La disparition de sa femme étant devenue le centre d'un intense cirque médiatique, un homme voit les projecteurs se tourner vers lui quand on le soupçonne de ne pas être innocent.La disparition de sa femme étant devenue le centre d'un intense cirque médiatique, un homme voit les projecteurs se tourner vers lui quand on le soupçonne de ne pas être innocent.La disparition de sa femme étant devenue le centre d'un intense cirque médiatique, un homme voit les projecteurs se tourner vers lui quand on le soupçonne de ne pas être innocent.
- Réalisation
- Scénariste
- Vedettes
- Nommé pour 1 oscar
- 64 victoires et 189 nominations au total
8,11147.5K
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Sommaire
Reviewers say 'Gone Girl' is a provocative psychological thriller with mixed opinions. Many praise David Fincher's direction, Rosamund Pike's performance, and its dark themes. Critics commend the film's exploration of marriage and media manipulation. However, some find the plot convoluted and the ending controversial. Pike's performance is often highlighted, though Ben Affleck's role receives varied responses. The film's runtime and pacing are contentious, with some feeling it drags. Overall, it's seen as engaging, though divisive.
Avis en vedette
Perfect example of a modern day thriller
David Fincher has done what i thought was the impossible, by making a movie from a book, and it actually being good, i'm even going to say better than the book, and i don't give that out lightly.
First off, the use of sound within the film, both diegetic and nondiegetic really sell this film to me, it does a great job in unnerving us as an audience and its just a little off, if i looked at the score of the film, i wouldn't be surprised if it comprised of tritones (For those who don't know, tritones make music sound just that tad off), and the synth sorta sound reminds me a lot of Alex Forrest's signature tune from "Fatal Attraction (1987), Adrian Lyon"
The Story is fantastic it really shows the disconnect between people in the modern day, and how the media influences everything so strongly.
In Summary this movie is a great watch, and if you enjoy the genre, or just trying to put together pieces of a metaphorical puzzle you will enjoy this movie.
First off, the use of sound within the film, both diegetic and nondiegetic really sell this film to me, it does a great job in unnerving us as an audience and its just a little off, if i looked at the score of the film, i wouldn't be surprised if it comprised of tritones (For those who don't know, tritones make music sound just that tad off), and the synth sorta sound reminds me a lot of Alex Forrest's signature tune from "Fatal Attraction (1987), Adrian Lyon"
The Story is fantastic it really shows the disconnect between people in the modern day, and how the media influences everything so strongly.
In Summary this movie is a great watch, and if you enjoy the genre, or just trying to put together pieces of a metaphorical puzzle you will enjoy this movie.
A Cynical, Masterful Caricature of Modern Relationships
Amy and Nick Dunne are young, stylish and charming. The immaculate dream couple? It seems so, at least on the face of it. But infidelity and financial troubles let the glamorous façade crumble. One morning, Amy disappears without a trace, and Nick becomes suspect. Did he kill his wife? The media depict him as an uncaring husband, and he's trying desperately to correct that image. But what if he really is the murderer everyone believes him to be?
"Gone Girl", based on the Gillian Flynn novel of the same name, is a masterful thriller, a sharp-sighted media satire and a cynical analysis of modern marriage. Flynn herself wrote the screenplay for the movie adaptation, and David Fincher turns the already disturbing story into something even darker. "Gone Girl" is a perfect fit for Fincher, as it is concerned with two of his favorite themes: gender issues and modern media. The main topic here is how the media are shaping our own identities. Nick Dunne has to adapt to the expectations of the public in order to survive. As his lawyer Tanner Bolt puts it: "This case is about what people think of you."
Amy and Nick both just play a character. They pretend to be a perfect couple. The movie suggests that pretending and being are not as far apart as we tend to think. When everyone plays along, the shallow masks are going to work. The much-maligned ending underlines this insight perfidiously. It's the point where "Gone Girl" becomes a pitch-black social satire. The last act isn't a thriller anymore, it's a grotesque caricature of modern relationships. I've never seen anything like it, and I can't praise Fincher enough for the risk he took with the last half an hour of this movie.
Ben Affleck is great as the insipid husband Nick. You love to hate him. Rosamund Pike is simply mind-blowing. You'll also see Neil Patrick Harris and Tyler Perry in unusual roles. My personal favorite is Carrie Coon as Nick's caring yet foul-mouthed sister Margo. She's the heart of this movie, because unlike everyone else, she genuinely speaks her mind. Kim Dickens as the clever detective Rhonda Boney is pretty approachable, too.
"Gone Girl" might be Fincher's most splendid masterpiece yet. This movie is so unsettling and cynical, it feels like it was directed by the love child of Alfred Hitchcock and Lars von Trier. If that's not awesome, I don't know what is.
"Gone Girl", based on the Gillian Flynn novel of the same name, is a masterful thriller, a sharp-sighted media satire and a cynical analysis of modern marriage. Flynn herself wrote the screenplay for the movie adaptation, and David Fincher turns the already disturbing story into something even darker. "Gone Girl" is a perfect fit for Fincher, as it is concerned with two of his favorite themes: gender issues and modern media. The main topic here is how the media are shaping our own identities. Nick Dunne has to adapt to the expectations of the public in order to survive. As his lawyer Tanner Bolt puts it: "This case is about what people think of you."
Amy and Nick both just play a character. They pretend to be a perfect couple. The movie suggests that pretending and being are not as far apart as we tend to think. When everyone plays along, the shallow masks are going to work. The much-maligned ending underlines this insight perfidiously. It's the point where "Gone Girl" becomes a pitch-black social satire. The last act isn't a thriller anymore, it's a grotesque caricature of modern relationships. I've never seen anything like it, and I can't praise Fincher enough for the risk he took with the last half an hour of this movie.
Ben Affleck is great as the insipid husband Nick. You love to hate him. Rosamund Pike is simply mind-blowing. You'll also see Neil Patrick Harris and Tyler Perry in unusual roles. My personal favorite is Carrie Coon as Nick's caring yet foul-mouthed sister Margo. She's the heart of this movie, because unlike everyone else, she genuinely speaks her mind. Kim Dickens as the clever detective Rhonda Boney is pretty approachable, too.
"Gone Girl" might be Fincher's most splendid masterpiece yet. This movie is so unsettling and cynical, it feels like it was directed by the love child of Alfred Hitchcock and Lars von Trier. If that's not awesome, I don't know what is.
Great film but the ending was terrible
I'm not one for reviews, but I tremendously enjoyed this film but felt empty at the end of it. That ending was shockingly bad, such a let down to a great film. Still worth watching but you will end up cursing the writers, producers and perhaps even the actors for that low quality ending. Even if the story was written to end this way, it could have been communicated far better and with far more realistic excitement. It seems like they just plonked it at the end rather than continue the story. What the hell happened? Did they run out of time or needed to release it by a specific date or did the original scriptwriter run off? The end the film was not of the same quality of the rest of the film and left me feeling shortchanged.
Mixed feelings, hear me out.
There's no denying that this is a great film and from what I've heard a great book as well, you can see that I gave it a 9/10 rating, but there's a catch especially for me personally with this movie. The shorts version I can tell you and with my hand to God no lie this movie single handedly put the nail in the coffin for my marriage without me even being the wiser. So for as much as I do appreciate the detailed and intriguing story, watching it years later after my divorce it sends chills through my body knowing that my ex wife and I enjoyed this movie together, and obviously me not knowing just how much she loved it but how it inspired her to go about divorcing me in the way that she did, be weary because there are sick people (men and women) in this world that will vindictively assassinate someone else's character and well being just to avenge whatever perversion that they're transfixed on in their own mind. I'm not looking for sympathy or anything, I'm just stating a fact that happened to me, I don't advise watching this for the first time with a love partner, it could unhinge the mind beyond a point of no return, I'm absolutely 100% serious about this, this is not a joke.
What a crime thriller should be
I like it when a movie can keep me guessing until the end, and Gone Girl just did that. Most of the time I didn't know where this film was going, and each new twist and turn was a surprise. You can't help but get pulled into the story. The actors all gave excellent performances, as well. I don't think I'll ever be able to look at some of them the same way again. This movie is what a crime thriller should be.
Blocage sonore
Prévisualisez la bande originale ici et continuez à écouter sur Amazon Music.
Le saviez-vous
- AnecdotesBen Affleck postponed directing Ils vivent la nuit (2016) in order to work on this film with David Fincher, even stating, "He's the only director I've met who can do everybody else's job better than they could." On-set one day, Affleck changed the lens setting on a camera an almost indiscernible amount, betting a crew member that Fincher wouldn't notice. Affleck lost the bet as Fincher brought up, "Why does the camera look a little dim?"
- GaffesWhen Nick is in the airport on his way to meet Tanner Bolt, he sees a photo display publicizing his wife's disappearance. The display also features Amy's basic physical characteristics - height, hair color, and eye color. It lists her eye color as brown, but Amy has grey/green eyes throughout the film.
- Citations
[last lines]
Nick Dunne: What are you thinking? How are you feeling? What have we done to each other? What will we do?
- Générique farfeluInstead of the traditional 20th Century Fox music that accompanies the logo in the beginning usually, a track from the soundtrack, "What Have We Done to Each Other?" (the first track) plays while the logo is shown, and continues through the Regency logo and the movie's opening credits.
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Détails
Box-office
- Budget
- 61 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 167 767 189 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 37 513 109 $ US
- 5 oct. 2014
- Brut – à l'échelle mondiale
- 370 890 259 $ US
- Durée
- 2h 29m(149 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
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