The Machine

This movie is relatively good and it touches all the right buttons and themes when it comes to the impending singularity, but brings little original. It is decently done, is watchable, and has a nice atmosphere and is relatively intelligent. Its budget is surprisingly low - standing at only 1.5 million, ten times less than an already low budget Ex Machina, which was released a year later independently, and has some similarities (and is a slightly better movie overall). Though the movie is relatively strong, it does not bring anything really new, but all the pieces are brought together in a way not done before in this plausible way. Some of the references do feel pretty corny (HAL shutdown in particular), and there is something of Terminator, some Blade Runner, and similarities to some other movies. However, the story is decently underplayed (unlike over the top movies like somewhat prone to hysteric outbursts like Transcendence), and despite of it being a straightforward, direct take on the usual themes (consciousness, freedom etc.), it still makes a pretty good, understated sci-fi noir movie, well worth a watch if you are into these kinds of things. Acting, atmosphere and writing are all well done.

The Machine is a rather successful attempt at implementing hard science fiction tendencies with a cyberpunk aesthetic. It may not be particularly adroit in terms of human and AI relationships, but I appreciate the rigor of the scientific explanation for the artificial intelligence. The film really excels at this in the beginning when Vincent conducts his own Turing tests as part of a secret headhunting operation. Then as he meets Ava things start taking a problematic turn. The military-industrial complex is invoked, but its purpose is sort of shadowy and never is contextualized in a way that would make the narrative more coherent.

The questioning of human identity is the strongest point of the film, but I suppose that, at the very core, this film was more interested in being a thriller, rather than an exploration of the philosophical concepts.

When a scientist is killed, Britain's Ministry of Defence clash with a lead scientist over plans for an artificially intelligent, self-aware and conscious android.

Inventive, visually interesting science fiction, packed with an array of sci-fi ideas. With an wealth of unapologetic camera light flare and well executed effects Caradog W. James The Machine delivers a thinking man's sci-fi with action thrown in for good measure. Computer scientists Caity Lotz and Toby Stephens give good innings with Lotz stealing the show in a dual role.

With echoes of Vangelis and Jean Michel Jarre, Tom Raybould's score helps smooth over any flaws of the film. In addition, making up for some clunky paced and staged scenes is the design of The Machine with her stylised look and robotic soft voice which will stick in the mind long after the credits.

With some great special effects and some strong performances this is solid entry in modern British sci-fi. James delivers a brooding, stylish and highly atmospheric science fiction. Recommended.

I had no expectation for this movie, and can't really claim that I did any prior investigation into it before sitting down to watch it. And now that I have, I sit here with a somewhat hollow feeling.

While the movie was nice visually and atmospherically, then content-wise and story-wise, then "The Machine" didn't really lift the bar in any possible way. The storyline was nearly non-existing, or at least simple to the level of being pointless, which made the movie suffer terribly.

The concept of the movie does raise a valid question about robotics and their usage, but director Caradog W. James really didn't manage to establish anything in that sense. And the movie ended up being a rather shallow experience and a pointless one as well.

I will say that the acting was adequate, and people were doing good enough jobs with their given roles and characters. But everything was just a tad too superficial, and the actors weren't really allowed to shine on the screen.

Visually, then the movie was nice to watch. Now, don't expect a billion dollar Hollywood CGI fest here, then you will be sorely disappointed. But the effects team behind "The Machine" pulled it off quite nicely, and the effects came off as believable and real. Although, one thing did raise a question mark, as a machine, would would you see billowing steam exhaling from Caity Lotz's mouth during the "revolt" scene? That was just a stupid mistake (either that, or I pay way too much attention to everything in the movies).

I am giving "The Machine" a 5 out of 10 stars, because it was a mediocre experience that suffered from a horrible storyline, and had the effects and acting to lift up the movie despite the bad storyline. But come the ending, there really were no particular point to this movie.

Frankenstein meets the Terminator meets Blade Runner meets Barbie as emergent biotronic warriors mobilizing against the yellow menace. I actually didn't think it was that bad with some imaginative stuff resonating across several levels of boilerplate. How do you know you're alive? At what point do we become conscious with conscience? How is this programmable in a machine? And how about when a machine can "feel", like appreciate a sunset? I appreciated the irony of the scientist saving her daughter, and then her preferring to play with her "mother". That was funny. Would have liked to have known a lot more about the "machines" that communicated in garble-speak, a language we humans can't understand. What were they talking about? What was the role of the "chief security officer" and what was her backstory? She appeared to play a significant yet underdeveloped role that was under-communicated.