La vie et la musique d'Amy Winehouse, à travers le parcours de l'adolescence jusqu'à l'âge adulte et la création de l'un des albums les plus vendus de notre époque.La vie et la musique d'Amy Winehouse, à travers le parcours de l'adolescence jusqu'à l'âge adulte et la création de l'un des albums les plus vendus de notre époque.La vie et la musique d'Amy Winehouse, à travers le parcours de l'adolescence jusqu'à l'âge adulte et la création de l'un des albums les plus vendus de notre époque.
- Prix
- 1 victoire et 10 nominations au total
Avis en vedette
Like a lot of recent biopics Back to Black does a perfectly fine job but fails to really provide great depth or insight into its subject.
Considering her short career and life, this biopic took the not unreasonable approach of trying to cover all of Amy's career, but I think is where is perhaps becomes a bit unstuck. It covers all of these events well but at times it is simply replaying the events rather than exploring the people behind them.
That is where this film failed to really capture me. I felt like it explored Amy's career and her impact on the music scene on a bit of a surface level. It explored her relationship with Blake on too much of a surface level. Likewise some of her family relationships and addiction issues were a bit too surface level. I think this film needed to really find a focus and provide more of an insight into Amy. I left the film not really knowing more or understanding Amy on a deeper level than I already did.
That being said, there is still plenty to enjoy about this film. The performances are all really good, particularly Marisa Abela as Amy. Her singing is also incredible. It isn't of course as good as Amy's but is never a distraction. Then there is Jack O'Connell as Blake who again is really strong. The chemistry between them is spot on.
So overall it is a pretty strong biopic, but it perhaps keeps a little too much distance from Amy without diving in as deep as it could have done. The strong performance from Abela, the great music, and the decent command of the events of Amy's life make it a well worth watch though.
Considering her short career and life, this biopic took the not unreasonable approach of trying to cover all of Amy's career, but I think is where is perhaps becomes a bit unstuck. It covers all of these events well but at times it is simply replaying the events rather than exploring the people behind them.
That is where this film failed to really capture me. I felt like it explored Amy's career and her impact on the music scene on a bit of a surface level. It explored her relationship with Blake on too much of a surface level. Likewise some of her family relationships and addiction issues were a bit too surface level. I think this film needed to really find a focus and provide more of an insight into Amy. I left the film not really knowing more or understanding Amy on a deeper level than I already did.
That being said, there is still plenty to enjoy about this film. The performances are all really good, particularly Marisa Abela as Amy. Her singing is also incredible. It isn't of course as good as Amy's but is never a distraction. Then there is Jack O'Connell as Blake who again is really strong. The chemistry between them is spot on.
So overall it is a pretty strong biopic, but it perhaps keeps a little too much distance from Amy without diving in as deep as it could have done. The strong performance from Abela, the great music, and the decent command of the events of Amy's life make it a well worth watch though.
The performance by Marisa Abela is brilliant, she is Amy Winehouse. However, if you know anything about Amy Winehouse you know that she had an incredibly unique voice, suffered with addictions & was hounded by the press. None of this is shown to its true potential in the film, which to be honest is disappointing. I expected to hear more of her singing and performing. The picture paints her Dad Mitch & husband as 'not bad blokes'. Neither of them were good blokes. Her Dad, should have & could have been far more supportive & intervened at her most desperate. Blake was an out & out addict, the film does not portray the impact that either of them had on Amy. Rocket Man, Bohemian Rhapsody & Elvis nailed their stories, sadly Back to Black doesn't.
The key credit to this film was Marisa Abela's portrayal of Amy.
Jack O'Connell is one of my firm faves and can bring charisma to any character he plays.
The film uses Amy's songs to fit in with the narrative, rather than the accurate timeline in which they were released.
It was an entertaining watch but offered a simplified view of Amy's life and turned it into nothing more than a toxic love story. The relationship with her parents wasn't really covered and the timeline of events didn't show how a mix of fame and drugs can take their toll over time.
I watched the 2015 documentary 'Amy' shortly after and would recommend this if you're wanting an insight into the life of Amy Winehouse.
This film would be good as a fictional film about made up people, but average as a biopic about a real person's life.
Jack O'Connell is one of my firm faves and can bring charisma to any character he plays.
The film uses Amy's songs to fit in with the narrative, rather than the accurate timeline in which they were released.
It was an entertaining watch but offered a simplified view of Amy's life and turned it into nothing more than a toxic love story. The relationship with her parents wasn't really covered and the timeline of events didn't show how a mix of fame and drugs can take their toll over time.
I watched the 2015 documentary 'Amy' shortly after and would recommend this if you're wanting an insight into the life of Amy Winehouse.
This film would be good as a fictional film about made up people, but average as a biopic about a real person's life.
Intriguingly "Back to Black" seems to be a film that is finding little consensus amongst the professional reviewers. I found the central performance excellent, but wonder if it's decision to, perhaps realistically, not portray anyone as the villain of the story, hurts its entertainment value.
A prodigiously talented singer/songwriter Amy Winehouse (Marisa Abela) has a growing reputation and a hit album. Before starting work on the next album, she meets Blake Fielder-Civil (Jack O'Connell) in a Camden bar and the pair begin a relationship. Already struggling with Bulimia and alcoholism, Blake's own hedonistic lifestyle sends the pair into a spiral of violence and addiction. When they break up, Amy's pain forms the basis for the songs on "Back to Black" her second album, which has worldwide success.
I think Marisa Abela is great as Amy. I know her from the BBC series "Industry" and her performance here, which includes her singing impression is maybe reason enough to see the film. In fact, it might be the only reason to see the film. Maybe that's a touch unfair, the performances from O'Connell, Eddie Marsan as her father Mitch and Lesley Manville as her grandmother Cynthia are all decent, even if none of them stretch much beyond what we've seen them do before. (In fact, I'd really like to see O'Connell play something other than a swaggering, self-destructive character).
The consensus narrative that has been told about Winehouse is that Fielder-Civil was the junkie that dragged poor Amy down and that Mitch sacrificed his daughter's health in order to not risk her success. Both ideas are present in the film, though it paints neither as the villain. Perhaps that's realistic, certainly it doesn't rob Amy of agency in her own story, but I did, at times, feel a little bored by what the film chose to present. It's quite long, at two hours, and whilst her talent was prodigious, maybe her life story wasn't full of as many different types of experiences as would justify this films existence.
I don't think the film adds up to enough for me to recommend it, which is a shame for Abela, who is really giving her all.
A prodigiously talented singer/songwriter Amy Winehouse (Marisa Abela) has a growing reputation and a hit album. Before starting work on the next album, she meets Blake Fielder-Civil (Jack O'Connell) in a Camden bar and the pair begin a relationship. Already struggling with Bulimia and alcoholism, Blake's own hedonistic lifestyle sends the pair into a spiral of violence and addiction. When they break up, Amy's pain forms the basis for the songs on "Back to Black" her second album, which has worldwide success.
I think Marisa Abela is great as Amy. I know her from the BBC series "Industry" and her performance here, which includes her singing impression is maybe reason enough to see the film. In fact, it might be the only reason to see the film. Maybe that's a touch unfair, the performances from O'Connell, Eddie Marsan as her father Mitch and Lesley Manville as her grandmother Cynthia are all decent, even if none of them stretch much beyond what we've seen them do before. (In fact, I'd really like to see O'Connell play something other than a swaggering, self-destructive character).
The consensus narrative that has been told about Winehouse is that Fielder-Civil was the junkie that dragged poor Amy down and that Mitch sacrificed his daughter's health in order to not risk her success. Both ideas are present in the film, though it paints neither as the villain. Perhaps that's realistic, certainly it doesn't rob Amy of agency in her own story, but I did, at times, feel a little bored by what the film chose to present. It's quite long, at two hours, and whilst her talent was prodigious, maybe her life story wasn't full of as many different types of experiences as would justify this films existence.
I don't think the film adds up to enough for me to recommend it, which is a shame for Abela, who is really giving her all.
"Back to Black" delivers a heartfelt tribute to Amy Winehouse, brilliantly capturing the essence of an icon whose talent and personal struggles left an indelible mark on the music world. This film doesn't merely navigate through the vibrant life Amy led amidst Camden's gritty charm; it delves deep, portraying not just her artistic brilliance but also her profound vulnerabilities. It masterfully showcases the overwhelming pressures of fame and scrutinizes the relentless nature of the celebrity machine, presenting a narrative that's as compelling as it is heart-wrenching. This isn't just a recount of a music legend's life; it's an invitation to see beyond the performer to the person, offering a richly nuanced appreciation of her life, her sharp wit, and her brutal honesty.
Marisa Abela's portrayal of Amy is captivating, embodying the singer's raw and fragile essence in a performance that's incredibly authentic. She brings to life Amy's desperate longing for love and acceptance, along with her profound sense of loneliness, making her portrayal deeply resonate. Abela's Amy is not just a public figure but a person seeking connection in a world that often feels cold and unforgiving. While the film does dwell on the more tragic aspects of Amy's story, including her struggles with a toxic relationship, it's this exploration of her search for love and the stark loneliness she faced that adds a profound layer of depth to the narrative. The movie, despite its flaws and sometimes narrow focus, manages to strike a chord, particularly for those moved by Amy's music or touched by her life story. "Back to Black" might not capture every nuance of Amy's life with perfect clarity, but it's a deeply moving portrayal that echoes the bittersweet reality of her extraordinary yet tragically short journey.
Marisa Abela's portrayal of Amy is captivating, embodying the singer's raw and fragile essence in a performance that's incredibly authentic. She brings to life Amy's desperate longing for love and acceptance, along with her profound sense of loneliness, making her portrayal deeply resonate. Abela's Amy is not just a public figure but a person seeking connection in a world that often feels cold and unforgiving. While the film does dwell on the more tragic aspects of Amy's story, including her struggles with a toxic relationship, it's this exploration of her search for love and the stark loneliness she faced that adds a profound layer of depth to the narrative. The movie, despite its flaws and sometimes narrow focus, manages to strike a chord, particularly for those moved by Amy's music or touched by her life story. "Back to Black" might not capture every nuance of Amy's life with perfect clarity, but it's a deeply moving portrayal that echoes the bittersweet reality of her extraordinary yet tragically short journey.
Le saviez-vous
- AnecdotesMarisa Abela had done most of the singing in this film herself. She trained two-and-a-half hours of singing lessons every day for four months in order to mimic Amy Winehouse's vocals.
- GaffesWhen Amy (Marisa Abela) is driving to the airport (around 1h05m), The Dublin Castle Bar signage is visible in the reflection of the cab's window (exterior shot of the cab showing Amy through the glass), but instead of being "mirrored," one can read it "forwards." This is clearly a deliberate choice by the filmmakers intended to make it easier for the audience to read, but technically inaccurate.
- ConnexionsFeatured in The 7PM Project: Episode dated 12 April 2024 (2024)
- Bandes originalesTzur Mishelo
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Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langue
- Aussi connu sous le nom de
- Back to Black
- Lieux de tournage
- Good Mixer, 30 Inverness Street, London, NW1 7HJ, Angleterre, Royaume-Uni(Pub where Amy meets Blake)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 30 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 6 178 165 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 2 835 720 $ US
- 19 mai 2024
- Brut – à l'échelle mondiale
- 51 026 731 $ US
- Durée
- 2h 2m(122 min)
- Couleur
- Rapport de forme
- 1.85 : 1
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