Ajouter une intrigue dans votre langueA fading midwestern town in which Frendo the clown, a symbol of bygone success, reemerges as a terrifying scourge.A fading midwestern town in which Frendo the clown, a symbol of bygone success, reemerges as a terrifying scourge.A fading midwestern town in which Frendo the clown, a symbol of bygone success, reemerges as a terrifying scourge.
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A name like "Clown in a Cornfield" promises the kind of pulp-like over-the-top violence and self-awareness that made director Eli Craig's Tucker and Dale vs. Evil so much fun. What we got is something tame and forgettable. Something that isn't nearly as smart as it thinks it is. It tries to be a combination of Children of the Corn, IT, Scream, and others but comes away as less than the sum of its parts.
The story plays like a lesser version of Eli Roth's Thanksgiving. Group of kids being picked off by a masked killer for some perceived crime. But the characters aren't nearly as well defined as Roth's were. There's little suspense built up as the Clown just keeps popping up. Plenty of gore, but no particularly memorable kill. Frendo is pretty tame as a slasher killer, doing nothing to stand out. Not helped by the fact that the Terrifier series has so completely cornered the market on creepy clown villains.
There's some playfulness with the main group playing pranks on each other for YouTube, TikTok, etc. But this largely becomes an excuse to dismiss characters not being around after they have been killed.
The acting is okay at best. Will Sasso seems to be hamming it up. Kevin Durand is doing his usual good job. But the kids are unremarkable.
Then there's the ending. The kind of lousy finale all too common with the latter Scream films, with the mask coming off and the villain monologuing about their motives giving the heroes time to escape. Worse, the dialogue is far too on-the-nose like was taken from a Tumblr rant.
It promises lots of fun but ultimately is forgettable once the credits start rolling.
The story plays like a lesser version of Eli Roth's Thanksgiving. Group of kids being picked off by a masked killer for some perceived crime. But the characters aren't nearly as well defined as Roth's were. There's little suspense built up as the Clown just keeps popping up. Plenty of gore, but no particularly memorable kill. Frendo is pretty tame as a slasher killer, doing nothing to stand out. Not helped by the fact that the Terrifier series has so completely cornered the market on creepy clown villains.
There's some playfulness with the main group playing pranks on each other for YouTube, TikTok, etc. But this largely becomes an excuse to dismiss characters not being around after they have been killed.
The acting is okay at best. Will Sasso seems to be hamming it up. Kevin Durand is doing his usual good job. But the kids are unremarkable.
Then there's the ending. The kind of lousy finale all too common with the latter Scream films, with the mask coming off and the villain monologuing about their motives giving the heroes time to escape. Worse, the dialogue is far too on-the-nose like was taken from a Tumblr rant.
It promises lots of fun but ultimately is forgettable once the credits start rolling.
I went in to this hoping it was a throwback to 80's slasher comedies, but nah, it's just another boring generic Blumhouse inspired slasher with no personality to distinguish itself away from others like it. Production wise it had good sfx and dialogue, but the lighting was so flat I felt like I was watching a Nickelodeon tv movie. Contrast is your friend, not your enemy. Sure, there were some scenes where I was like "OMG the gaffer actually showed up to work today!" so there's that. The deaths were pretty good, and the practical FX delivers most of the times, so kudos to the crew who worked on the stunts. But, with that being said, the script/story was milquetoast cookie cutter "Gen Z bad" trope garbage.
If you want to skip this and just watch Thanksgiving a watch instead, I suggest it. At least that movie was fun. However, I don't want to downplay the people who worked on the film to make the death scenes memorable. Kudos to them.
If you want to skip this and just watch Thanksgiving a watch instead, I suggest it. At least that movie was fun. However, I don't want to downplay the people who worked on the film to make the death scenes memorable. Kudos to them.
I was expecting something great here because of the hype here scoring this movie so high. Didn't read anything about it because I have watched hundreds of slashers. So, consequently there are only a few movies that are really fresh or innovates in the genre. Not this movie.
First, if you have watched similar movies you can predict almost everything. Usual script of a bunch of kids ready to be slaughtered by some clowns. The problem here is that acting is horrendous so consequently you want that everybody dies as soon as possible.
Second, gory parts are great. It doesn't look cheap at all. Good for the fx's and make up team.
Last, the ending ruins everything. Wants to be clever, modern and cool. Not for me.
So, if you were born after 2005 this movie can be for you. If you have watched similar ones, this one is just another clown movie.
First, if you have watched similar movies you can predict almost everything. Usual script of a bunch of kids ready to be slaughtered by some clowns. The problem here is that acting is horrendous so consequently you want that everybody dies as soon as possible.
Second, gory parts are great. It doesn't look cheap at all. Good for the fx's and make up team.
Last, the ending ruins everything. Wants to be clever, modern and cool. Not for me.
So, if you were born after 2005 this movie can be for you. If you have watched similar ones, this one is just another clown movie.
While I enjoy a good slasher, I would not call myself a fiend for them. I don't subscribe to Shudder and I don't watch all the horror movies that come out. I'd even say that I tend to stay away from the schlocky and B/C grade ones, though there are those that I do enjoy. For me, this is one of those films. While I appreciate that this one tries to do a little more and have a little more to say, in the end, the slasher elements just felt okay. The kills lack creativity, the whodunit part is kind of predictable, and the film felt very much in line with your typical slasher in it's most visceral elements.
Quinn is a new kid in town and quickly finds herself among peers. They take to her, mostly, and she's soon hanging out, drinking beer, and getting cozy with one of the boys. Of course, this is a slasher and the good times don't last long before the clown starts messing things up. I will say that the film does do a good job with it's central theme, that being a divide between the generations. While the kids fit into the modern mold of being kids, getting into a bit of trouble while spending some time creating a bit of horror content for YouTube, the adults are much more morose and agitated. They don't take kindly to the kids and it's a central theme to the story throughout. The cast is also mostly good, though too many feel like throw away characters left to be fodder. Katie Douglas, Carson MacCormac and Aaron Abrams fare the best by being more than one dimensional and actually giving the movie some emotional weight. The film also contains the trappings of most slasher films, so those who love the genre staples will be right at home here. Initially, I expected the movie to be pretty cliche and similar to everything else. Then, halfway through, things take an intense turn and the movie shifts into overdrive.
Here is where most will find the film's strengths. Not content with just wallowing in the films cliches, it decides to kick things up. I won't spoil it here, but it was a pleasant surprise after thinking I'd be let down. All of that said, the movie never rose above average for me. Everything about it screams "watch at home on TV with some popcorn and friends and/or family". I can't quite put my finger on it, but the whole production feels very much run of the mill, 80's/90's slasher that you'd rent on a weekend. It does do a decent job with it's favored social commentary, even though I found that to be a little to on the nose, but it's not enough to elevate the production. On top of this, the kills lack any real creativity. We get a lot of the usual, from slashings to stabbings to severed parts. There's maybe one kill that stands out, but it's incredibly goofy and I actually laughed in the theater when it happened because it was so ridiculous. This, for me, may have been the biggest buzz kill. The lack of creativity.
Clown in a Cornfield is likely to make genre fans who eat this stuff up like corn syrup overloaded candy, but for anyone looking for something more than an average slasher, this will be a let down. It's not bad, just mostly average.
Quinn is a new kid in town and quickly finds herself among peers. They take to her, mostly, and she's soon hanging out, drinking beer, and getting cozy with one of the boys. Of course, this is a slasher and the good times don't last long before the clown starts messing things up. I will say that the film does do a good job with it's central theme, that being a divide between the generations. While the kids fit into the modern mold of being kids, getting into a bit of trouble while spending some time creating a bit of horror content for YouTube, the adults are much more morose and agitated. They don't take kindly to the kids and it's a central theme to the story throughout. The cast is also mostly good, though too many feel like throw away characters left to be fodder. Katie Douglas, Carson MacCormac and Aaron Abrams fare the best by being more than one dimensional and actually giving the movie some emotional weight. The film also contains the trappings of most slasher films, so those who love the genre staples will be right at home here. Initially, I expected the movie to be pretty cliche and similar to everything else. Then, halfway through, things take an intense turn and the movie shifts into overdrive.
Here is where most will find the film's strengths. Not content with just wallowing in the films cliches, it decides to kick things up. I won't spoil it here, but it was a pleasant surprise after thinking I'd be let down. All of that said, the movie never rose above average for me. Everything about it screams "watch at home on TV with some popcorn and friends and/or family". I can't quite put my finger on it, but the whole production feels very much run of the mill, 80's/90's slasher that you'd rent on a weekend. It does do a decent job with it's favored social commentary, even though I found that to be a little to on the nose, but it's not enough to elevate the production. On top of this, the kills lack any real creativity. We get a lot of the usual, from slashings to stabbings to severed parts. There's maybe one kill that stands out, but it's incredibly goofy and I actually laughed in the theater when it happened because it was so ridiculous. This, for me, may have been the biggest buzz kill. The lack of creativity.
Clown in a Cornfield is likely to make genre fans who eat this stuff up like corn syrup overloaded candy, but for anyone looking for something more than an average slasher, this will be a let down. It's not bad, just mostly average.
This flick was based off on recent horror related young adult fiction by Adam Cesare and was just average. It offers some good practical and cgi gore effects, full of tongue-in-cheek humor.
It offers an inclusive grouping of characters probably that the current administration wouldn't approve of. One of the characters kinda looks like Elon Musk!
The only that original is the intergenerational jokes between older and younger characters. Things like a rotary dial phone, etc. Comes off pretty funny. The clowns were not a creepy as many reviewers have claimed.
The acting chops were not above average, but not horrible. The film is most likely coming at a time where producers are responding to clown with extreme violence like the recent success of Damian Leone's "Terrifier" franchise.
This film has probably got popularity of a new generation of filmgoers trying to feel the 80s/90s straight to gore films. In the way, their new interest is probably to chase folk horror and more subtle horror like "Midsummer" and "The Witch" away
I guess this film by Eli Craig should be indebt to "Terrifier"-crowd funders and independent horror supporters. It's need to be said that Craig is also a trendsetter with horror comedy like "Tucker and Dale vs Evil" (obviously inspired by "Evil Dead" franchise).
It offers an inclusive grouping of characters probably that the current administration wouldn't approve of. One of the characters kinda looks like Elon Musk!
The only that original is the intergenerational jokes between older and younger characters. Things like a rotary dial phone, etc. Comes off pretty funny. The clowns were not a creepy as many reviewers have claimed.
The acting chops were not above average, but not horrible. The film is most likely coming at a time where producers are responding to clown with extreme violence like the recent success of Damian Leone's "Terrifier" franchise.
This film has probably got popularity of a new generation of filmgoers trying to feel the 80s/90s straight to gore films. In the way, their new interest is probably to chase folk horror and more subtle horror like "Midsummer" and "The Witch" away
I guess this film by Eli Craig should be indebt to "Terrifier"-crowd funders and independent horror supporters. It's need to be said that Craig is also a trendsetter with horror comedy like "Tucker and Dale vs Evil" (obviously inspired by "Evil Dead" franchise).
Le saviez-vous
- AnecdotesMajor score for IFC on their biggest opening weekened recorded with a 3.6 million gross
- GaffesA bow saw can't cut off a head.
- ConnexionsReferenced in Dead Meat Podcast: Upcoming Horror Sneak Peeks (2025)
- Bandes originalesWhat Do I Owe
Written by Michael John Barnicle and Mark De Rosa
Performed by Dummy
Courtesy of Pravda Records
By arrangement with Groove Garden
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Détails
Box-office
- Budget
- 1 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 7 251 799 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 3 648 991 $ US
- 11 mai 2025
- Brut – à l'échelle mondiale
- 10 720 980 $ US
- Durée1 heure 36 minutes
- Couleur
- Rapport de forme
- 2.39 : 1
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