a group of Youtubers and their friends going glamping together in the swedish nature for a weekend. They've rented a place on a small island in a beautiful lake, a lake where there have been scary rumors of an old woman who died there hundreds of years ago. The rumors say she still lives there and of course none of the teenagers believe in these stories, but it makes it fun to joke about.

Some pretty good acting from the main characters and overall a good scary movie. My rating is, as a movie maybe a 5/10, but as a scary movie 7/10.

One of the most annoiying and boring movie. I have ever watched the plot is just.ad Move barely bothers to disguise its pilferings from the DNA of other comedies. The self-sufficient neighbours are descended from the Goods of The Good Life. The grouchy shopkeeper who barks questions at an invisible husband out back is a straight lift from Little Britain. There are Tykeish traces of Last of the Summer Wine. The main joke of the recent sitcom This Country was that the countryside is a moral and intellectual cul-de-sac. But the show's main ancestor is Lead Balloon. Bad Move is Lead Balloon in wellies.

It's hard to tell yet whether Dee's grouchy web designer will be as good company as his perpetually thwarted writer in Lead Balloon, and whether rural Yorkshire's cast of supporting players can supply anything other than sketchy gargoyles. No one's exactly stretching themselves - Miles Jupp as the smug paterfamilias next door in particular feels like he's phoned one in he did earlier, and Seann Walsh as the overgrown rock star next door is a wild card with limited appeal.

At the moment it looks as if the script has sent away its knives for sharpening and not got them back yet. But Dee's miserablism is a gift that keeps on giving. "We can't even take the easy way out and slash our wrists," he concludes. Might have to see how this one pans out.