The Painted

This movie is best described as just another generic horror film. The concept is not very original, although the idea involving the paintings was somewhat intriguing at first. Unfortunately, the film fails to build any real tension or establish an atmosphere strong enough for the scares to be effective. The visual effects were also underwhelming and turned what should have been frightening moments into unintentionally laughable attempts to scare the audience.

With a major studio like Blumhouse attached, this could have been more enjoyable and better in quality, even though many of their recent releases have also become quite formulaic. Just imagine if Mike Flanagan had directed it. He could have turned the story into a powerful supernatural horror film. As it stands, the movie is forgettable and lacks anything that sets it apart from the flood of horror content released these days.

The acting is decent, and the overall production quality is fine aside from the effects. However, that alone is not enough to make the movie entertaining. It is certainly not a terrible watch, but it does not offer much to look forward to. Sadly, that makes it pretty forgettable overall, which is one of the worst things a movie can be. [4.9/10]

Basically that...

What I did like about it was it's very old fashioned style. None of the OTT flourishes that permeate Horror films these days. No extreme sadism or violence. No annoying overacting.

And, like others here have said, it is a good concept, rather imaginative, and I thought the visuals were done well, especially in the way they blended the 'Real' with the Unreal (I don't want to give too much away...)

Also, with many films like this where a family is going through this kind of stuff, usually the acting is not so hot with a lot of the Drama overdone, etc. In this case, I really did like the way the characters were developed (primarily the parents, the children really didn't have much to do) and their reactions and the way they dealt with each other, particularly in dramatic or uncomfortable scenes, were very well done, realistic, and believable.

Also, like some others have said here too, the ending is probably not as effective as it could be, finishing with a bit of a whimper...

But, if you are not expecting a super modern Horror movie with all kinds of extreme violence and effects and such and can appreciate an older fashioned yet imaginative style, then you might find this one fairly entertaining. I gave it a decent '6'~~~~~~~~~~~~~~~~~~~~~~~~~~MY PARTICULAR WAY OF RATING:

5 - Flawed enough probably to give it a pass.

6. A decently passable story maybe worth a watch.

7. A solid film, well made, effective, and entertaining.

And, obviously, you can probably figure out what above and below these would mean... : )

The idea of souls trapped in paintings and thus haunting a house wherever the paints go is pretty unique. It's that classic horror of "the paintings move/eyes follow me" that surprisingly is rarely seen in horror films. The story of how the painting became possessed by a demon was also pretty good, although it took a lot of expiation during the final third of the movie to finally catch the audience up. And the character development of the kids was also decent. Usually a movie will just show some basic family drama with little to no resolution, or they just magically get along at the very end. Here tho there is clear animosity from the older teenage daughter towards her much younger sister (cliche sure), but as the movie develops we see them not only start to repair their relationship but by the end actually the older daughter takes on a much more nurturing relationship towards her little sister. So props to the movie having some actual character development. The movie is also set in the 1960s which, while it never really shows this era well beyond a few scenes, it at least removes the problem of having cell phones, internet etc of the modern era.

Where the movie misses marks for me are the parents, aka the actual main characters. For some reason this movie had to follow the modern trope of making the dad a jerk and sex obsessed while making the mom the universal victim despite being the least caring woman on the planet. And the sad thing is the dad actually does a lot to protect his kids while his wife is always gone doing her own thing, yet somehow we are still meant to see him as the bad guy. And to have him randomly just shout during a normal conversation with zero provocation is just unhinged on the writers part. People don't act like that.

If the writers got their heads out of their you know what, this could've been a solid flick.

The introduction of the film was well done,I was fooled into thinking it'd be the early couple at the start of the movie. The core of the story is a nice break from jump scares,CGI shortcuts,and actual lighting effects to establish a spooky atmosphere. The acting was fine,I'd say it was "TV movie" accurate. But they all delivered,even with the briefest of screentime. While there is nudity,it's tastefully done,not a distraction at all from the scenes. This could develop into a series,even if it's pushed to streaming. Im hoping for an eventual sequel set in present day,I think with maybe a graffiti twist to the story lore. I'd gladly rewatch this movie and recommend it to friends!

I appreciate the challenges that come with a low-budget production, and I made an effort to manage my expectations while watching. The horror concept is fresh and intriguing but lacks support from the cast's performances and script. The lead actress's expressions could have been more nuanced, though the older daughter demonstrated stronger acting skills.

I appreciate the seamless movement of the paintings, particularly when one is reflected in the mirror. This aspect of the movie truly stands out to me and enhances my overall enjoyment. If a more talented cast were assembled or if this concept were integrated into the Conjuring franchise, it could enhance the film's overall potential.