Mort et enterré

A criminal makes a major mistake, really major. This movie details the danger inherent in not double-checking your work.

Slow but not bad and culminates in a great action ending that's worth sticking around for and the film does not telegraph the ending. It was nice watching a movie when I haven't figured out the ending.

Performances were good, some almost great. Terence does a great job as the villain. Noomi Rapace is an unknown to me but she is a credible actress. Farrell and Rapace have good on screen chemistry.

All in all a more interesting film than I expected but it's better as a rental than theatrical release.

The title make sense if you stick around for the conclusion.

Dead Man Down is actually not a good thriller, but it is a great thriller. Some things may not be entirely believable, but then again we are often told to suspend our disbelief in these kind of movies, which I did. This thriller is a slow-burn thriller that focuses less on the action, but more on the characters and the retribution.

Oplev's film has a distinctive European feel to it and that is how I like my thrillers. But this film is about a man named Victor who is the right-hand man of a crime lord named Alphonse and has a very mysterious past. But he is seduced by a car crash victim named Beatrice, who is a mysterious woman herself. But together, they plot to bring Alphonse to justice.

For a film such as this, it has a pretty talented cast. Colin Farrell and Noomi Rapace share such intimate chemistry with each other. It's a shame Farrell is not a high box-office draw these days because he got so much talent. Terrence Howard does a very good job, and it's nice to see him shine in a villainous role for once. There is a nice cameo by F. Murray Abraham as well and I like it because we definitely don't see much of him anymore.

Overall, Dead Man Down is much better than what people are making it out to be. It's a slow-burn thriller, not an action shoot-em-up as apparently people were expecting. There are going to be logic issues, but I'm very good at suspending my disbelief, because I'm watching a fictional movie. But this is a well-acted thriller and one of the better films of 2013. I rate this film 9/10.

"Dead Man Down" is a surprisingly well crafted, character-driven thriller with a refreshingly unpredictable plot. However, to even summarize this film is to spoil it; going into it knowing as little as possible will, I imagine, make for a much more fruitful viewer experience. Therefore, I will keep my review short and unspecific.

The film stars the continuously underrated Colin Farrell and the international up-and-comer Noomi Rapace (2009's "The Girl with the Dragon Tattoo" and "Prometheus"). "Dead Man Down" may seem like a high stakes crime thriller on the surface, but at its core is a character-driven drama about two outcasts of the world with a mutual driving force of self-destruction.

While some films in the same genre are akin to chugging cheap beer, "Dead Man Down" is like sipping on good wine. The film is tightly paced, but takes its time revealing key details, making for a much more savory experience. While not without its problems (a climax that comes a little too quickly and conveniently), overall you'll enjoy the journey these characters take and have a lot of fun guessing what will happen next along the way.

Greetings again from the darkness. On the surface, this looks like just another early season crime thriller. From that perspective, it works well enough. However, there are some elements that add complexity and interest, and set this one above the usual. It's directed by Niels Arden Oplev who was responsible for the original (and very cool) Swedish version of The Girl with the Dragon Tattoo. This looks to be his first English language feature and he re-teams with the exciting and talented Noomi Rapace.

The film begins with a body in the freezer, and crime boss Alphonse (Terrence Howard) and his crew solving the mystery of who killed his friend and associate. Someone has been tormenting Alphonse with little clues and he falls right into the trap of jumping to conclusions. One member of his crew is Victor (Colin Farrell). We slowly learn more about Victor thanks to an awkward and slow connection between he and his neighbor Beatrice (Ms. Rapace). Their initial acknowledgment of each other is an exchange of waves between balconies. It's an effective visual.

The movie bounces between crime thriller and romantic/love story. The added fun of secret missions from both Victor and Beatrice provide the twist this one needs. Actually there are 4-5 exceptional scenes in the movie which make up for the often plodding pace ... not typically a good thing for a thriller. The pieces are greater than the whole, but that doesn't mean it's not an interesting watch.

In addition to Farrell, Rapace and Howard, we get some really enjoyable support work from Dominic Cooper, Isabelle Huppert and F Murray Abraham. Ms. Huppert in particular adds a touch of class and humor, and her character could have easily been expanded ... same for Mr. Abraham. Cooper plays an idealistic, but not so observant buddy to Victor and loyal crew member of Howard.

This one reminds at times of a couple of Mel Gibson revenge flicks: Payback and Edge of Darkness. What really helps here is the strength of the cast and unusual scars of Victor and Beatrice. A slightly tighter script and improved pacing would have jumped this one a level or two.

It is really hard for me to rate this film because it is a mix of great and horrid bits. Colin Farrell's quiet yet intense act is matched by Naomi Rapace's hysterical overacting, the rather complex plot is messed up by cliché scenes and in the end, the moral seems to be that all plans that you care about are a lot easier to accomplish if there are no friends and romantic interests.

The thing with the film is that it has a lot going for it: great cast, good acting most of the time, a compelling story with just the right amount of details to make the plot a lot better than most Hollywood productions. Somewhere along the way it turns sour, the feeling someone gets when expecting to have fun at a party, only to have it all soiled by the significant's other discomfort. In the end the revenge feels failed, the romance doomed, the second chance just that: chance.