William Tell

An adaptation of Friedrich Schiller's 1804 play of "Wilhelm Tell" and story of the Swiss struggle for independence. Where an act of oppression, followed by unnecessary wrongdoing sparks a response that sets off a chain of events that lead to rebellion. Wilhelm Tell, master of the crossbow, involved in a conflict he would have rather not be a part of..

Visually, the film delivers beautiful landscape shots and a believable period piece, with a nicely-colored and dynamic cinematography and an excellent production! Not to mention a rather large cast of actors that present the material with strong performances.

I've read questioning of the "dialogue", but as a foreigner, I found it was easy to follow at all times and no line particularly annoying or useless.

But.. despite this strong execution, the script lacks surprises, intrigue and excitement. Making the predictable plot an expected retelling of this known story.

Don't get me wrong, it is quite solid and engaging enough.. but for 2-hour film that feels a tad long, I expected something more. It's not what I wanted it to be, but I would recommend it still to those interested and those not familiar with the famous character.

The movie is pretty poor, overall. But that's not what I'm here to flag... by far the most jarring aspect is they've lifted Al Pacino's Peach With Inches speech from Any Given Sunday, in parts practically verbatim, for Tell's rousing the troops before battle. WTF is that all about??

Not even a little bit, a nod to it, huge chunks.

"In any fight, it's the man whose willing to die..."

"You gotta look at the person sitting next to you, look in the eye and ask that person are you willing to die for me..." but delivered in the least inspiring, spine chilling way that it should make Pacino cry himself to sleep.

To all the naysayers sharpening their quills, let's get real: William Tell isn't trying to be Braveheart 2.0 (and thank goodness-no one needs another freedom speech in blue face paint). Instead, this film carves out its own niche with a crossbow and a wink.

Sure, some critics are acting like Tell missed the apple and shot their popcorn instead. But let's give credit where it's due: Claes Bang brings more charisma to the Swiss Alps than Mel Gibson brought to the Scottish Highlands. The villains are deliciously over-the-top-Ben Kingsley could probably glare a mountain goat into submission-and the scenery is so gorgeous you'll want to book a flight to Switzerland (or at least Google it).

Is it perfect? No. But neither is Braveheart (historical accuracy, anyone?). If you're looking for a fun, action-packed legend with a dash of heart and a lot less kilt, William Tell hits the mark. So loosen up, critics-sometimes a movie is just a good time, not a history lesson or a revolution.

Let me know if you want more zingers or specific references!

It lacks ...power.

Cinematografic it is a beautiful film. Scenery is ok. Actors are good. Story is good. But it lacks some ...power. And that's on the director. This could have been another Braveheart but the dialogs are tame and i miss the hero on a pedastool. Can't exactly point it out but it is not just not there. Perhaps with another director this could have been a great movie.

I watched the world premiere of William Tell at the Toronto International Film Festival (2024).

The presenter of the festival had said before the movie, "they don't make movies like this anymore". I assumed that was a positive thing.

Unfortunately, it really wasn't. The biggest issue of the movie was the language used.

This is a 14th-century period piece that involved the Swiss and Austrians. But for whatever reason the dialogue was written in something that sounded like a high-schooler's approximation of Victorian English.

According to the director, he wrote the dialogue to have language unique to the film. Maybe to assist in some sense of believability within this world. Instead the film was often hard to follow. Character motivations were lost in the flowery, disjointed language.

That being said - the cast did their absolute best with the film. Golshifteh Farahani, Connor Swindells, Rafe Spall, and Ellie Bamber were standouts.

Don't go to see the film for Ben Kingsley - he was barely in it and his performance felt completely phoned in.

If you're okay with 2-hours of mindlessness as you watch beautiful scenery and cool fight scenes - I think there is enough to enjoy.

The movie set up a sequel. I do hope it can be made, and some changes to how dialogue and character interactions are done will be made.