Bhagavanth Kesari

This is one of the weakest works by the director. It seems like the director wrote this story in their childhood and forgot to update it for the current generation, resulting in some inconsistencies. There are some flaws in the plot that don't make sense.

The movie's success appears to hinge solely on the hero.

The director should consider taking a break to analyze and refine their writing skills, checking you writing skills in this movie and F3. Without improvement, the next movie might risk becoming a flop, leading to the director fading away after just a few films.

We loved your work in your early movies, I hope you will come back strongly.

NBK new avatar does take a scenic route thats worthy of his age factor with usual rib tickling action sequence but a bold attempt to shed his trump card of mass dance numbers is somewhat a tough ask that he succeeded surprisingly... Kudos to young producers Sahu & Harish for rich production values that deviates NBK career to a new trend... Special thanks to director Anil ravipudi for thought provoking narratives about women empowerment that Keeps u emotionally glued until the end... A few action portions & some lagging scenes with Kajal could have been trimmed for better results... Take a bow to Thaman bgm without which the movie couldnt achieve this success... Overall a notable Pucca commercial hit for NBK in his last three outings.

"Bhagavanth Kesari" offers a refreshing change with Bala Krishna portraying a character more suitable for his age, a welcome departure from his usual roles. Unfortunately, Kajol Aggarwal's potential is underutilized, leaving her with an unremarkable role that fails to make an impact.

Anil Ravi Pudi's direction shines in the first half, which is filled with intrigue and excitement. However, the second half of the movie takes a disappointing turn, becoming rather dull.

SS Thaman's music is a letdown, with the exception of "Roar of Kesari," which stands out. Sree Leela delivers a strong performance, but her youthful appearance contrasts with her character's maturity.

The action sequences, though entertaining, lack logic and physics, but they still manage to engage the audience. The villain's acting falls within the realm of mediocrity.

Overall, "Bhagavanth Kesari" can be described as a family entertainer, suitable for a one-time watch. It's a film that showcases Bala Krishna's age-appropriate role but falls short in utilizing the potential of its cast and soundtrack, ultimately leaving room for improvement.

This movie has message for daughters, but Not Impressed with Sreleela at all, she is simply overhyped and overrated and wasn't able to match up to the acting that the movie deserved and she is filled with overacting, which is a big no for this movie. She has nothing better to offer seriously. She doesn't suit for acting oriented movies or big budget films at all. The real star is director Anil and ballayya Garu for making this movie. They are at their best. Waiting for new Ballaya film soon. Hopefully have a bigger film next time. This movie was a little boring and monotonous in middle but overall average. Happy dussera to all.

Songs could have been avoided, not necessary really to put Sreleela dance as she's not that great as well. But nice attempt at the movie by Anil Sir and Ballayya.

No fan of any actor, watched the movie out of boredom n was quiet surprised. Yes, it is a typical masala movie with insane fights but it also treats it's women well (except for one scene where BalaKrishna calls Kajal aunty, just because she is above 30, though he is playing a 50 year old) and gives a very good message to train our girl child to be physically strong. A movie where women r treated well is a rarity in Telugu movies. It would have been better if they would have done away with the romantic angle. Kajal falling for Balakrishna just by looking at him was quiet unrealistic but so were all the action scenes, but they were fun. I would rather watch this movie than an Animal.