The Sixth Commandment

To be transparent I live in Maids Moreton and both victims were near neighbours of mine. Many people here viewed this upcoming drama with a certain degree of trepidation as to how this extraordinary and shocking story would be told.

I think the producers have managed to create something that showed a lot of regard for the victims and it is not sensationalised, for that they should be congratulated.

If I were to make any criticism it is that both Peter and Ann's lives were shown only through the prism of their surviving relatives and it didn't show that, whilst to a certain degree they were private, they did engage with the local community, especially Peter. It was also not clear on the timelines involved sometimes as to the sequence of events and how long a period had elapsed between Peter's decline and death and Ann being taken to hospital. However, I am guessing there were lots of things not included due to time constraints and some were frankly too upsetting to cover.

I feel it would also have been better to have included a bit more backstory on Ben Field and his sidekick Martin...

Sadly this is based on a rather horrible case that viewers in the UK will almost certainly remember. Its written by Sarah Phelps, well known for her series of Agatha Christie adaptations on the BBC in recent years. It was made with the full permission of the victim's families.

Its a quietly effective and moving drama which is a sometimes difficult and uncomfortable watch. Very well-written and made.

The use of hand-held camera gave it a documentary feel at times. For me it was very much an actor led piece and this is its greatest strength. The three principals, Tim Spall, Anne Reid and Eanna Hardwicke all deliver big time with understated and nuanced performances.

One of the strongest UK dramas of 2023.

A well done 4 parter, despite many omissions.

But I read that many things had to be omitted , just to fit into the allocated time. But surely even 1 line of dialogue would have sufficied instead of omission.

No mention of how the murderer got hold of psychotics, or why medics would not test for psychotics on first reports of symptoms.

The weakest part for me was the portrayal of the start of the fake relationship between the murder and first victim, quite not credible , although later parts of the script partly explain.

Unclear exactly how the murderer had some hold or influence over Martyn Smith.

One puzzling thing. What is the significance of the many shots of the clock tower, and tolling bell, in the last two episodes. Wasted moments maybe could have been used for wider dialogue about the omissions.

Strong performance by all the leads, and Éanna Hardwicke is positively creepy in this role, even down to the manufactured accent, which only slips in one few-seconds scene.

Marvellous to see Anne Reid, Timothy Spall, Sheila Hancock giving their all.

An excellent drama by the BBC. The acting was of a high standard and the script was respectful in favour of the victims. It was compelling viewing but difficult to watch at times and heartbreaking the way the victims were used and manipulated.

Although the drama does expose and show the chilling coldness and evil of the killer, it doesn't in any way glamorous him. Instead I felt it honoured the victims and gave them a voice, as well as providing an insight into how the families must have suffered. It also showed the diligence of one of the victim's families along with the police investigation to get justice.

I can't remember having watched such compelling drama in a very long time. The pacing is superb - a slow ratchet towards the climax of the jury's verdict.

What makes it work is a combination of brilliant performances and scripting together with the constant, horrible knowledge that this is a true story. This may be Timothy Spall's greatest performance in a splendid career, which is saying something. Every actor, though, delivers, even those in the minor roles.

One unusual achievement of this four parter is a shift in style. It begins as an indescribably tense psychological drama, rather like The Talented Mr Ripley. In part 3 it shifts to more of a police procedural, but manages to maintain the tension.

You will almost not want to watch, but find yourself compelled to. At the end I found myself exhausted and, I'm not ashamed to say, with a tear in my eye.