Cici

Sweetie I especially admire the narration by the director when he points out the verbal violence in families. Also, it is striking how the brain copes with the guilt. To me, the film screams for a few things: The domestic violence exists- it is not only physical as some believe. Patriarchic father figure and mother instinct have just crashed into each other! Suppressed emotions always find a way to be revealed. Traumas, which mean being wounded mentally, sometimes require our attention, again and again- Being recalled by the brain means that they needs to be resolved.

Just like a bleeding scar.

First of all, I liked the picture. The terrain is perfect and reminded me my own childhood and i like the pictures that i could relate.

Secondly actor performances is perfect. If I should be more specific I loved the the way that Ayca Bingol acted.

Even though actor performances are brilliant, build up is weak. One minor event led huge consequences which is not believable for me. In Turkey's world almost everybody has much more trauma that we need push down so I would expect more strong back story from Berkun Oya who is very capable to do so.

I can not wait to watch next project of Berkun Oya.

A film signed by Berkin Oya, who deserves the title of 'Auteur' director even before he is 45 years old.

The movie wasn't actually made for Netflix. Netflix later joined the project and bought all the rights of the film without being a passenger of the Antalya Film Festival.

Berkun Oya, who has worked at every stage of a set and gained experience, presents us with the master framing, actor/actress management and script language that we are used to in this film.

The advantage of having full control in the series, theater plays, films and even in writing is a plus.

If we talk about this movie; The fact that he used the experienced actors and actresses for the cast and inexperienced actors in the same frame and the equal distribution of roles in each frame is proof of how much he trusts himself.

Having started his career as a cameraman, Yagiz Yavru's cinematography is magnificent.

Ali Aga, on the other hand, made the film even more watchable with an edit worthy of him.

Eli Haligua and Fatih Ragbet did a great job in sound engineering.

It would take pages to praise the names in the cast of the movie one by one, everyone in the cast believed in the work, many of whom had already worked with Berkun Oya...

But a round of applause is needed for Okan Yalabik and Nur Sürer...

Never have I ever seen such a full bodied turkish production with such cross referenced editing and interwoven story and succesful character development not only in a leading role but in the entire parts. The cast, acting, set design, cinematography, picture, editing, sound.. they all combine in this contemporary masterpiece.

Titled ironically, the movie throws many questions in the air. Whether lf things could have been else way, would they bring happiness in life or does growth and progress always happen for the best?

A continuos feeling of nostalgia crushing your heart over and over, the movie (imo) is in the league of Cinema del Paradiso.

Experiencing someone's trauma was well executed.

Switching to now and past is an awesome idea. The acting part was just perfect, I felt all the emotions of every character. When we are watching the movie, it feels like we are watching someone's photos frame by frame, but this time we know the backstory. "twist" of the film wasn't that big, and I think it made the movie clean. There is nothing too much, and nothing less. While you watch it you get more and more curious about the story like you are listening to someone's tale or gossip about someone's story that tells you everything about the characters but not in order.