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Breaking Bad
S 5.E 14
Tous les épisodesTout
  • Distribution et équipe technique
  • Commentaires des utilisateurs
  • Anecdotes
IMDbPro

Ozymandias

  • L'épisode a été diffusé 15 sept. 2013
  • PG
  • 47m
ÉVALUATION IMDb
10,0/10
271 k
MA NOTE
Bryan Cranston in Breaking Bad (2008)
Criminalité liée aux droguesTragédieCriminalitéDrameThriller

Ajouter une intrigue dans votre langueAfter a desert standoff, Walt and Jesse face the fallout as alliances shift, family is threatened, and old choices come due.After a desert standoff, Walt and Jesse face the fallout as alliances shift, family is threatened, and old choices come due.After a desert standoff, Walt and Jesse face the fallout as alliances shift, family is threatened, and old choices come due.

  • Réalisation
    • Rian Johnson
  • Scénariste
    • Moira Walley-Beckett
  • Vedettes
    • Bryan Cranston
    • Anna Gunn
    • Aaron Paul
  • Voir l’information sur la production à IMDbPro
  • ÉVALUATION IMDb
    10,0/10
    271 k
    MA NOTE
    • Réalisation
      • Rian Johnson
    • Scénariste
      • Moira Walley-Beckett
    • Vedettes
      • Bryan Cranston
      • Anna Gunn
      • Aaron Paul
    • 658Commentaires d'utilisateurs
    • 29Commentaires de critiques
  • Voir l’information sur la production à IMDbPro
  • Voir l’information sur la production à IMDbPro
  • Photos72

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    Distribution principale24

    Modifier
    Bryan Cranston
    Bryan Cranston
    • Walter White
    Anna Gunn
    Anna Gunn
    • Skyler White
    Aaron Paul
    Aaron Paul
    • Jesse Pinkman
    Dean Norris
    Dean Norris
    • Hank Schrader
    Betsy Brandt
    Betsy Brandt
    • Marie Schrader
    RJ Mitte
    RJ Mitte
    • Walter White, Jr.
    Bob Odenkirk
    Bob Odenkirk
    • Saul Goodman
    • (credit only)
    Laura Fraser
    Laura Fraser
    • Lydia Rodarte-Quayle
    • (credit only)
    Jesse Plemons
    Jesse Plemons
    • Todd
    Steven Michael Quezada
    Steven Michael Quezada
    • Steven Gomez
    Michael Bowen
    Michael Bowen
    • Uncle Jack
    Kevin Rankin
    Kevin Rankin
    • Kenny
    Patrick Sane
    Patrick Sane
    • Frankie
    Tait Fletcher
    Tait Fletcher
    • Lester
    Saginaw Grant
    Saginaw Grant
    • Native American Man
    Matthew T. Metzler
    • Matt
    Hank Rogerson
    Hank Rogerson
    • Detective #1
    Billy Lockwood
    Billy Lockwood
    • Detective #2
    • Réalisation
      • Rian Johnson
    • Scénariste
      • Moira Walley-Beckett
    • Tous les acteurs et membres de l'équipe
    • Production, box office et plus encore chez IMDbPro

    Commentaires des utilisateurs658

    10271.1K
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    Avis en vedette

    10sansanome

    Drama at its absolute best! This is Shakespeare of the 21st century.

    I cannot help but write a review of Breaking Bad's "Ozymandias". I can't get the that one hour of television out of my head. Pick your stage - theatre, cinema, the web, television - this is as good as it gets!

    If you haven't seen Breaking Bad yet, do NOT start with this episode. You may have heard that this is the greatest episode in the history of television, but seeing it cold turkey would leave most people thinking that Breaking Bad just gets it kicks from pure sadomasochism. This episode is brutal. Still, alone or as part of its integral whole, "Ozymandias" delivers performances and directing that are simply breath taking. It grabs your body and emotions and wrings them out. I was left limp, in tears, clinging to my chair.

    The acting in this episode engulfs the audience. Performances range powerful to subtle, and then in the closing scene are as layered and complex as they can come. Bryan Cranston is so often mentioned in Breaking Bad reviews as an amazing actor. After "Ozymandias" I for one hold Anna Gunn with her performance of Skyler White in equal amazement.

    And the writing here is so good (credit Moira Walley-Beckett). One example of many is the closing scene mirroring the opening scene. We have Walt phoning Skyler, their daughter Holly playing a role in both conversations. These scenes come from two different worlds - one light and fun, the other dark and devastating, and yet they still manage the mirror, twisted as it might be, which is itself a reflection of the man Walter White has become. (There is another level to viewing this mirror, but that would spoil the episode's content.) And the scenes book end not just this episode but the entire series of Breaking Bad. I was also floored that in this darkest, most heart wrenching of episodes, the writers were still able to add a touch of levity with Walter's trek through the desert.

    This episode, unlike quite a few from Breaking Bad, hits hard at an emotional core. I have read that many viewers of Breaking Bad don't connect a ton with the characters. They might cheer for some one, but just for a while. And they won't cry for anyone. I get that. Me, I've cried a few times over the course of the series. But with Ozymandias, who could not help but cry, over and over again.

    I gotta close with the closing scene in "Ozymandias". If you are not sure of how it is supposed to play, writer Moira Walley-Beckett has spelled it out clearly. Look it up if you need to. One can be forgiven for not initially knowing how the scene plays out because Walter White plays it so well. But then here Bryon Cranston, Anna Gunn and Betsy Brandt (taking the once side show role of Marie Schrader to a profound and essential level) give performances of a lifetime. It is a scene that reminds us why we bother with TV or cinema or theatre to begin with: It can be a beautiful and moving reflection of our reality, taking us places in our lives that we don't dare go on our own.

    As I write this review two days after "Ozymandias" aired, 10,333 IMDb viewers have rated it 10 out of 10. This is a performance that truly deserves a perfect 10.
    10Johnny-the-Film-Sentinel-2187

    Damn this episode is truly fantastic!

    Vince Gilligan's Breaking Bad has been rightfully declared amongst the 'golden age of television' canon. And Ozymandias is one of the series' many high-points. It's tense, shocking, and even when things seem to be at the end of the road there's still one unexpected thing after another. Series-long revelations are made, some are broken, but it's all impacting upon the viewer. Ozymandias is unlike any other episode on television; and I think we have Rian Johnson's direction, Moira Walley-Beckett's genius writing and Bryan Cranston's top-tier performance to thank for accomplishing this.

    Ozymandias is taught, penultimate storytelling for an already penultimate series in the medium of television. Everything here is done so perfectly. A crucial thread in the series has its revelation and the drama in Walter White's world is cranked up to 1110%. Hell: the episode can even be enjoyed on its own; though I do recommend watching the entire series though. Every minute is absolutely worth it. Breaking Bad deserves a full-watch.

    I applaud Gilligan, Cranston, Johnson and Walley-Beckett for giving the world such a golden episode in the history of television.

    You've all made a classic for the ages. Well done.
    10mrjoyoushandsome

    Amazing

    Wonderful, truly a masterpiece. I liked this episode more than any tv show episode I ever watched.

    10/10 (wished it was 11/10). Best tv show in my opinion and definitely my favourite.
    10marveller-66

    After i've read the poem.....

    This episode hits differently. Ironic how Ozymandias is the King of Kings in TV. Watch this show if you haven't. Almost exactly an year ago, i've completed watching BB. And now, when i re-watched it, i don't even know what to say.
    10CrumbsUK

    Gut Punch After Gut Punch

    5 years and 59 episodes in the making, everything boils down to the most intense and devastating 45 minutes of the show culminating in what is perhaps the greatest TV episode I have ever seen. Every revelation gets more shocking throughout the course of the episode, none of which give you a moment to breathe. Many of the events have been long inevitable throughout the series, but when the time does arrive, you find you wish those secrets had been left buried.

    The acting in this episode is phenomenal, testament to the chemistry achieved between the main cast, all of whom put out their greatest performances. The writing is sublime, maintaining the consistently excellent dialogue characteristic of this show. I'd willingly put money that this episode completely sweeps next year's Emmy awards.

    Following the airing of this episode, the end has never felt so close and you quickly realise that you're not quite ready to let go of this show. It's not often that a show gets to end on its own accord and sometimes rarer that it goes out with a bang, but this episode signifies that the show will end with its head held high, and rightfully secures its legacy as one of the greatest programmes to grace the medium.

    Intérêts connexes

    Wendell Pierce and Dominic West in The Wire (2002)
    Criminalité liée aux drogues
    Casey Affleck and Michelle Williams in Manchester sur mer (2016)
    Tragédie
    James Gandolfini, Edie Falco, Sharon Angela, Max Casella, Dan Grimaldi, Joe Perrino, Donna Pescow, Jamie-Lynn Sigler, Tony Sirico, and Michael Drayer in The Sopranos (1999)
    Criminalité
    Naomie Harris, Mahershala Ali, Janelle Monáe, André Holland, Herman Caheej McGloun, Edson Jean, Alex R. Hibbert, and Tanisha Cidel in Moonlight - L'histoire d'une vie (2016)
    Drame
    Cho Yeo-jeong in Parasite (2019)
    Thriller

    Histoire

    Modifier

    Le saviez-vous

    Modifier
    • Anecdotes
      The flashback of Walt and Jesse at the beginning of the episode was the final scene that was shot for the series.
    • Gaffes
      When the shooting first starts, Walt dives down in the back seat towards the floor and his glasses fall off. After the shooting stops and Jack begins talking to Hank, Walt appears in the back window of the SUV with his glasses on. With his hands cuffed behind his back, there is no way he could have retrieved and put on his glasses back on.
    • Citations

      Walter White: [as Jack holds them at gunpoint] Hank... listen to me. You gotta tell him. You gotta tell him now that we can work this out. Please. Please.

      Hank Schrader: What? You want me to beg?

      [Walter shakes his head, tears in his eyes]

      Hank Schrader: You're the smartest guy I ever met... and you're too stupid to see... he made up his mind ten minutes ago.

    • Générique farfelu
      When the opening credits begin after the first commercial break, the names of the first three actors appear in the normal sequence with normal timing. At the moment when the name Dean Norris would normally appear, the camera shows Walt looking at his own reflection in the rear view mirror. The name does not appear, and Walt turns the mirror to the side. The camera focuses in on the mirror's new reflection, an empty spot in the New Mexican desert. Walt then pauses for several moments. Finally, as Walt begins to move on, the name Dean Norris appears on the screen.
    • Connexions
      Featured in WatchMojo: Top 10 Saddest TV Deaths (2013)
    • Bandes originales
      Take My True Love by the Hand
      (uncredited)

      Written by Eugene Raskin and Oscar Brand

      Performed by The Limeliters

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    Détails

    Modifier
    • Date de sortie
      • 15 septembre 2013 (United States)
    • Pays d’origine
      • United States
    • Sites officiels
      • Official Facebook
      • Official Instagram
    • Langue
      • English
    • Lieux de tournage
      • ÉTATS-UNIS
    • sociétés de production
      • High Bridge Productions
      • Gran Via Productions
      • Sony Pictures Television
    • Consultez plus de crédits d'entreprise sur IMDbPro

    Spécifications techniques

    Modifier
    • Durée
      • 47m
    • Couleur
      • Color
    • Mixage
      • Dolby Digital
    • Rapport de forme
      • 16:9 HD

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