The Passenger

The story can be told in just a couple of sentences; as a matter of fact, there is not much in the plot. It does not even adhere to the typical structure of a linear narrative! It is more like a montage of sequences pieced together that mimics the construct of a typical three-act screenplay.

Nevertheless, this effectively puts forth moments of drama that effortlessly induce anxiety and tension. Largely owing to a set of terrific performances given by our two leads, Kyle Gallner and Johnny Berchtold.

Suffice it to say that their sincere acts elevated the script to the next level. If only the story got answers to some of the queries I had, I would have been more generous with my rating. Other than that, this one's a solid watch.

Highly recommended for the 'arthouse' enthusiasts.

The acting is impressive across the board, with everyone's performance hitting the mark. But with much of the film featuring the two leads alone with each other it's Berchtold and Gallner who really get to shine.

A ride well worth taking, The Passenger is a hard film to watch, but most viewers will find it harder to turn it off. It's brutal both physically and emotionally and becomes increasingly more suspenseful as it builds to a seemingly inevitable climax.

It becomes something more than just the standard Hollywood psycho just as The Passenger is something other than the typical Hollywood thriller.

This really surprised me. I had no expectations going into it but was hugely impressed by the end.

On reflection, the first thing I think of is how well made it is. The direction, the editing, the plot, the script and the acting are all top drawer.

Special shouts out go to Kyle Gallner who is excellent as the burger boy gone postal.

Johnny Berchtold is great as the wimp you need when Micael Cera is too expensive.

Carter Smith and Jack Stanley, Director and writer respectively, are names i will look out for in the future.

The 2 scenes, one in the burger joint and the diner, are ones that will live with me for a while.

NOT HORROR.

My attention span has atrophied in the last 20 years as I'm sure many people's have with internet culture- to the point where I have trouble sitting still and watching a movie for 1.5 hours. I watched this film straight through with only a break to pee.

I'm not sure why this film got stuck in the horror category, it just isn't. It's a character study and an examination of different ways people deal with trauma.

The two young men in this film have very different reactions to trauma, and this movie examines all sorts of themes about trauma and the idea that it's maybe always easy to see your way out of other people's problems while yours seem hopeless.

Kyle Galliner who plays the driver (as opposed to the passenger) absolutely knocks it out of the park with his performance, showing how a violent angry man still has his own brand of compassion and even love for someone in pain.

Not everyone will like this film, particularly if you are wanting a horror movie. But if you are a certain kind of person this movie will hit hard. I'd say watch the first 15 minutes, if that doesn't just draw you in then maybe you aren't that kind of person.

A young man, who's not living, but merely existing, has his life changed or awaken by a deranged and violent coworker one workday. A shocking incident sends both men on an unpredictable, violent and ultimately inspirational journey to self-discovery for one man and a doomed ending for the other man. Oddly, the deranged violent coworker, played masterfully by the always versatile and great Kyle Gallner, is an effective life coach to his timid coworker. Sure his methods are unorthodox and psychotic, but he gets the job done. Gallner is a perfect balance of uneasy calmness and explosive rage, and his final scene saying what he wanted to be as a child was sadly and beautifully acted. If a critically-acclaimed studio produced this movie or it pushed a certain political agenda, he would have been nominated for the "big" primetime award. Mostly everything behind and in front of the camera works, but something was missing. I don't know if it's in the drawn-out mall scene, but something's missing. I appreciate the ambiguous writing behind what happened to Benson (Gallner) as a child. His emotions when running into his past was enough. A good movie that takes you on a thrill ride, simmers some, thrills a little more, and then it just ends.