Le régime

Several people have mentioned that the negative reviews are from people too dense or too uneducated to see this series as anything but brilliant. That's an uneducated take in itself. It is possible to both understand the satirical narrative of the series and its winking lambasting of geopolitics, political theatre, and the delicate dance of those who keep the powerful in power, and still find it unpalatable.

It's not a bad series; the acting and cast are fantastic, and there is an interesting story being told. But it's buried beneath so many layers of mismatched cinematic styles, jaunty musical score, and washed out color palettes that the effect was like a confusing mishmash of distinct film styles like Expressionism, Film Noir, and Postmodernism. Each of these styles are great on their own, and perhaps there is a new genre of television being formed in the making of The Regime. It's promising, it's bold, but was ultimately too distracting for me to get lost in the narrative.

This was a series with so much potential. Funny, no - at least I never found anything to laugh at, but satire does not need to be side splittingly hilarious.

I would have loved to see more of Andrea Riseborough. I thought she was one of the more interesting parts of the series, but it was not to be. What happened to the child? Throughout the entire 6th episode Kate Winslett's character does not enquire about him once. Even for a megalomaniac that is quite something.

I seem to be one of the few that did not take to the "butcher". I found her fascination with him quite baffling.

I agree with those who think that Kate Winslett had too much screen time to the detriment of the other characters. Less is more. And this could have been so much more.

My Review- HBO streaming Foxtel The Regime - Streaming on Foxtel My Rating 6/10

The Regime is billed as a Political satire which it certainly is , however for me it's more of a slapstick comedy than clever satire.

It's worth a look just for the brilliance of Oscar winner Kate Winslet's performance as the witless narcissist Chancellor Elena Vernham who rules like a dictator on speed an unnamed Central European principality .

Elena is quite unhinged even seeking instructions from her mummified father when the proverbial "S"hits the fan.

The unnamed kingdom is centred in a vague location between Switzerland and Germany and its deprived citizens mine plutonium while their leader and their corrupt government live in luxury ,an all too familiar story.

Kate Winslet obviously had great fun filming The Regime and has great comedy timing .

I admired the way she kept up Elenas's lisp impediment throughout the series plus her occasional singing on the local television station to entertain her people at Yuletide.

The Regime actually gets quite dark toward the conclusion as Chancellor Elena's empire begins to crumble and the rebels stage a coup.

Matthias Schoenaerts is also very impressive as the Rasputin like villain Corporal Herbert Zubak who mesmerises Elena with his charms and mysterious health remedies after he helps her surrogate son Oskar who suffers from seizures.

The other impressive cast member is Andrea Riseborough who plays Oskar's birth mother Agnes and personal assistant to Elena she is straight faced and dour throughout but adds real substance to a fractured plot.

This 6 part series In my opinion may have worked more effectively as a feature movie at times it reminded me of Wes Anderson's brilliant 2014 movie The Grand Budapest Hotel .

However this series for me was a bit of a drawn out farce lasting far too long .

The team of writers headed by series creator Will Tracy who wrote The Menu and 3 episodes of Succession which I think are both brilliant I thought lost their way a little in this romp comedy.

Stephen Frears and Jessica Hobbs directed 3 episodes each and I think maybe that's one reason that for me it lost its way for me .

Let's just say I'm glad I watched The Regime for the ensemble performances especially Kate Winslett.

All the other reviews apparently completely missed the point of this show. One must assume that they probably never heard of, and certainly never had to deal with, the Nikolai Ceausescu regime. Winslett captures the mercurial insanity of Romania's long-time dictator, with the kow-towing sycophants that surrounded him, the ostentatious palace, the complete and paranoiac disregard for the people and economy of the country. It will be interesting to see if it gets even more absurd in upcoming episodes, mirroring the murderous ego-centric eccentricities of that megalomaniac. In fact, it is about time someone mocked him.

By attempting to merge elements from "The Death of Stalin," "The Grand Budapest Hotel," and "Borat" into a single narrative, the show becomes a bewildering concoction rather than a cohesive piece. The 'satire' - if it can be called that - stumbles significantly, as it appears unanchored from any semblance of reality. Instead, it leans heavily on bizarrely synthesized stereotypes of Eastern Europe in the American imagination.

The characters are shallow caricatures, lacking depth and authenticity, which further distances the narrative from delivering any meaningful or resonant messages. The show oscillates between trying to be a biting political satire (of what, though?) and a slapstick comedy, never fully committing to either.

The production values and the performances by the cast are commendable for the most part, yet they are not nearly enough to salvage the show from its fundamental flaws.