Jang-e jahani sevom

It's not easy to watch I don't like this type of movie and decided to leave it several times but I didn't.

Only some people enjoy watching these movies and those people are film critics.

The story is not complicated, at the beginning everything is normal, and then something will happen that concerns main character, it goes by and continue the same system till the end.

Fortunately it has a satisfying ending. Even though I don't recommend it to watch.

If I wanted to describe it in a sentence I would say: When you spend enough time with evil (or in this case evils) soon you learn to become one.

World War III is an impressive and bitter film that shows how a society that faces social, political and cultural contradictions, may harm itself. The powerful and emotional performance of Mohsen Tanabandeh as Shakib, confirms Houman Seyyedi as a talented director. The collapsed and dark atmosphere of the film is in harmony with the music of Bamdad Afshar. Only if the ending of the film was less predictable, maybe it could have won a more significant award than the one it received at the Venice Film Festival.

Some positive aspects of the film are:

• The film tackles a sensitive and relevant topic of war and its consequences on ordinary people.

• The film uses a realistic and minimalist style that creates a sense of immersion and authenticity.

• The film explores the complex and contradictory emotions of the characters, such as love, guilt, anger and revenge.

• The film has a strong visual language that conveys the mood and tone of the story.

We should not forget that this film, like all the films made in the last 40 years, was made under the supervision of the government's censorship blade, and the talented workers of this film could have added other wonderful moments to the story. But he was able to create a valuable work with great artistry. I suggest everyone to watch the amazing role of "Mohsen Tanabandeh" more carefully.

Is this movie about Hitler? Is it about World War? Is it about people from the lower class of society? The answer to these questions is negative. This movie is about people. All the people we see in life and we are one of them. But what changes the course of our life and our behavior with life and people are the conditions that are imposed on us. We can be simple and ordinary people that life conditions and people can make us a terrible dictator. What we see in this movie. The main character of the film is a calm and harmless person. But a few things change him. People, society and daily life events. Does the director want to say that Hitler became a brutal dictator because of the conditions imposed on him? The answer to this question is not very clear. But by creating this challenge, the director shows the impact of human relationships and living conditions on people. I gave this movie an 8 and I think that if the scenes related to the movie about Hitler were made more professionally, this movie would definitely have a better chance of success.

It always gets under my skin, the ending scenes that could have been amamzing, but the directores just ruin it completely, so why not keeping the camera working while they fall like flies, in front of them Hitler watching them suffer and dying like he did in all of his scenes in the movie they were shooting, watching them dying and then the camera get a shopt from his back with all of them died on the floor or on table. This could have been so good and it will leave a mark with any viewer. The director did great sitting up for this ending but he didn't continue it perfectly. Overall it was a good movie, I enjoyed the main character's acting so much.

Why do Iranians make beautiful dramas? World War III is one of the best Iranian movies produced in recent years. The acting was convincing. Premiered a few months ago in Venice's Orizzonti strand, where it won Best Film and Best Actor. The same festival also unveiled "No Bears," from Seyedi's embattled compatriot Jafar Panahi: To say that Iran has a fraught relationship with some of its most revered filmmakers would be putting it extremely lightly. While Seyedi isn't as overtly political here as the likes of Panahi, he's still quite bold: One hopes his film will receive Stateside distribution. Whether censored or celebrated by its government, daring work like this deserves to be seen by the widest audience possible. Don't miss out watching this movie.