A Real Pain

I really enjoyed the movie for several reasons.

1. It moved right along and was short but satisfying for 1:30 hours run time.

2. Great screen play, direction and acting from Jessi Eisenberg. His role David was conflicted about his feelings for his troubled cousin Benji, and that felt very real and relatable.

3. Kieran Calkin plays Benji, a loud, emotional guy who isn't afraid of voicing his opinions and can be a burden to other people but wins them over because of his charm and heart. His acting was superb and very believable (we all know a guy like that in our lives).

4. It is a road movie and shows various sites of Poland and its dark history in a most unpretentious and natural way.

5. Supporting actors including Will Sharpe and Jennifer Gray were also amazing and the ensemble cast had very good chemistry.

I recommend it to anyone who enjoys a good original human drama that is not over-dramatic and over-wrought which this movie wasn't.

"Grandma Dory" has passed away and left her two grandsons some money so that they can take a trip to Poland and see where she grew up amidst the Nazi invasion and subsequent holocaust. These two are cousins. "David" (Jesse Eisenberg) is a bit of a shy, geeky, type who lives in New York with his wife and child. "Banji" (Kieran Culkin) is quite the opposite. A free spirited, thinking and speaking individual who cares little for what anyone else thinks about him. The pair clearly love each other, but the behaviour of the latter continues to rattle his travelling companion, especially when they meet up with the other members of their touring party in Warsaw. What now ensues is quite a testament to both Eisenberg's vision as a writer/director but also to the inspired casting of Culkin. He is the kind of holiday companion I'd cheerfully have killed with a rusty harpoon. Loud, brash, opinionated and sometimes borderline cruel as he imposes himself on the group swearing as he goes. Gradually, though, we discover that both men have shields up; both are dealing with some fairly deep psychological issues in their own way and even ought these may clash, there is still far more fundamentally connecting them that not. There are ample opportunities to see the sights of Warsaw, and there is an haunting few minutes at the Majdanek camp where shoes, thousands and thousands of shoes, make you shiver. It's potent and it's often funny, darkly so, and in many ways it slots nicely into the recent panoply of dramas about the fascination by younger generations in the horror of war that those who endured actually want to get past and forget. It also shines a light on the whole business of tourism around these monuments, and does make it quite clear that sometimes these trips can become a statistical box-ticking exercise, especially for Americans, who want to say they've "done" that. An architectural monument equivalent of a safari "big five". In the end I found "Benji" to be a vulnerable but fundamentally selfish and unlikeable character - but I bet there are many reading this who profoundly disagree. That's proof that these two did their job well and I'd recommend you go see it in a cinema for a couple of powerful and characterful performances.

Jesse Eisenberg's second effort as writer-director sets out to be something unconventional. There's something of Richard Linklater's BEFORE trilogy in the DNA of A REAL PAIN, with some recognizable inheritance from Michael Winterbottom's TRIP series also apparent. The perambulatory pacing, the languorous cinematography that asks you to look beneath the surface of touristy sights, the dialogue that meanders through an unpretentious and unstructured unpacking of the meaning of life, the total absence of any "bad guys," the near total absence of any outright conflict, the barest hint of any goal guiding the plot aside from the completion of a simple itinerary... A Real Pain shares all these realistic features with those earlier, more spirited, life-affirming films. Yet somehow... it doesn't quite work.

I'm not sure what was at fault with why I never really got into this movie. I think a large part of it has to do with all the supporting characters (i.e. Everyone besides the cousins played by Eisenberg and Kieran Culkin). Will Sharpe's non-Jewish tour guide, the Rwandan convert, the old couple, the sexy divorcee... the characters are all very basic, very conventional, very boring. The actors who play them are fine, but there's not much they're given to do, and so they seem unnatural and lifeless, more like set decorations than people. Eisenberg knows how to direct a camera, I think; he knows how to put the proper cinematic elements in place. But perhaps he doesn't know how to direct actors, or maybe he just doesn't know how to write characters. There's never anything to suggest that these people exist beyond the moments we see them in, which perhaps could've been fixed with some more spontaneous improvisation from the actors.

Eisenberg and especially Culkin are better in this regard, but there's still something rather stilted and "written" about a lot of what they say and do. Eisenberg's "workaholic salesman with OCD" is largely one-dimensional, and the few times where his character expands beyond that facade seem more like forced acting than any kind of genuine glimpse into something deeper. Culkin is wonderful--a glimpse perhaps of his Succession character if Roman Roy actually cared about people--but I think that's just a credit to Culkin's talent; he somehow manages to transcend what he's been given to work with.

This is a decent indie film with a few good laughs, a couple of interesting ideas, a memorable tour of Poland, and a solid performance from Culkin. From the trailer and the reviews, I was expecting something much funnier and emotionally impactful, but I'd still recommend the movie to anyone interested in it.

I saw this film at the AFI film festival in Hollywood last week. By the time I got to this film, I was suffering from a bit of filmgoing overload, and chatting with someone in the audience before the film began, I almost forgot what I was I going to see! But I was so glad I got to see this one! As you know from the synopsis, Jesse Eisenberg wrote, directed and stars in this great film about 2 cousins' journey to Poland to see the land of their beloved grandmother. Eisenberg perfectly plays a role that he seems made for - an uptight, nervous and dedicated family man who always wants to do the right thing. Joining Eisenberg is Kieran Culkin who plays the polar opposite of Eisenberg - he is garrulous, open, and willing to break the rules, much to Eisenberg's chagrin. Culkin's character easily makes friends with his fellow travelers and guide - again much to Eisenberg's amazement (and sometimes annoyance). The story itself is very involving, and you will find yourself wanting to join them on their tour. Culkin may be in the running for an Oscar on this one and Eisenberg may get a nomination for screenwriting and/or direction. So, I highly recommend you check this one out as soon as you can.

I just finished this film and I have to say I'm surprised reading some of the bad reviews about it, I know film perception is subjective but I don't understand how someone could dislike this film. It was so interesting to me, and the thing is, nothing big really happens, you just follow these two cousins along their trip, it's normal, it's almost casual. There are not going to explain everything to you because there's no need for it. We have access to the superficial, to the bare minimum because that how the characters relate to each other, there so much they don't understand and so much that they don't say. The performances are all incredibly, especially Culkin. I was left crying by the end. Maybe you need to have dealt with depression to connect with it more. Maybe you need to have seen someone you love survive (or not) this painful illness. But I'm happy for this type of movies to exist. This stories also need to be told. As rare and unfitted for some people may seem.