L'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante éva... Tout lireL'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante évasion.L'équipage d'un navire de colonisation à destination d'une planète lointaine découvre un paradis inexploré avec une menace allant au-delà de l'imagination, et doit tenter une terrifiante évasion.
- Prix
- 3 victoires et 18 nominations au total
Avis en vedette
In the first 20 minutes I was so happy with Covenant. It felt sharp, atmospheric, there are interesting character situations, emotive moments and infinitely better writing than we had in Prometheus. As it progresses, this feeling continues - thankfully, a solid sci-fi film that got it right.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
Then Ridley starts to indulge in his convoluted ideas about creation and destruction. Its like switching from 1977 George Lucas to 1999 Lucas. You can almost hear Ridley at a writing meeting saying "this'll be cool, and this, and this, and then this" and the writer saying "uh, is this for the same film or later in the series?" "Yeah just cram it all in, make it happen".
You end up with three different films - a first act like a modern Alien which I loved, a middle act of Prometheus style philosophizing that feels like more Westworld, then a last act of two shoe-horned in action scenes homaging Aliens and Alien 3 respectively. Except there is no satisfaction at all, because the aliens are rushed, a bit silly, often awkwardly CGI looking, and not even convincing as threats because we don't care about any of it.
By the end I just have no idea what to think. I just think it would have worked much better if the ideas were done justice in their own film, rather than ham-fistedly trying to ram them into an Alien film to try and please fans and make box-office.
Alien Covenant expands on the strong concept introduced in Prometheus with a worthwhile follow up to the fate of certain characters.
For me the best moments all revolve around the characters played by Fassbender and how it links to the xenomorphs. His acting is excellent and makes the synthetic characters memorable. It helps he has the best material written for any character in the film. He is supported very well by all other cast members especially Katherine Waterston and Billy Cudrup.
Generally the plot feels like a retread of the 1979 movie. I prefer these characters to those in Prometheus (particularly the stupid scientists), but it is a shame it follows the original blueprint so closely. That being said, there are some tremendous moments of horror suspense.
The alien effects are some of the most gruesome in the franchise. For me it strays over the top for the sake of shock value. The filmmakers use modern CGI to full effect which is impressive, but I am more of a traditionalist when it comes to cinema and prefer it when the xenomorph relies on models, men in suits, animatronics, cinematography and great editing.
As you would expect from Ridley Scott the visuals are consistently excellent. I love the cinematography, the use of Milford Sound, and the art design.
For me the best moments all revolve around the characters played by Fassbender and how it links to the xenomorphs. His acting is excellent and makes the synthetic characters memorable. It helps he has the best material written for any character in the film. He is supported very well by all other cast members especially Katherine Waterston and Billy Cudrup.
Generally the plot feels like a retread of the 1979 movie. I prefer these characters to those in Prometheus (particularly the stupid scientists), but it is a shame it follows the original blueprint so closely. That being said, there are some tremendous moments of horror suspense.
The alien effects are some of the most gruesome in the franchise. For me it strays over the top for the sake of shock value. The filmmakers use modern CGI to full effect which is impressive, but I am more of a traditionalist when it comes to cinema and prefer it when the xenomorph relies on models, men in suits, animatronics, cinematography and great editing.
As you would expect from Ridley Scott the visuals are consistently excellent. I love the cinematography, the use of Milford Sound, and the art design.
The alien movies over the years have mutated manifold from straight up horror to a full on war/action flick then to a mixed backstory starting in alien 3 which was interesting but a massive failure. Prometheus visually stunning as it was was let down by an awful script an dialog in particular.
Where do we come from? Why are we here? Themes from Prometheus continue in the very first 5 minutes before the credits have even rolled. It continues to beat you over the head with its backstory which, for me makes no sense whatsoever. Some of the dialog references other master horror works such as Frankenstein but does so in a way that it's up its own arse. Forgetting what alien actually was in the first place, a coincidence that was never about back story. Characters explain the plot in basil exposition speaking like no one ever would - speaking their thoughts at every opportunity - yes we get it, it treats the audience poorly.
What I did like was the scene shown much in the trailer, a character trapped in concealed room as something happens to her colleague. It was a longer scene that was tense and exciting and I oh so wish the rest of the movie could have come close. In a strange way alien covenant takes iconic moments from the franchise and tacks them on here but makes me wish I was watching alien or aliens instead. It's technically good as always Ridley Scott is a visionary filmmaker, but is unable to turn a weak script into a good film.
Alien:covenant gets locked up in its own self importance while forgetting why we loved alien in the first place. I really wanted to like it but came a way with a huge sense of disappointment.
Where do we come from? Why are we here? Themes from Prometheus continue in the very first 5 minutes before the credits have even rolled. It continues to beat you over the head with its backstory which, for me makes no sense whatsoever. Some of the dialog references other master horror works such as Frankenstein but does so in a way that it's up its own arse. Forgetting what alien actually was in the first place, a coincidence that was never about back story. Characters explain the plot in basil exposition speaking like no one ever would - speaking their thoughts at every opportunity - yes we get it, it treats the audience poorly.
What I did like was the scene shown much in the trailer, a character trapped in concealed room as something happens to her colleague. It was a longer scene that was tense and exciting and I oh so wish the rest of the movie could have come close. In a strange way alien covenant takes iconic moments from the franchise and tacks them on here but makes me wish I was watching alien or aliens instead. It's technically good as always Ridley Scott is a visionary filmmaker, but is unable to turn a weak script into a good film.
Alien:covenant gets locked up in its own self importance while forgetting why we loved alien in the first place. I really wanted to like it but came a way with a huge sense of disappointment.
I don't know if I'm the only person to say this, but I think a horror movie works better if we see some intelligence in the script and in the characters' attitudes, and if the main antagonist is mysterious and able to surprise us. I liked "Prometheus", a film better than expected, albeit with a confusing script. This film establishes a clearer, more palpable link between that film and the "Alien" franchise. The script accompanies the "Covenant", a colony ship filled with people in hypersleep. The ship receives a mysterious signal from a planet that, by all indications, has excellent conditions for life, but quickly realizes that it has stumbled on a place where it should never have landed. After seeing the film, I had the feeling that we were looking at a very solid work that only lost when compared to the original franchise. Perhaps the best way to be fair is really to avoid this comparative exercise, which is seductive and almost impossible not to do.
Shall we start with the good things? Very good! The film is a sight for sore eyes, especially for sci-fi fans and for those who like very visual films with high doses of special effects, CGI or extraordinarily detailed scenarios. There is no doubt that the budget had a generous slice set aside for computer technicians, art and costume designers and cinematography, and this investment has paid off handsomely. Everything is accompanied by an excellent soundtrack and good sound effects. And of course, there are lots of tense scenes. It is one of those films where the tension is permanent, but which never really scares us.
Sadly, that's basically all this movie has to offer us. Fans of the Alien franchise will ensure that the film clarifies several gray points in the narrative of other films, such as "Prometheus", and I agree with this argument, but this does not seem to me to be something that we should overestimate, because it really was the least that could be done. Demanded from this film! At the script level, it is frankly disappointing: in addition to being lazy, making the most of what was done for the other films with which it is linked, it adds few new things. Yes, it creates some new creatures, "cousins" of the original xenomorph, but that's all. The human or semi-human characters are silly, devoid of development and seem to be waiting to be killed.
The film starts out great, but becomes slow and tiresome as it becomes predictable. I have a high regard for Ridley Scott's work, I think he's a very skilled and credited director, but it's hard not to acknowledge that he failed here. The director was dazzled by the amount of CGI potential and neglected the narrative, editing and direction of the actors. Among the actors, Michael Fassbender stands out the most. The actor has given us one of his best works so far. Katherine Waterston also did a very good job. The rest of the cast doesn't have the time or material to do anything special.
Shall we start with the good things? Very good! The film is a sight for sore eyes, especially for sci-fi fans and for those who like very visual films with high doses of special effects, CGI or extraordinarily detailed scenarios. There is no doubt that the budget had a generous slice set aside for computer technicians, art and costume designers and cinematography, and this investment has paid off handsomely. Everything is accompanied by an excellent soundtrack and good sound effects. And of course, there are lots of tense scenes. It is one of those films where the tension is permanent, but which never really scares us.
Sadly, that's basically all this movie has to offer us. Fans of the Alien franchise will ensure that the film clarifies several gray points in the narrative of other films, such as "Prometheus", and I agree with this argument, but this does not seem to me to be something that we should overestimate, because it really was the least that could be done. Demanded from this film! At the script level, it is frankly disappointing: in addition to being lazy, making the most of what was done for the other films with which it is linked, it adds few new things. Yes, it creates some new creatures, "cousins" of the original xenomorph, but that's all. The human or semi-human characters are silly, devoid of development and seem to be waiting to be killed.
The film starts out great, but becomes slow and tiresome as it becomes predictable. I have a high regard for Ridley Scott's work, I think he's a very skilled and credited director, but it's hard not to acknowledge that he failed here. The director was dazzled by the amount of CGI potential and neglected the narrative, editing and direction of the actors. Among the actors, Michael Fassbender stands out the most. The actor has given us one of his best works so far. Katherine Waterston also did a very good job. The rest of the cast doesn't have the time or material to do anything special.
I think people have too high expectation to new movies of famous franchises, and when it doesn't come to their expectation, they just freak out and start giving one out of ten. If you have seen lots of harsh criticism for this movie, I say it's not bad at all. It's still quite entertaining. To be fair, lots of good horror movies are barely above 6 out of ten. So don't avoid it just because people say they hate it. It's true that they throw lots of (probably too many) elements into this movie, which might turn out to be less exciting. However, the ending succeeds in opening up to more stories, which is good. Also, keep in mind that this is not meant to be like the previous alien movies. It has totally different theme. I bet Ridley is a totally different person now. I would be surprised if he makes a new alien movie with similar tone to the older ones. And it's sensible for the old Ridley to explore the "creation" stuffs. I think it's a fairly good sequel to Prometheus. Look, now we have a new franchise directed by Ridley Scott himself, which is some what relates to the alien franchise. That is just great.
All 'Alien' Movies Ranked by IMDb Rating
All 'Alien' Movies Ranked by IMDb Rating
See how the Alien franchise films rank, according to IMDb user ratings.
Le saviez-vous
- AnecdotesOn November 27, 2015, Sir Ridley Scott announced that this film would be the second (following Prometheus (2012)) in a new Alien trilogy that will take place closer to, and lead up to, the original Alien: Le huitième passager (1979) film. He later suggested that there may even be a fourth prequel film. However, the future of the series became uncertain after the purchase of 20th Century Fox by Disney in December 2017. The next film, tentatively titled 'Alien: Awakening', was set to enter preproduction that same month, but according to some sources, the project was shelved indefinitely. The commercial underperformance of Alien: Covenant as well as its lukewarm reception by critics and fans were named as reasons, although no official statements were made by Disney. In early 2019, however, the script called Alien: Awakening was actively being written, and Untitled Alien Prequel was officially in production as of 2022.
- GaffesDuring the opening act, the Covenant is damaged by a shockwave after Mother detects a "neutrino storm". Neutrinos are nearly massless particles which so rarely interact with other material that they commonly pass though the entire Earth without ever causing a reaction. They could not damage the ship as portrayed in the film. However, the ship wasn't damaged by a neutrino storm at all, but by (as the crew puts it) a "highly charged shockwave from a stellar ignition" (e.g. a supernova) and/or a "spontaneous stellar flare". A neutrino burst is merely something that occurs during a stellar ignition event but is not the cause of the event or any resulting shockwaves from it.
- Générique farfeluThe 20th Century Fox logo is in a shade of dark blue-gray.
- Autres versionsChinese version was heavily edited to get an approval from film censor's office. Beside violent scenes, almost any scene with an Alien was cut/shortened so you can barely see the creatures. The kiss between David and Walter was removed as well.
- ConnexionsEdited into Alien: Covenant - Advent (2017)
- Bandes originalesTheme from Alien
Composed by Jerry Goldsmith
Meilleurs choix
Connectez-vous pour évaluer et surveiller les recommandations personnalisées
Everything New on HBO Max in August
Everything New on HBO Max in August
Looking for something different to add to your Watchlist? Take a peek at what movies and TV shows are coming to HBO Max this month.
Détails
- Date de sortie
- Pays d’origine
- Sites officiels
- Langues
- Aussi connu sous le nom de
- Prometheus 2
- Lieux de tournage
- Milford Sound, Fiordland National Park, Southland, Nouvelle-Zélande(spacecraft landing site)
- sociétés de production
- Consultez plus de crédits d'entreprise sur IMDbPro
Box-office
- Budget
- 97 000 000 $ US (estimation)
- Brut – États-Unis et Canada
- 74 262 031 $ US
- Fin de semaine d'ouverture – États-Unis et Canada
- 36 160 621 $ US
- 21 mai 2017
- Brut – à l'échelle mondiale
- 240 892 187 $ US
- Durée
- 2h 2m(122 min)
- Couleur
- Mixage
- Rapport de forme
- 2.39 : 1
Contribuer à cette page
Suggérer une modification ou ajouter du contenu manquant