L'enfant, la taupe, le renard et le cheval

Maybe this kind of story is just what we all need on the second to last day of the year - to remind ourselves why we're here and who we truly are.

The boy, the mole, the fox and the horse is a sweet, touching story of lost souls who found each other and together they search for home. This little cartoon speaks with quotes almost exclusively and every single phrase and every word that comes out of the mouths of the four characters is something to think about.

Really, what is love? What is home? What is the meaning of it all and what does it take to be a human being? Those are only a handful of questions you'd definitely get answers to by the end of this half hour masterpiece. I know for sure that home is where the heart is, it's not the place, it's not even something material - it's the way you feel and the people around you who make you feel it.

The animation style is uncanny and even though it may not be a perfect 3D computer generated picture it serves the purpose of the movie splendidly - all those shapes and contours don't have to be perfect, they just have to be authentic and real, and that's what matters. The voice actors also have done a great job shaping the characters and making them real for us too.

If you ever ask me, who do I want to become when I grow up (or in my case, grow old) I would certainly answer: kind.

In a world that is often dark, Charlie Mackesy's words and illustrations of The Boy, the Mole, the Fox and the Horse, have served as moments of light. Beautiful in themselves, but more than that - they shine that light within ourselves to remember the good, the gentle, and the strength in kindness in our own lives and the world around us. The four much-loved characters stepped out of Charlie's imagination and into the world on Instagram, before finding a permanent home the best-selling book released in 2019. The TV adaptation, released on BBC One and iPlayer on Christmas Eve - and worldwide on Apple TV+ on Christmas Day - brings the friends to life. It's 35 minutes of exquisite, peaceful light, born to become a modern Christmas classic. "I'm lost," says the Boy, voiced in heartbreaking gentleness by Jude Coward Nichol. Two words that will have resonated with many at some stage in this post-pandemic weary world. Charlie's drawings touched something within during those dark days of lockdown. Their kindness, humour and hope reached through the page, bringing comfort and connection. Simply put, it's beautiful, whether you enjoy Charlie's drawings and wisdoms as inspiration, comfort, self-reflection, or purely for their charm. It's as if you have stepped into the book itself. Hug your horses extra tight, be kind to yourself, and to quote the Mole, "I'm glad we are all here". While the book has no linear plot, the film needed one. And so Charlie's words and wisdoms have been woven into a script, taking the characters on a journey through a dream-like snowy landscape to find "home", set to a soundtrack by Isobel Waller-Bridge. And that messaging of kindness and gentleness translates gracefully from page to screen. Charlie collaborated with Jon Croker on the adaptation, and is also named as co-director alongside Peter Baynton. That involvement by the author is perhaps behind why the feel is just so close to the book.

'The Boy, The Mole', The Fox and the Horse' (2022)

Opening thoughts: 'The Boy, The Mole, The Fox and The Horse' was one of my most anticipated viewings last Christmas, and was watched with very high expectations. Actually to be honest, it was one of the few new things airing on television last Christmas that was really looked forward to. Animation and Christmas have gelled together many times over the years, with a large number of classics. The book is also beautiful, very charming, thought provoking and emotional.

Fortunately, those high expectations were not only met, they were actually exceeded in the best possible way. It couldn't have been a more perfect adaptation of the book, with it being its equal in quality and containing everything that made the book so good. It is also absolutely magical on its own merits and to me it was one of the clear highlights of the festive season. Which is saying quite a lot, seeing as for me 2022 was not one of the best years when it came to festive television.

Good things: Everything. What immediately stood out was the animation, which is absolutely exquisite and really made me wish that traditional picture book like animation was seen and utilised more these days. Loved the colours and the fluidity of the character designs, and that the backgrounds were kept simple was a wise move and matched the simplicity of the storytelling perfectly. The music is very soothing and did appreciate that it wasn't used or featured constantly and that it didn't go for large orchestral scoring or busy rhythms and instead went for the gentle, intimate approach.

Moreover, the dialogue is adapted beautifully. Admittedly, there are a lot of quotes and phrases, like the book. To me though it didn't feel too talky or rambling, remarkable as both happens a lot when anything is heavy in dialogue or phrases. Luckily, the quality of the dialogue is extremely thoughtful and profound. Loved the storytelling, it is slight and it does not go at a fast pace, but the tone of the book is gentle and fast and furious pacing would not have worked or gelled with the dialogue.

A fantastic job is done with staying true to both the detail and spirit of the book, it is a very faithful adaptation, like the book coming to life, but it did not feel overly so. Never to me did it feel sluggish or draggy, which can happen with adaptations that follow their source material very closely. Every ounce of the charm is still intact, and my heart was still warmed and touched. Especially at the end, where tissues are necessary. All four lead characters are easy to root for, Mole being my favourite, and beautifully voiced. Very nice to see a more understated side to Idris Elba.

Closing thoughts: In summary, magical. One of the easiest 10/10s given out in a long time.

10/10.

I was absolutely swept up by this beautifully told story and the innocence of its characters. I was anxiously awaiting the unfolding of the lovely, sensitive animation as it depicts this sweet boy's journey. His animal friends highlight his travels and are his steadfast allies and guardians as he tries to find his way home. I felt as if I were transported back to the wonder and innocence of my childhood as I watched this story unfold.

The animation is so beautiful in the way that it portrays the world and the characters in it. It allows the viewer to take a look back at life and recall a more simple and innocent time. It allows us to view the world through the eyes of a child and just how beautiful and quiet that world can be.

Like many of you I bought the book a while book, captivated by the impressive art. The art and calligraphy is signature to the book. It made the leap into animation effortlessly and captured the essence of the message contained in the book with such warmth and humanity that it made me emotional.

The story centres around a boy who is inexplicably lost in a beautiful snowy landscape. It is a metaphor I guess as we as humans can find ourselves to be lost in many different ways.

The friends that come to his aid help each other. They do not judge and lean on each other for guidance and support.

The 30 minute animation is timeless and will become a feature for Christmas scheduling for years to come. The simple beautiful story is pan generational and global.