Tepenin Ardi

I was very fortunate that EYE Film Museum Amsterdam ran this movie during the Turkish Beat festival. Must say that I really really loved this movie. It is the sort of movie keeps you thinking within a couple days after you watch it. And I'm not talking gets you thinking out of not understanding the story but more like wanting to really know what is really "behind the hill".

The story take place in a remote village in East of Turkey where a family with complicated internal relationships constantly struggle with the villagers on the other side of the hill. You never see them but you only see their actions- or the actions that are attributed to them. From the start to the end, it's all wrapped with tensions of the unknown and how the villagers find ways to deal with them.

I do want to write so much more but I hate the spoiler reviews so I will leave it at this. For all I know, I still am not sure what was behind the hill.

Gorkem

Set in a wild, isolated landscape, TEPENIN ARDI tells a simple tale of a warring family trying to sustain a rural existence yet perpetually threatened by the presence of nomads "beyond the hill" (hence the film's title). I learn from one of the other reviews that director Emin Alper describes the film as an allegory of the contemporary Republic of Turkey and its fear of invasion from (unidentified) neighbors. If this is the case, then I would also observe that, internally speaking, the Republic is in dire straits. The family in this film seem incapable of relating to one another: patriarch Faik (Tamer Levent) believes that son Nusret (Reha Ozcan) had been a failure, while Mehmet (Mehmet Ozgur) reluctantly acquiesces to Faik's orders. Youngster Zafer (Berk Hakman) is tormented by dreams; and frequently goes off on his own, while Meryem (Banu Fotocan) fetches and carries for everyone. Alper's film seems more interested in depicting internal strife rather than being concerned with outside threats. While the film has plenty to say in thematic terms, its cinematic style is wearyingly evocative of Nuri Bilge Ceylan, with plenty of long shots (and characters moving side to side within the frame, rendering it a very flat piece of work), minimal soundtrack and few direct close-ups on the actors. Although only ninety minutes long, the narrative comes to a virtual standstill on occasions.

I was lucky enough to catch this at this years International Berlin Festival. The director was realistic about the eventual outcome of the movie I suppose, but still the fact he made this movie is something that should be celebrated. It's a really remarkable movie, with standout performances by the cast. And while it does revolve around violence, none is actually really shown.

Which makes the whole thing even more intriguing and more arresting at the same time. Human interactions are the main course, with our instincts, drives and fears being dissected very slowly and for all to see. You can see things coming, but it seems to be impossible to stop them. It's in our nature. While this is a pessimistic view of things (or at least my interpretation of it), this is an amazing movie, that I cannot recommend highly enough!

One of those Turkish not so easily and pace running movies. VERY slow and boring cinematography.

I get surprised to find Beyond the Hill being treated as master class in film making cause it's very bad in directing and acting.

Have had so many similar story telling and director of photography waiting so much from its audience, sound editing is outrage and beyond new era film making.

Being living abroad and expecting what my country can make really sucks. Don't give me award winning excuse cause really not sure how they get prizes but can only convince 7-8 theaters for screening. There must be something wrong somewhere! I hate to say it's hard breaking to watch a film long enough where it should have been only 15 Min's...

The film tells usabout the creation of enemies and by the way this is excatly how politicians make enemies. And then people start believing that there is an enemy and they canalize all their hatred to there. Modern societies need that. Just turn on your TV and look at the news all the politicians have someone to hate. and they make people hate them too.