Ozymandias
- L'épisode a été diffusé 15 sept. 2013
- PG
- 47m
Ajouter une intrigue dans votre langueAfter a desert standoff, Walt and Jesse face the fallout as alliances shift, family is threatened, and old choices come due.After a desert standoff, Walt and Jesse face the fallout as alliances shift, family is threatened, and old choices come due.After a desert standoff, Walt and Jesse face the fallout as alliances shift, family is threatened, and old choices come due.
- Réalisation
- Scénariste
- Vedettes
- Saul Goodman
- (credit only)
- Lydia Rodarte-Quayle
- (credit only)
Avis en vedette
Drama at its absolute best! This is Shakespeare of the 21st century.
If you haven't seen Breaking Bad yet, do NOT start with this episode. You may have heard that this is the greatest episode in the history of television, but seeing it cold turkey would leave most people thinking that Breaking Bad just gets it kicks from pure sadomasochism. This episode is brutal. Still, alone or as part of its integral whole, "Ozymandias" delivers performances and directing that are simply breath taking. It grabs your body and emotions and wrings them out. I was left limp, in tears, clinging to my chair.
The acting in this episode engulfs the audience. Performances range powerful to subtle, and then in the closing scene are as layered and complex as they can come. Bryan Cranston is so often mentioned in Breaking Bad reviews as an amazing actor. After "Ozymandias" I for one hold Anna Gunn with her performance of Skyler White in equal amazement.
And the writing here is so good (credit Moira Walley-Beckett). One example of many is the closing scene mirroring the opening scene. We have Walt phoning Skyler, their daughter Holly playing a role in both conversations. These scenes come from two different worlds - one light and fun, the other dark and devastating, and yet they still manage the mirror, twisted as it might be, which is itself a reflection of the man Walter White has become. (There is another level to viewing this mirror, but that would spoil the episode's content.) And the scenes book end not just this episode but the entire series of Breaking Bad. I was also floored that in this darkest, most heart wrenching of episodes, the writers were still able to add a touch of levity with Walter's trek through the desert.
This episode, unlike quite a few from Breaking Bad, hits hard at an emotional core. I have read that many viewers of Breaking Bad don't connect a ton with the characters. They might cheer for some one, but just for a while. And they won't cry for anyone. I get that. Me, I've cried a few times over the course of the series. But with Ozymandias, who could not help but cry, over and over again.
I gotta close with the closing scene in "Ozymandias". If you are not sure of how it is supposed to play, writer Moira Walley-Beckett has spelled it out clearly. Look it up if you need to. One can be forgiven for not initially knowing how the scene plays out because Walter White plays it so well. But then here Bryon Cranston, Anna Gunn and Betsy Brandt (taking the once side show role of Marie Schrader to a profound and essential level) give performances of a lifetime. It is a scene that reminds us why we bother with TV or cinema or theatre to begin with: It can be a beautiful and moving reflection of our reality, taking us places in our lives that we don't dare go on our own.
As I write this review two days after "Ozymandias" aired, 10,333 IMDb viewers have rated it 10 out of 10. This is a performance that truly deserves a perfect 10.
Damn this episode is truly fantastic!
Ozymandias is taught, penultimate storytelling for an already penultimate series in the medium of television. Everything here is done so perfectly. A crucial thread in the series has its revelation and the drama in Walter White's world is cranked up to 1110%. Hell: the episode can even be enjoyed on its own; though I do recommend watching the entire series though. Every minute is absolutely worth it. Breaking Bad deserves a full-watch.
I applaud Gilligan, Cranston, Johnson and Walley-Beckett for giving the world such a golden episode in the history of television.
You've all made a classic for the ages. Well done.
Amazing
10/10 (wished it was 11/10). Best tv show in my opinion and definitely my favourite.
After i've read the poem.....
Gut Punch After Gut Punch
The acting in this episode is phenomenal, testament to the chemistry achieved between the main cast, all of whom put out their greatest performances. The writing is sublime, maintaining the consistently excellent dialogue characteristic of this show. I'd willingly put money that this episode completely sweeps next year's Emmy awards.
Following the airing of this episode, the end has never felt so close and you quickly realise that you're not quite ready to let go of this show. It's not often that a show gets to end on its own accord and sometimes rarer that it goes out with a bang, but this episode signifies that the show will end with its head held high, and rightfully secures its legacy as one of the greatest programmes to grace the medium.
Le saviez-vous
- AnecdotesThe flashback of Walt and Jesse at the beginning of the episode was the final scene that was shot for the series.
- GaffesWhen the shooting first starts, Walt dives down in the back seat towards the floor and his glasses fall off. After the shooting stops and Jack begins talking to Hank, Walt appears in the back window of the SUV with his glasses on. With his hands cuffed behind his back, there is no way he could have retrieved and put on his glasses back on.
- Citations
Walter White: [as Jack holds them at gunpoint] Hank... listen to me. You gotta tell him. You gotta tell him now that we can work this out. Please. Please.
Hank Schrader: What? You want me to beg?
[Walter shakes his head, tears in his eyes]
Hank Schrader: You're the smartest guy I ever met... and you're too stupid to see... he made up his mind ten minutes ago.
- Générique farfeluWhen the opening credits begin after the first commercial break, the names of the first three actors appear in the normal sequence with normal timing. At the moment when the name Dean Norris would normally appear, the camera shows Walt looking at his own reflection in the rear view mirror. The name does not appear, and Walt turns the mirror to the side. The camera focuses in on the mirror's new reflection, an empty spot in the New Mexican desert. Walt then pauses for several moments. Finally, as Walt begins to move on, the name Dean Norris appears on the screen.
- ConnexionsFeatured in WatchMojo: Top 10 Saddest TV Deaths (2013)
- Bandes originalesTake My True Love by the Hand
(uncredited)
Written by Eugene Raskin and Oscar Brand
Performed by The Limeliters
Meilleurs choix
Détails
- Durée
- 47m
- Couleur
- Mixage
- Rapport de forme
- 16:9 HD






