ÉVALUATION IMDb
5,2/10
2,9 k
MA NOTE
Ajouter une intrigue dans votre langueTwenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host her family's Christmas celebration when her estranged ex-brother-in-law arrives unannounced,... Tout lireTwenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host her family's Christmas celebration when her estranged ex-brother-in-law arrives unannounced, bearing nostalgic gifts and a heavy secret.Twenty years after the disappearance of her daughter, a recovering alcoholic is preparing to host her family's Christmas celebration when her estranged ex-brother-in-law arrives unannounced, bearing nostalgic gifts and a heavy secret.
- Prix
- 1 victoire au total
Avis en vedette
Darlene Hagen (Anna Gunn) is still struggling 20 years after the disappearance of her daughter Sally. Jack Kingsley (Linus Roache) comes by claiming car trouble. In fact, he has a dark secret to reveal. Her friend Gretchen Sullivan (Janeane Garofalo) joins the horrific gathering.
New filmmaker Alison Locke is trying to write and direct a low budget feature. I don't know how, but she got three solid actors to do this. They make this as interesting as possible. The script isn't much. It has one surprise in the first half and the second half struggles. It has no more twists or turns to keep the interest. Mostly, this concept needs a few additions to keep it going all the way to the end.
New filmmaker Alison Locke is trying to write and direct a low budget feature. I don't know how, but she got three solid actors to do this. They make this as interesting as possible. The script isn't much. It has one surprise in the first half and the second half struggles. It has no more twists or turns to keep the interest. Mostly, this concept needs a few additions to keep it going all the way to the end.
This is not a Shudder horror movie, but it is excellent drama by first-class actors around a horrifying subject.
It reminded my husband and me a little of when we first started watching David Mamet's movies. At first, you're a little taken aback, because all of his characters speak in such a way that the words, not the emotional delivery, convey the power of the moment, so that when you first start watching a Mamet film, you think for a moment, "What's wrong with all these people?", and then the magic clicks, and you're entranced.
Not that Locke's style in anyway copies Mamet, it's all her own. Nevertheless, we had a similar experience with this movie. At first, we wondered why these wonderful actors seemed a little awkward, and then suddenly what was being conveyed clicked, and we were caught up.
Excellent film.
It reminded my husband and me a little of when we first started watching David Mamet's movies. At first, you're a little taken aback, because all of his characters speak in such a way that the words, not the emotional delivery, convey the power of the moment, so that when you first start watching a Mamet film, you think for a moment, "What's wrong with all these people?", and then the magic clicks, and you're entranced.
Not that Locke's style in anyway copies Mamet, it's all her own. Nevertheless, we had a similar experience with this movie. At first, we wondered why these wonderful actors seemed a little awkward, and then suddenly what was being conveyed clicked, and we were caught up.
Excellent film.
This is a script which seems to have just gone ahead and filmed the second draft.
Anna Gunn; she's good. She's much more thank Skyler White. Jeneane Garafalo is always worthy of a watch - she's completely wasted here. Linus Roache does a great job playing both sleazy and urbane. That's pretty much been his whole career.
But the dialogue- ugh- way too much exposition and it was all delivered so awkwardly. The writer/director just didn't seem to believe the audience could fill in blanks using context or other means.
Perhaps that was something the producers insisted on?? But, audiences are not stupid (for the most part), and we can gather clues ourselves.
If you're looking for a good single-setting drama, there are far worse out there.
Anna Gunn; she's good. She's much more thank Skyler White. Jeneane Garafalo is always worthy of a watch - she's completely wasted here. Linus Roache does a great job playing both sleazy and urbane. That's pretty much been his whole career.
But the dialogue- ugh- way too much exposition and it was all delivered so awkwardly. The writer/director just didn't seem to believe the audience could fill in blanks using context or other means.
Perhaps that was something the producers insisted on?? But, audiences are not stupid (for the most part), and we can gather clues ourselves.
If you're looking for a good single-setting drama, there are far worse out there.
This isn't a horror film. It's barely a thriller. This is a generally a two person play they decided to film. The main character is hosting family Christmas after 20 years. She also lost her daughter, 16, 20 years ago who simply disappeared. Her ex-brother-in-law arrives unexpectedly, and this starts the drama. Unfortunately, the drama is a two person morality play of contrived dialogue and weakest of characterizations. This film triggers a lurid reaction to watch to the end, but only to see if any truth is found. Along the way, information that is meant to shock us is disclosed, and secrets are shared. All leading to the ending that is supposed to build faith in humanity? What I found was grief that goes without processing leads to dissatisfied and unhappy lives. Could have done something better with the 90 minutes.
The subject matter is bleak and depressing, but could have made for a good film (especially seeing as it has been done before).
With Janeane Garofalo as one of the title characters, there was even more of an expectation that the IMDB score of 5.5, was a fluke and/or that reviewers were just missing the point. Say what you will about Garafolo, but she's a powerhouse of acting skills and much more charismatic and attractive than some give her credit for being. Anna Gunn too, was a draw. THE woman who portrayed Skyler White of BB fame SO distastefully well, that the character's name became synonymous with cold, unsupportive wives everywhere, and this was something I could not miss.
Lamentably, after watching it, I kind of wish I had.
Among the worst of the film's foibles is that given the aforementioned talent, surprisingly, the acting from all three leads left a lot to be desired. Most of the interactions between Gunn and Garafolo felt forced and not very organic - almost as if you are watching two strangers working at attempting to form a friendship. Worse still, the portrayal of the sleaze bucket by Linus Roache, was exceptionally terrible. Perhaps it isn't that he was not believable as said sleaze bucket; maybe it is that he was too believable as a sleaze bucket - and nothing else. The range of emotions necessary to pull off the nuances of his role, were never part of the actor's almost uninterested delivery.
On a better note, the soundtrack to The Apology is pretty good, with the Ages and Ages version of the closing "Auld Lang Syne", being SO particularly noteworthy and resonant, that I bought it.
With Janeane Garofalo as one of the title characters, there was even more of an expectation that the IMDB score of 5.5, was a fluke and/or that reviewers were just missing the point. Say what you will about Garafolo, but she's a powerhouse of acting skills and much more charismatic and attractive than some give her credit for being. Anna Gunn too, was a draw. THE woman who portrayed Skyler White of BB fame SO distastefully well, that the character's name became synonymous with cold, unsupportive wives everywhere, and this was something I could not miss.
Lamentably, after watching it, I kind of wish I had.
Among the worst of the film's foibles is that given the aforementioned talent, surprisingly, the acting from all three leads left a lot to be desired. Most of the interactions between Gunn and Garafolo felt forced and not very organic - almost as if you are watching two strangers working at attempting to form a friendship. Worse still, the portrayal of the sleaze bucket by Linus Roache, was exceptionally terrible. Perhaps it isn't that he was not believable as said sleaze bucket; maybe it is that he was too believable as a sleaze bucket - and nothing else. The range of emotions necessary to pull off the nuances of his role, were never part of the actor's almost uninterested delivery.
On a better note, the soundtrack to The Apology is pretty good, with the Ages and Ages version of the closing "Auld Lang Syne", being SO particularly noteworthy and resonant, that I bought it.
Le saviez-vous
- AnecdotesToutes les informations contiennent des divulgâcheurs
- Bandes originalesAuld Lang Syne
Arranged by Tim Perry
Performed by Ages and Ages featuring The Sea The Sea
Courtesy of Needle and Thread Records
By arrangement with Terrorbird Media
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- How long is The Apology?Propulsé par Alexa
Détails
- Durée1 heure 32 minutes
- Couleur
- Rapport de forme
- 1.85 : 1
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