Horia

For Romanian cinema, this is a more than welcome premiere, enjoyable through its simple, youthful and sensitive insight.

The debut of quite talented director Ana Maria Comanescu and two young actors - Vladimir Teca and Angelina Pavel - enhances the playful, romantic and sometimes humourous nature of the film.

This is a well-known theme, that of the coming of age. Based on a simple script, the fresh and deep atmosphere of the film support the adventure that follows. I won't spoil it - just say it involves an old motorcycle, a boy and a girl, and some beautiful landscapes.

Both young actors are quite charismatic and know how to pace their rhythm throughout the film. The supporting characters are spot on and make their point in a very subtle way.

Do see this film, for its earnest and subtle look on youth and life. It's good for the soul.

Review: Horia - A Quiet Thunderstorm of Emotion and Humanity

Rarely does a film manage to balance raw emotional power with poetic restraint quite like Horia, a standout entry in the evolving landscape of Romanian cinema. Directed with remarkable sensitivity, Horia offers a minimalist yet deeply resonant story that lingers long after the credits roll.

At its core, Horia is a quiet exploration of alienation, identity, and connection. The titular character, portrayed with subdued brilliance, carries the weight of unspoken trauma and yearning in every glance and gesture. His journey is not filled with grand events, but rather with subtle revelations - the kind that mirror real life in its most intimate moments.

The film's cinematography is breathtaking in its simplicity. Rural Romania is captured with a naturalistic beauty that both grounds the story and elevates it. Each frame feels like a painting: still, intentional, and emotionally charged. The sound design, too, avoids artifice - allowing the creak of floorboards, the rustle of trees, and the quiet between conversations to speak volumes.

Director resists the temptation of melodrama, opting instead for realism that invites the viewer to listen, to observe, and to feel. This is a film that demands patience - but rewards it generously. There are no easy answers in Horia, but its questions are profoundly human.

In a cinematic world often dominated by noise and spectacle, Horia is a whisper - and like all true whispers, it carries a truth that shouts.

Horia is not just a film - it's a quiet act of emotional bravery. An essential watch for anyone.

It is surely not groundbreaking to combine a roadmovie with a 'coming-of-age' theme, but it is the execution that matters. And with this the director Ana Maria Comanescu is spot on. It is light hearted and funny, even in the bickering and the occasional punkish behavior here and there, the pacing is correct and all scenes are functional and keep the story going on. The movie is never trying to be moralistic, dramatic or overly comical, which are classic pitfalls for this type of film. The brightish cinematography gives a pleasant atmosphere to the passing landscapes. It even manages to find the exit on the right time and in the general stylish, symphathetic nature of the film's theme. This is a charming debutfilm from a talented filmmaker, and another excellent example of Romania's filmmaking expertise and why they belong in the upper echelons of Europe's filmworld.

The kid below who reviewed the film with a 3 and rambled about Christianity and what not, is a little out of touch with reality and should be completely ignored.

"Horia" is a film that follows the journey of a high school student named Horia as he sets out on a wild adventure to prove his maturity. With his trusty old motorbike, Horia embarks on a reckless road trip that leads to a series of hilariously absurd situations.

As Horia navigates through the challenges of his misadventures, the film offers insights into the complexities of growing up and finding one's place in the world. Along the way, Horia encounters a colorful array of characters who shape his understanding of life and adulthood.

The biggest red flag I'd find is that the movie tries in some part to bring paganistic ideas in a world where people doesn't understand Christianity anymore, being assulted with postmodernistic ideas that make everything see relative, which some can find dissapointing for a cinema movie.

Overall the movie has some moments when can mantain your attention, but it's not something you'll remember for long or wanna see again.