Bonus Track

I liked the second half better, The first half I was suffering from second hand embarrassment so bad. George and his mom and his dad, all of them embarrassing to varying degrees, sometimes all at the same time.

Mark is more like a unicorn and this entire romance is a little idealized, well I suppose it's a teen romance of sorts, just like a lot of the straight ones are, where the cool guy notices the nerdy awkward girl and brings her out of her shell when nobody else saw the beauty and the potential in her. Only now it's with boys. There's some humour in there as well.

And good god I was confusing Jeffrey's actor with Steve Coogan. I was wondering how come he looks so young all of a sudden. Damn, it's Jack Davenport. I never noticed Josh O'Connor in there, I have no idea what character he played.

I have been waiting excitedly to see this movie for so many months. As a Gay Young Adult I was looking forward to a new Coming of Age Story that seemed sweet from the promotional pictures I had seen. Yes it was Sweet, but there was not much going on other than knowing that both Characters "George and Max" Liked each other. The Story was cute "fluffy type of movie" but there was a lack of exploration regarding George's first relationship and the growing feelings between the two characters was a fail. This was more like a "Hallmark" movie rather than the comparison that some have made to "Heartstopper (which this movie should not in any way be compared to it)" it was cute but it ends there. This movie has no re-watch potential IMO as the storyline is too simplistic.

Bottom line is that this is a meant to be a sweet coming out tale between two 16 year old boys and some of it is sweet, but a lot of it is fanciful, unrealistic and syrupy. The lead, Joe Anders as George, does a pretty good job as a closeted student whose only interests seem to be music and a new, and famous, new student named Max played somewhat adequately by Samuel Paul Small, the eventual love interest. George is super introverted and bullied by many, especially a horrible girl named Molly. All of this fairy tale like piece leads to Max giving George confidence and a school talent show and, of course, love between George and Max blooms. While it does have some sweet moments, if all of this sounds rather mundane, well, it is. I do wish I could be more supportive of this as it is co-written & co-produced by an actor I greatly admire, Josh O'Connor, who also has a small role here, but that admiration doesn't make this a better film.

Bonus Tracks (2024) Having gone into the film blind, there was no IMDb reviews at that point. I found a teen film based around two 16 year old boys, meeting with the pretext of helping the awkward and academically failing George, fall for the much cooler son of a musician Marvin.

George wants to leave school with something for his peers to remember him by, and he hopes that that will come at the school leavers show.

George enlists Marvin to help him with his keyboard ditty turning it into a upbeat pop singalong.

Think of Hugh Grant helping the socially awkward Marcus in "About A Boy" and you get the idea.

Its a strange film very badly cast with all of the 16 years kids, looking so much older, I'd guess the average age must be about 25 years old. Even Marvin wears a brace to make him look younger. It is an embarrassing mess of a film. Saying that if you were a teenager in 2006 the music will connect.

A poor 4/10

PS What was more annoying was my cinema treat of buying Cadbury's Crunchie Rocks only to discover that it only contained 15% honeycomb delight and 15% corn flakes, why call if Crunchie if it only contains 15% , Cadbury's hang your head in shame.

Just finished Bonus Track and honestly, I loved it. It's the kind of queer coming-of-age story that really gets under your skin in the best way-emotional, tender, and beautifully real. The chemistry between the two leads felt so natural and heartfelt, and the way the film handled identity, love, and self-expression was subtle but powerful. I could see parts of myself in the characters, especially in the quiet moments of vulnerability and longing. The cinematography was warm and intimate, and the soundtrack? Absolute perfection. Definitely one of those indie gems that stays with you after the credits roll. Highly recommend if you're into honest, beautifully told queer stories with heart.