Scénario de rêve

Quick Review: My biggest pet peeve in films is dream sequences (I don't even love 'Inception' - don't hurt me). However the way they are done in 'Dream Scenario' was perfect. This film was a blast.

Talk about getting everything out of a concept. The movie starts and you think, okay this is a lot of fun, but where are they going to go from here? Have no fear, they have plenty of tricks up their sleeves and the wild ride continues throughout.

The film is hilarious. It contained some of the biggest theatre laughs I've heard in a long time. But it's more than that too. It actually gets quite touching and sad and has some real thought-provoking stuff going on. This was an excellent film. 8/10.

The first eighty percent of this film was excellent - it felt like the best Stephen King story that King didn't write. The slow destruction of the life of an ordinary man for reasons which were completely outside his control was well-conceived, well-plotted and well acted. Nicholas Cage's performance was pitch perfect.

To an extent, this film can be seen as a satirical condemnation of social media fame and cancel culture, though that's secondary to the theme of mounting paranoia - both from Prof Matthews and the wider world.

The fact that this film started out as a project of Ari Aster is no surprise, as it has much in common with Beau is Afraid - notably the hapless and powerless central character and some surreal and blackly comic moments.

Then, in the last fifteen minutes or so, the film loses its way. A new element is brought in which pretty much undermines what had gone before. The result wasn't bad, exactly, but seemed to belong in a different film. I think it would've been better if the film had had the courage of its convictions and followed Prof Matthews to his logical fate.

For all that, it's an interesting film, and I would urge you to see it.

After the first half hour of this movie, i thought it was going somewhere amazing, it was funny and clever and nic cage is just really good in the mane role.

But i don't think it did nt he 2nd half of the movie, it kind of faded out, and missed such a massive oppotunity.

It's still a good movie, but it completely went in a different direction in the last half hour than i thought it would. Which was just such a shame.

Such a missed oppotunity in my book, but still worth a watch. When the dreams turn darker i think there was such a great set up for a better last half hour or so. Shame.

Worth watching but didn't reach it's potential.

Nicolas Cage is an endlessly watchable actor. From 'Moonstruck' and 'Adaptation' to 'Pig,' he has given many startlingly powerful, nuanced performances, that are hard to forget. At the same time, Cage has given many overblown ones, in efforts like 'Vampire's Kiss' and 'Sympathy For The Devil,' which are even harder to forget. Whether understated or over-the-top, Cage is always entertaining, oftentimes making unremarkable films not just watchable, but memorable.

In Kristoffer Borgli's 'Dream Scenario,' Cage plays Paul Matthews, a professor of evolutionary biology at Osler University. A middle-aged, insipid fellow, Paul yearns for recognition. One day, he runs into an old flame, who tells him he has been appearing in her dreams, which she writes an article about. Suddenly hundreds of strangers report seeing Paul in their dreams, and he becomes a global sensation. However, Paul soon learns that fame is fickle, as his life becomes a waking nightmare.

'Dream Scenario' is a funny, interesting film examining multiple themes, though fails to explore all of them thoroughly. As Paul becomes famous, and later infamous, the film satirises the preposterousness of notoriety, how people nowadays become celebrities while doing practically nothing. Although not exactly an original point, Borgli's screenplay navigates this idea in a clever, comedic way. At the same time, the film shows the downsides of fame, skewering cancel culture; revealing how celebrity can transform from adoration to infamy in an instant.

However, as the film progresses, other ideas are introduced, which aren't covered in depth, and the final act underwhelms. Though Borgli's attempts to lampoon the phenomenon of "influencers" provides some laughs, it also distracts from the established narrative. Additionally, the film's supporting charters are rather underwritten, lacking development. Conversely, Paul is an intriguing character, whose massive ego is hidden beneath layers of self-consciousness and doubt. A timid, yet opinionated man, Paul is, to quote Kris Kristofferson, 'a walking contradiction,' and a compelling one at that.

Borgli and cinematographer Benjamin Loeb capture Paul's rise and fall with keen eyes. Shot on 16mm film stock, the visuals are beguiling, mirroring Paul's journey through the tumultuous cycles of fame, as well as contributing to the film's dreamlike atmosphere. They make excellent use of light and colour, as well as subtle distortions and low angles, immersing viewers in the surreal world of the narrative.

Additionally, Borgli's intuitive editing keeps thing cohesive, while also adding to the film's atmosphere. His use of quick cuts in otherwise calm scenes- creating a sense of unease- is reminiscent of the work of Yorgos Lanthimos. Similarly, the dream sequences- particularly in the latter half- are more than mere plot devices; they're visual poetry, weaving symbolism, surreal imagery and emotional subtext seamlessly into the narrative, thanks to Borgli's astute edits.

Furthermore, Owen Pallett's score enhances the film's atmosphere and emotional impact. Talking Heads' 'City of Dreams' is used to particularly strong effect, leaving few viewers with dry eyes as the credits roll. Kaysie Bergens and Natalie Bronfman's costume design effectively contributes to the characters' personalities, while production designer Zosia Mackenzie's canny work amplifies the surreal nature of Paul's experiences.

Cage, however, is all one can think about when the film is over. He delivers a marvellous performance, funny, sad and profoundly realistic. A heightened, deeply insecure man who just wants the world to read his book about ants- which he has yet to write- Cage's Paul is one of his finest cinematic creations, up there with his turn as Charlie and Donald Kaufman in 'Adaptation' and Ben Sanderson in 'Leaving Las Vegas.' Multifaceted, funny, memorable; it's classic Cage.

While his supporting cast all do fine work- Julianne Nicholson, Michael Cera, Tim Meadows and Dylan Gelula especially- they aren't given substantial material to work with. Nicholson is particularly good in the underwritten role of Paul's wife, demonstrating remarkable emotional depth. Cera is hilarious in the all too small part of Trent, the head of a viral marketing firm, while Meadows and Gelula both do stellar work as the Dean of Osler University and Trent's assistant Molly, respectively.

Kristoffer Borgli's 'Dream Scenario' is an entertaining film, though has its issues. While the conceit is novel, Borgli's examination of themes like cancel culture and fame- though funny- aren't particularly original. However, the cinematography is striking, the score stirring and the whole affair edited astutely. Nicolas Cage is absolutely fantastic, while his co-stars all do fine work in underwritten roles- Julianne Nicholson especially. Although 'Dream Scenario' might not be perfect, it's definitely not a nightmare, and more proof that Cage is an endlessly watchable actor.

Dream Scenario is a really funny look at unexpected fame and how it's impossible to control how others interpret it. A be careful what you wish for story that's a lot stronger when primarily focusing on how fame changes a person than when it delves into cancel culture.

Uncomfortable with how his own image has been interpreted, Nicolas Cage is the ideal person for this. He plays the pitiful nature of Paul beautifully and brings none of the Cage rage he's synonymous with, in a nice change of pace. The film also feels aware of Cage's persona, understanding everything is funnier and weirder because it's Nic Cage specifically.

Kristoffer Borgli's direction really nails the dream sequences in particular. They're very surreal (obviously), brief and when they start to turn into nightmares they really don't hold back on the violence. It also has the second most hilariously awkward sex scene of recent memory, with Beau Is Afraid being number one which is so fitting since Ari Aster is a producer on this.