Le Parfumeur

600 characters are really too much for a lot of movies, this being one of them. I could say two simple words, aesthetic rubbish, and you would immediately understand what I'm talking about. There are a lot of silent scenes, interesting costume choices, "visionary" moments... the complete indie package. It has nothing to do with the German serie Der Perfume, August Diehl (I love him so much) cammeo is clearly an attempt to create an expanded universe but it's just not it. It's boring. It's mostly pointless. It's too long. There are so many basic plot twists that could be laughable if the movie didn't take itself so damn seriously.

Where to start, where to end? What a terrible German movie drivel, once again. Too many just can't write good scripts, it seems, and just don't understand story, character development, suspense, protagonists. Woven in is once again that bland wokeness that Netflix has come to represent. The original, Perfume: The Story of a Murderer, is a pretty much perfect movie, great visuals, acting, story, tragedy. This here is just a grand muddle, from beginning to end. The acting is okayish, as are the technical-artistic aspects like camerawork, music etc. Altogether, when will there be good script writing film schools in Germany?

This epic novel has already been perfectly adapted to the cinema by a German director, Tom Tykwer. I will never understand why the Germans made a disgraceful adaptation of a movie that left its mark on cinema. The acting is bad, the cinematography is mediocre, the adaptation made to the present is incredibly bad, it has failed in terms of scenario. If I were Nils Willbrandt, I would try to prevent this movie from being released. The only good thing about this movie is that it makes you want to watch the Tom Tykwer version again. I'm sure the budget spent on this movie is more than the budget in Tom Tykwer's movie. The worst movie is Netflix Germany.

This movie features some of the most talented actors in Germany, in my humble opinion, such as the fantastic August Diehl and the wonderful Ludwig Simon, or the talented Emilia Schüle. I'm still trying to figure out what lured them into this project...

"The Perfume" by Patrick Süskind is such a great novel and is mentioned to be the source of inspiration for this movie. Unfortunately there is neither any kind of intriguing storyline, nor do we get to know the characters or their ambitions in depth, which inevitably leaves the viewer with this fragmentary piece that is hard to engage in. Some of the more odd characters, such as the female accomplice Rex, would need so much more explaination in this narrative. The viewer just can figure out what drives them to their action (despite total madness?).

It's such a pity, that the script is so bad, because the actors are as great as always. I'm suffering while watching them saying some of the most pathetic nonsense-lines from the script. They are struggling hard to make the lines work, but the dialogues and monologues are just too strange. I'm very sorry on their behalf.

What the hell is this complete disaster? Who let this to air? There is no plot. 1 and a half hour dissapointment. It sounded really interssting, but that's all. The characters are ridicuolosly bad. I almost fall asleep while watching.... The interesring story turned out really annoying at the end. The whole story failed at the begining. Police never employ someone who has no sense of smell.... Nowadays, every movie which contains one dead body or murder, get thriller label. This movie is so far from real thriller. Instead of this, this is pure madness! I deffinitely do not recommend to watch this german crap!