Maniaque

Incredibly well shot, with an inventive first hand P.O.V. gimmick that actually works and brings enough originality to the plate to give it a reason for a reboot. It's about as unpleasant as the original film, but with a little less grit and sleaziness. I definitely cringed and had to close my eyes a few times. It's nice to "see" Elijah Wood in a role like this. We don't really get very many glimpses of him since it's all shot from his P.O.V., but he turns in a great performance.

Well well well...a movie that put this lady off from dating a fellow for quite some time. There are a lot other films out there with the same title. Don't get confused, this is the 2012 title. Others claim to be horror but are just cheap jokes. This movie is quality gore, serious in tone, strong writing of characters. Tight taut terrific direction. Stunning 'acting' from the 'Maniac'.

A psychopath on the loose. Or should I just say, a young boy with unresolved mother issues as a result of which others (girls, in particular) have to suffer?

Once he sets his eyes on the next target, nothing gets in the way. Very cunningly he establishes where the victims live and like a skilled craftsman carries out his hideous crimes, without remorse, second thoughts or hesitation.

Pivotal to the story is the appearance of an artist who has an acute interests in these plastic mannequins something that appeals greatly to the disturbed young man. Much as his instincts are ever present she somehow causes him to not be himself which is no little thing.

Great job has been done to bring intensity on the screen. We follow the troubled man, we agonise as he prepares his next murder, we feel sorrow when he indulges his animal instincts. Elijah wood is outstanding as the loner with a dark secret.

Another plus would have to be how the director gives it a very 80's look and feel without ever misleading us from the fact that it is a very modern day story.

Ultimately, although the direction by a Frenchman has its obvious advantages it remains a Hollywood movie. Hyperbole, gory scenes for the sake of it and a sense of stretched reality deprive this appealing story from further deserved points.

I am not writing a review because unlike the others (not pointing fingers and i apologize if i offend) i don't want to spoil anything and don't want to say anything majorly about the story I see that people rate it for something the movie doesn't give itself out to be.

I have not watched the original but what i have understood is that people seemed irritated that some "proffesional" reviewers wrote it off as a women hating, violent movie nasty, instead of focusing on the themes of the film.

Now that i have read some of the reviews for this film, it seems that a lot of reviews say the same thing. Just a violent nasty and judges/rates it on that. IT Isn't. I think its wrong to say that it isn't violent. It has violence that makes you want to turn away. But its not about that. It doesn't rely on violence. The main character is a troubled man that tries to live his life, dealing with his issues. He doesn't have anyone and doesn't know how to deal with them alone.

Its a 1st person psycho-drama with a sad but beautiful techno music to blend in with the neon lighted feel of this movie.

The acting of Elijah wood is brilliant in that he mostly needs to act with his voice. The story is sad and i cant help but feel sad for the main character. Much like The Voices staring Ryan Reynolds, the movie focuses so much on there psychological problems that it just comes of as tragic and sad.

This isn't a horror movie with no story and disposable characters. This is a character built, character driven sad movie that is beautiful both visual and story wise.

Updated for the internet dating era and given a first person point-of-view treatment that forces us to view everything from the title character's perspective a la 'Enter the Void', this contemporary take on William Lustig's 'Maniac' is more innovative than your average genre remake. While Elijah Wood's face is often obscured due to the way the film is shot, the film also benefits greatly from his casting as, with big blue eyes and milquetoast mannerisms, he seems like anything but your average serial killer. There is also more attempt to explore his damaged childhood and his desire for a girlfriend. This time round, his love interest mistakes him for a gay platonic friend due to his obsession with "dolls" (mannequins) and reluctance to hit on her. The mannequins also figure better into the plot here with Wood actually owning a mannequin store. The film does, however, disappointingly ditch Joe Spinell's curious obsession with photographs as a form of preservation from the first film, which in turn renders his dressing up of the mannequins a tad random. The violence, while quite graphic, also does not have the same shock value this time round, and while the film maintains the original's semi-supernatural ending, the effect is not quite the same knowing that it is coming. Overall though, the 2012 'Maniac' offers some substantial improvements on the original, the point-of-view cinematography is frequently breathtaking and the incorporation of 'Cabinet of Dr. Caligari' footage is excellent. The music is at least as atmospheric, if not more so, and Wood is really quite creepy.