MaXXXine

I was waiting for the third movie from this franchise but i was kind of disappointed!

"X" and "Pearl" were really good and with lots of suspenseful scenes, gory scenes and darker tone!

This one was a little bit more of a thriller drama with some good '80s soundtracks but it's lacks the feelings of suspenseful and scary mood. The killing scenes could be more brutal and much bloodier. There's blood but mid level. There's action but mid level. It's more like a slow burner of who dunn it and the twist at the very end was kinda predictable if you ask me.

Mia Goth remains one of the greatest young actresses of her generation, she's gorgeous. I was pleased by Esposito and Bacon.

It's a 6 out of 10 from me! "X" remain my favourite and "Pearl" the next!

I might've been a little too hyped to see this third installment of the X trilogy because I left the theater somewhat disappointed.

Mia Goth rocks the role of Maxine. But the character deserved a better finale. The stakes didn't feel high enough. I'm a fan of Kevin Bacon, but his character wasn't threatening at all. He was more comical (in an annoying way) and given way too much screen time.

The kills were ok. The detectives were one dimensional characters... and the finale was anti-climactic. I would've liked to have seen something more with a Tarantino vibe.

The best part of the movie (aside from Mia) was the use of 80s music and nostalgia. But I can't really attribute that to the filmmakers.

Not a bad movie by any means. All of the elements were there. But the final product just wasn't as dynamic as it could've been.

Mia Goth is great, Kevin Bacon is very good as a sleazy PI, Debicki is also good, the cinematography, costumes, sound and soundtrack are good as well. But the storyline is dumb, the last 15 minutes or so are ridiculous and not in a fun way. The movie seems a bit cheap, probably they worked on a tight budget. We don't see much of the 1980s Hollywood or LA, it doesn't say much about the moviemaking business, nor is it a good thriller, horror or psychological drama. It's bits of all these things, but convincing at one. Mia Goth is a true movie star though. Excellent actress, gorgeous too, she's the reason why I give it 5 stars instead of only 3.

Shoutout to the filmmakers for a great trailer because that's about where the greatness ends.

This film has a pretty solid start for the first 15-20 minutes that seems to set the tone, but it abandons that tone along the way pretty fast. The plot is lackluster and does nothing at all to make you care about any of the characters other than Maxine. Although, sometimes, Maxine is insufferable. Several of the decisions she makes in the movie do not make sense and are incredibly inconsistent with the character.

EVERY "twist" in the movie's plot is predictable if you've watched more than 10 movies in your lifetime.

Kevin Bacon was awesome as usual. That's the only reason I gave this a 3.

Ti West's wrap up to the Maxine/Pearl trilogy is an eminently watchable, if disappointing thriller, set in the mid-80s. Mia Goth again plays the main character, now a Porn Star who wants to go 'legit' by doing a horror film with the hopes that it will make her a real star.

West (who also wrote) does a decent job evoking the era. He ups the stakes by setting it against the back drop of the Night Stalker case and the decade's Satanic Panic. The Los Angeles locations are authentic including scenes at Universal and Warner Brothers studios. The supporting cast includes Kevin Bacon as a sort of Southern fried Jake Gittes, Elizabeth Debicki as an up and coming film director who aspires to being an artist with a capital "A", Giancarlo Esposito as a very hands on Agent, and Michelle Monaghan and Bobby Cannavale as detectives. They all are good, with Bacon and Cannavale having the juiciest roles. A couple of the lines about Hollywood are amusing throwaways. Still, without Goth, none of it works. She's clearly channeled this character, and you sense it on screen.

On the downside, West insists on including incredibly graphic violence in close-up that once would have earned it an NC-17 (or, at least a trip back to the MPAA). Sure, it's a "horror film", but it feels over the top even in that context. West's experiments in this trilogy over three distinct time periods is more interesting in concept and design than results. MAXXXINE intentionally looks like some modern update on 80s revenge pictures from the likes of Cannon and New World. West seems to think that aping those films but with a "smart" 21st century perspective is enough; But, for all of Goth's fine work (and, to be fair, West's technical skill) it can't help but feel like an empty exercise. For all its attitude it still ends up being just a grindhouse exploitation movie itself. There aren't any true insights nor commentary, just a juiced up modern version of the same old. West has talent (and, for now, Goth), but, his retro obsession is becoming a dead end.